AVALIAÇÃO DA IMDb
5,8/10
92 mil
SUA AVALIAÇÃO
Uma super-agente da black ops busca por vingança depois de ter sido enganada durante uma missão.Uma super-agente da black ops busca por vingança depois de ter sido enganada durante uma missão.Uma super-agente da black ops busca por vingança depois de ter sido enganada durante uma missão.
- Prêmios
- 7 indicações no total
Debby Lynn Ross
- Diner Waitress
- (as Debby Ross Rondell)
Avaliações em destaque
Steven Soderbergh, Ewan McGregor, Michael Douglas, Antonio Banderas, Michael Fassbender, Channing Tatum - the hype pre release was high but the reviews lacklustre. So when I finally came to watch this movie I had little expectation. As stated previously Soderbergh has tried to put an arty spin on an action movie which doesn't quite work. The story is too loose and some of the character development far too shallow. However for me the highlight was the surprisingly good performance from Gina Carano. A great introduction to high profile acting from a believable actor who looks stunning and can really pack a punch. Hopefully we will get to see a lot more of Gina in the future.
This movie stands out from any movie I've ever seen for one reason: it is the only movie I've seen where I believed the people fighting were actually fighting. I can't remember ever seeing a film where I was actually wincing and tensing up from fear that somebody was going to get hurt.
This isn't a film that depends on CGI or fast cuts or clever angles or even stunt people for the most part. The star of the film is clearly a very physical and capable woman of action, and she made me believe she was actually hurting the people she was pretending to hurt.
For that reason alone, it will always stand out in my memory. Most action films these days are terribly boring because it's all so cartoonish and exaggerated and stylized, and therefore unbelievable and fake. But this film kept the action grounded in the physical capabilities of its very capable star, and that made it anything but boring. I guess it didn't do to well at the box office, which is too bad. If this had launched a franchise I'd have been a big fan.
This isn't a film that depends on CGI or fast cuts or clever angles or even stunt people for the most part. The star of the film is clearly a very physical and capable woman of action, and she made me believe she was actually hurting the people she was pretending to hurt.
For that reason alone, it will always stand out in my memory. Most action films these days are terribly boring because it's all so cartoonish and exaggerated and stylized, and therefore unbelievable and fake. But this film kept the action grounded in the physical capabilities of its very capable star, and that made it anything but boring. I guess it didn't do to well at the box office, which is too bad. If this had launched a franchise I'd have been a big fan.
Haywire is directed by Steven Soderbergh and features an all star cast that includes Michael Douglas, Ewan McGregor, Antonio Banderas, Channing Tatum and Michael Fassbender.
However the main star is MMA fighter Gina Carano as Mallory Kane who works in black ops and is hired to pose as he wife of a British agent and ends up being a target for elimination herself. Carano has to unravel who is trying to set her up.
The film is shot with little dialogue and a moody setting, many of the known cast has small roles and its a 'unHollywood thriller' although Carano does get to kick ass as well as getting chased mainly in the streets or rooftops of Dublin.
Fassbender and Carano's scenes standout especially their combat sequences. Its an unusual film given the director is an Oscar winner 'A' lister director who has gone back to his roots and decided to make an independent action film. By and large he succeeds and Carano looks like someone, given the right material who could breakout as an action star.
However the main star is MMA fighter Gina Carano as Mallory Kane who works in black ops and is hired to pose as he wife of a British agent and ends up being a target for elimination herself. Carano has to unravel who is trying to set her up.
The film is shot with little dialogue and a moody setting, many of the known cast has small roles and its a 'unHollywood thriller' although Carano does get to kick ass as well as getting chased mainly in the streets or rooftops of Dublin.
Fassbender and Carano's scenes standout especially their combat sequences. Its an unusual film given the director is an Oscar winner 'A' lister director who has gone back to his roots and decided to make an independent action film. By and large he succeeds and Carano looks like someone, given the right material who could breakout as an action star.
And the reason I give that advice is that you will have the opportunity to experience Soderberg again but I am not sure I can say the same for Carano.
This is of course a change of pace for Soderberg who is actually becoming known for his ability shape-shift between genres and do a pretty good job at each one he chooses.
This is an average spy thriller lifted to above-average by an A-List cast backed by Gina Carano in the action scenes.
Carano is the actual reason I wanted to review the film. She is a rarity in modern film, a good looking actress who shows not the slightest hesitation at going all JCVD on someone's butt if the script demands it.
And she is good. I mean there are multiple scenes here where she carries the attention of the viewer and it is hard to imagine another actress doing that as well.
The unfortunate part is that it seems no one in Hollywood wanted to accept the challenge of moving her career along even though it deserved to be moved. I watched her in IN THE BLOOD, a later effort framed as a B movie and lacking all the class and polish in this one.
Too bad. I miss her already.
This is of course a change of pace for Soderberg who is actually becoming known for his ability shape-shift between genres and do a pretty good job at each one he chooses.
This is an average spy thriller lifted to above-average by an A-List cast backed by Gina Carano in the action scenes.
Carano is the actual reason I wanted to review the film. She is a rarity in modern film, a good looking actress who shows not the slightest hesitation at going all JCVD on someone's butt if the script demands it.
And she is good. I mean there are multiple scenes here where she carries the attention of the viewer and it is hard to imagine another actress doing that as well.
The unfortunate part is that it seems no one in Hollywood wanted to accept the challenge of moving her career along even though it deserved to be moved. I watched her in IN THE BLOOD, a later effort framed as a B movie and lacking all the class and polish in this one.
Too bad. I miss her already.
Once again, I stepped into a movie with zero expectations, and was pleasantly surprised. People told me to avoid "Haywire" but I found it reasonably entertaining.
First off, I was amazed by the number of likable actors that are in the movie - Ewan McGregor, Michael Fassbender, Michael Douglas, Antonio Banderas and Bill Paxton (where has he been hiding?) all star in co-roles. I don't know the main actress in the movie but she did a fine job, and apparently did all her own stunts.
Flick has been un-fairly compared to Angelina Jolies "Salt." Why? Because it stars a woman kicking guys ass's perhaps? I guess their plots are kind off similar too, but "Salt" was an over the top action movie. Outside of a couple of movie-style fights "Haywire" feels more realistic, but where it really succeeds is in its style. It works as a cool thriller that I found myself smiling at because off the way it tells its ex-assassin-getting-chased-again plot. Although maybe not everyone will give it a thumbs up, I will because I enjoyed it.
First off, I was amazed by the number of likable actors that are in the movie - Ewan McGregor, Michael Fassbender, Michael Douglas, Antonio Banderas and Bill Paxton (where has he been hiding?) all star in co-roles. I don't know the main actress in the movie but she did a fine job, and apparently did all her own stunts.
Flick has been un-fairly compared to Angelina Jolies "Salt." Why? Because it stars a woman kicking guys ass's perhaps? I guess their plots are kind off similar too, but "Salt" was an over the top action movie. Outside of a couple of movie-style fights "Haywire" feels more realistic, but where it really succeeds is in its style. It works as a cool thriller that I found myself smiling at because off the way it tells its ex-assassin-getting-chased-again plot. Although maybe not everyone will give it a thumbs up, I will because I enjoyed it.
Você sabia?
- CuriosidadesGina Carano underwent a six-week intensive tactical training course with Aaron Cohen, an ex-Israeli special ops fighter. She spent three hours a day in stunts and three hours a day with Cohen. During a particularly harrowing two-week period when Cohen was teaching Carano the art of surveillance and countersurveillance, he and his team tracked her via a GPS system installed in her car. He gave her a prop blue pistol to use as defense and intercepted her as she was coming out of a hair salon. "I just got extensions and was feeling so pretty and there he was," recalls Carano, laughing. "He taught me entry and exiting a building, clearing a room, he put a GPS on my car, he like, followed me around. He had me stalking people, he had people stalking me. They just put me with a soldier who had never done a film before either. We were just soldier and a fighter thrown together in these unique circumstances and got to know each other's backgrounds. I think that was the biggest part of my preparation."
- Erros de gravaçãoThe fight on the beach, presumably near Veracruz, takes place at sundown. But Veracruz is on the east coast, and the sun rises from the sea on the east coast of Mexico.
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Agentes Secretos
- Locações de filme
- Russborough House, Blessington, County Wicklow, Irlanda(west wing ground floor interiors)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 23.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 18.942.396
- Fim de semana de estreia nos EUA e Canadá
- US$ 8.425.370
- 22 de jan. de 2012
- Faturamento bruto mundial
- US$ 34.513.760
- Tempo de duração1 hora 33 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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