AVALIAÇÃO DA IMDb
5,7/10
7,7 mil
SUA AVALIAÇÃO
Depois que várias tentativas de suicídio fracassam, um casal decide aproveitar e se matar no dia de ano novo.Depois que várias tentativas de suicídio fracassam, um casal decide aproveitar e se matar no dia de ano novo.Depois que várias tentativas de suicídio fracassam, um casal decide aproveitar e se matar no dia de ano novo.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias e 4 indicações no total
Priyanka Chopra Jonas
- Kiara
- (as Priyanka Chopra)
Ilona Marino
- Airport Couple
- (as Ilona Gugan)
Adrian Bustamante
- Chaperone
- (as Raul Bustamante)
Sina Hajhassan
- Young Akash
- (as Sina Hajassan)
Avaliações em destaque
this is my first review on IMDb.
i registered to tell all of you how bad this movie is.
there is no story whatsoever, most of the events in the movie are not justified, ranbir appears bored as if he is being forced to do this film although priyanka does well.
there is some crude been-there-seen-that gay comedy which mostly falls flat. a couple of comic scenes do stand out for their originality. the rest of the movie is plain boring and a torture to sit through.
the film is technically brilliant though, with outstanding camera-work once again by Mr. Ravi Chandran, excellent music by vishal-shekhar and beautiful foreign locales.
i will go with a generous 4 out of 10 for this film only for the music and the cinematography. if u don't mind mental torture, go for this one!!
i registered to tell all of you how bad this movie is.
there is no story whatsoever, most of the events in the movie are not justified, ranbir appears bored as if he is being forced to do this film although priyanka does well.
there is some crude been-there-seen-that gay comedy which mostly falls flat. a couple of comic scenes do stand out for their originality. the rest of the movie is plain boring and a torture to sit through.
the film is technically brilliant though, with outstanding camera-work once again by Mr. Ravi Chandran, excellent music by vishal-shekhar and beautiful foreign locales.
i will go with a generous 4 out of 10 for this film only for the music and the cinematography. if u don't mind mental torture, go for this one!!
Few stand outs from this mushy romantic parable directed by Siddarth Anand. "Confusion is the only med for confusion", "Storytellers do not freeze in sub-zero waters", "Blush is better than ram-pyari with free money, clothes, gas and aamir-all-is- well-sense", "Love travels faster than any science" and many more whims.
Diverse characters – heart-broken in their own ways - witness each other while ridiculing themselves! PC is heart-broken after losing trust in her infidel lover, while RK is struck with misfortune as his overambitious stunts crash with the stock market and dissolve his firm leaving his co-workers / friends distraught. While the movie starts on a negative note, with the 2 trying to commit suicide, the script moves naturally with the 2 teaming up in their pursuit of death. Unfolding memories, as they confront each other, help them learn and appreciate the optimism of life. The story moves to the obvious, fallin' in love, which changes the genre of the movie to emotional atyachar. And as it happened in KHNH, Love Aajkal and Hum Tum, the Mungeri Lals' realize their feeling for each other after they are miles apart. Of course, they did not commit suicide on Dec 31 – as they had initially planned – but ended up confessing their love in sub-zero waters at 12 midnight! They eventually commit suicide by getting married.
The amateurish direction brought out scenes that lacked finishing, e.g. 1. Can't you wrap the cling film starting from nose-down instead? 2. In a random desert, how can you walk directly to your stolen car – GPS tech, coincidence, ? 3. The fuming radiator just needs fresh air, few prayers and 'Love', to cool off!?
None of the songs were script-worthy, and definitely crowded the script. PC could have done better as Kiara, considering her natural buoyant attitude. However, the script convincingly brings out the entertaining chemistry between them, thanks to RK's smooth acting and personification of Akash.
There are a few good messages, however. As you try running away from life you realize how exciting it becomes. At the same time, the proximity to death makes it easy to live life as there's no tomorrow. Philosophical, isn't it?
Diverse characters – heart-broken in their own ways - witness each other while ridiculing themselves! PC is heart-broken after losing trust in her infidel lover, while RK is struck with misfortune as his overambitious stunts crash with the stock market and dissolve his firm leaving his co-workers / friends distraught. While the movie starts on a negative note, with the 2 trying to commit suicide, the script moves naturally with the 2 teaming up in their pursuit of death. Unfolding memories, as they confront each other, help them learn and appreciate the optimism of life. The story moves to the obvious, fallin' in love, which changes the genre of the movie to emotional atyachar. And as it happened in KHNH, Love Aajkal and Hum Tum, the Mungeri Lals' realize their feeling for each other after they are miles apart. Of course, they did not commit suicide on Dec 31 – as they had initially planned – but ended up confessing their love in sub-zero waters at 12 midnight! They eventually commit suicide by getting married.
The amateurish direction brought out scenes that lacked finishing, e.g. 1. Can't you wrap the cling film starting from nose-down instead? 2. In a random desert, how can you walk directly to your stolen car – GPS tech, coincidence, ? 3. The fuming radiator just needs fresh air, few prayers and 'Love', to cool off!?
None of the songs were script-worthy, and definitely crowded the script. PC could have done better as Kiara, considering her natural buoyant attitude. However, the script convincingly brings out the entertaining chemistry between them, thanks to RK's smooth acting and personification of Akash.
There are a few good messages, however. As you try running away from life you realize how exciting it becomes. At the same time, the proximity to death makes it easy to live life as there's no tomorrow. Philosophical, isn't it?
I am sure my review won't be any different from the ones already posted. The movie starts with an unusually depressing premise for a bollywood style romance. It sounds promising but the director was probably instructed not to be too experimental because he quickly recovers himself and falls back into the routine of making a painfully boring love story. The first half has a few rare, blink and u miss it funny moments.The saddest part is that Priyanka and Ranbir actually have an excellent chemistry. So much scope and talent gone to waste! The hypocrisy also kills the mood. On one hand the protagonists are shown as modern , living on their own terms kind of characters who share an apartment , and when need arises , even a bed. Yet it becomes necessary for the director to force their virtuousness down our throats. Anyway the second half adds nothing to the story except some tears and then some more. Instead of making an entire movie on killing themselves they should have just made those two kill someone. Now that would have made an interesting story.
It has story of half an hour but exaggerated for 2 and half hour. Not so exciting yet predictable. But the music was awesome so 2 extra stars for that. Thank you.
The suicide attempt of two strangers gets inter-twined. "I scratch your back, you scratch mine" becomes the mission statement of their collaboration. What ensues next is flashbacks of their reasons to end their lives, discover each other and the beauty of life itself. Did I forget to mention all this in the process of futile suicide attempts?
♫ Priyanka Chopra:: Good writing in certain parts of her character though sometime she appears quite bubbly and sometimes low-down. Priyanka gives her best shot.
♫ Ranbir Kapoor:: Gets to showcase various emotion of the character and the layers to it. Delivers at ease. A black horse to watch out in the Bollywood arena.
♫ Zayed Khan:: He falters regardless of an intense scene, casual scene or melodramatic scene. Nonetheless, no great damage to the fly-in-the- ointment character.
For starters, the movie should have been "Anjaani Anjaana" for the premise of Priyanka Chopra has a greater depth which had the potential to leave lasting impact had the movie started on that thread. Ranbir's starting point is quite weak and ill-written. The plot could have connected well if it was based in India and the journey of the protagonist would have revolved around "Discovery of India". The weakest of the movie are the excessive cinematic liberties in the plot, hence the reference Kismet Konnection stated.
The outline of the plot is clueless whether it was meant to be comedy or love-story under the framework of suicide mission. Owing to which the writing is poor is both fronts.
The song "Aas Paas Hain Khuda" is a standard piece of line which is placed whenever there is Kismet Konnection moment. Having said that music is not as rich as "Hum Tum" or "Bachna Ae Haseeno".
With "Robot" released alongside I got the impression that AA suffered but frankly that wasn't the case. Even the multiplex crowd (read that generation next) could not fancy the meat in the plot. The only takers I suppose must have been Ranbir and Priyanka's fan-base.
♫ Priyanka Chopra:: Good writing in certain parts of her character though sometime she appears quite bubbly and sometimes low-down. Priyanka gives her best shot.
♫ Ranbir Kapoor:: Gets to showcase various emotion of the character and the layers to it. Delivers at ease. A black horse to watch out in the Bollywood arena.
♫ Zayed Khan:: He falters regardless of an intense scene, casual scene or melodramatic scene. Nonetheless, no great damage to the fly-in-the- ointment character.
For starters, the movie should have been "Anjaani Anjaana" for the premise of Priyanka Chopra has a greater depth which had the potential to leave lasting impact had the movie started on that thread. Ranbir's starting point is quite weak and ill-written. The plot could have connected well if it was based in India and the journey of the protagonist would have revolved around "Discovery of India". The weakest of the movie are the excessive cinematic liberties in the plot, hence the reference Kismet Konnection stated.
The outline of the plot is clueless whether it was meant to be comedy or love-story under the framework of suicide mission. Owing to which the writing is poor is both fronts.
The song "Aas Paas Hain Khuda" is a standard piece of line which is placed whenever there is Kismet Konnection moment. Having said that music is not as rich as "Hum Tum" or "Bachna Ae Haseeno".
With "Robot" released alongside I got the impression that AA suffered but frankly that wasn't the case. Even the multiplex crowd (read that generation next) could not fancy the meat in the plot. The only takers I suppose must have been Ranbir and Priyanka's fan-base.
Você sabia?
- CuriosidadesFirst film to feature both Ranbir and Priyanka. They later worked together in Barfi! (2012).
- Erros de gravaçãoDuring Kiara's first flashback scene, when Kunal is playing a video game, the TV screen shows wii sports. However, there is no wii controller in his hand, but some other type of controller. Moreover, his wii character continues to move even though he leaves the controller to talk.
- Versões alternativasThe UK release was cut, the distributor chose to remove references to and sight of a potentially dangerous suicide technique in order to obtain a 12A classification (in this instance, asphyxiation). An uncut 18 classification was available.
- ConexõesReferenced in Taarak Mehta Ka Ooltah Chashmah: Peter Fernandez and the Car Part 1 (2011)
- Trilhas sonorasAnjaana Anjaani Ki Kahani
Music by Vishal Dadlani and Shekhar Ravjiani
Lyrics by Neelesh Misra
Performed by Nikhil D'Souza, Monali
Principais escolhas
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Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 854.757
- Fim de semana de estreia nos EUA e Canadá
- US$ 517.608
- 3 de out. de 2010
- Faturamento bruto mundial
- US$ 9.062.995
- Tempo de duração2 horas 31 minutos
- Cor
- Mixagem de som
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