The Girl with the Fork

The film really nails the suspense, with a plot that slowly unravels each character's secrets. But it can drag a bit and gets a little too convoluted in spots. Even so, it's a solid pick for anyone into indie feeling suspenseful dramas. The soundtrack is a highlight that totally amp up the tension and match the film's quirky feel.

There's a couple really lynchesque on steroids tracks in there. The cast does a great job, bringing the characters to life as the plot takes its twists and turns. Pacing can be challenging, especially the camera work that often chooses to stay put and linger for ages on a framing, but overall, I think it's a really solid effort.

Compelling throughout and I'm still sitting here mulling over it all.

Thrilling and suspenseful throughout with brilliant shots, sublimely lit, and the sound and score by Fernando Gemeno was perfect.

Lovely profile shot of Dylan Baldwin was reminiscent of Alfred Hitchcock's entrance to The Funeral March of the Marionnettes from his television series.

Brilliant and imaginative 'off the wall' writing from Ignacio Maiso and yet again, Rebecca Calienda captivates with her truly great acting.

Can't wait for the next picture from Tractorni Productions.

Certainly worthy of another screening - gonna do that now.

Andrew Norman.

An intriguing, convoluted, deep, emotional and mysterious story. Really nice individual and sensitive performances particularly from Rebecca Calienda, Dylan Baldwin and Paul Dewdney, delightful lighting and cinematography by Matthew Hicks, and superb script writing and direction from Ignasio Maiso. If you don't want your thriller/drama stories spoon-fed then this is definitely one for you, it'll have you thinking for days afterwards! All in all, an excellent film, very stylish and thought provoking; I first watched it on the film festival circuit, I'm delighted that I discovered this low-budget movie gem.

I gave this about 15 to 20 minutes, in which there is very little dialogue and what dialogue there is, is so dragged out it became ridiculous. It took at times a full minute for a character to get out one word and then another. I had no idea what was going on, and didn't care as there is no character development. Actors would just stand in a room looking around. A man takes off his shirt , that took a few minutes but felt like half an hour. I guess this was trying to be something arty but it's just nonsense. I wasn't even curious to see where it was going because I had to force myself just to suffer through the first 15 minutes. Don't bother. The ratings on this have nosedived as the real reviews are posted.

This is a wonderfully intriguing, thought provoking suspense from Ignacio Maiso that has all the brilliant hallmarks that define his directorial and writing talents. I've worked with him before starring in Prowler. His intentional use of light, shadow, stillness, metaphor and music along with rhythm and texture create the intensity in this feature that perfectly rides on the waves of his unmistakablely creative storyline. It breathes carrying the viewer to unknown outcomes until they are discovered. Then it comes together like act 4 of a dramatic opera. Much applause for this strong cast too. Well done!