I Love America

This movie took me by surprise... I imagined it was a romcom but it's in fact very deep... in a French way. The wittiness of Luka can be lost in the plain English subtitles tho for the English speaking viewers.

Sometimes it reminded me of Pedro Almodovar cinema too... Sophie Marceau is the ONLY person for the role , she's fantastic. I will never forget the line « We leave our mother twice, when we are born and when she dies »... Watching this movie was an uplifting experience as it touches on love and tenderness, two things our world badly needs these days...

As a casual watcher and older woman, I enjoyed this movie very much. I also relate to the main character's experience of raising herself. I recommend watching without expectations and entirely. This movie is hauntingly hopeful.

For those of us who are not fluent in French Language, the availability of subtitles would have been greatly appreciated. Otherwise, with half of the movie in French, it's pointless to even attempt to watch this.

This is an exemplary film, which should be shown in film schools. It's a breviary of everything you shouldn't do. Impressive. The film lacks artistic direction. Which is normally the director's job (in France), or the producer's (in the USA).

The breviary is exemplary. There is a useless, and above all ridiculous, voice-over (it sounds like a text generated by a robot on the internet) which translates the director's inability to tell her story through the mise en scène. The film contains multiple shots, even entire scenes, that are unnecessary and could be removed. There are useless 20 minutes. There is a real lack of discernment. No one asked themselves the question of the length of this pensum?

Finally, to top it all off, the script is a pile of hackneyed clichés (not to be confused with stereotypes, which are useful for the drama), strung together like pearls and which seem to be thought of as powerful revelations... One of the ridiculous ones is the homosexual friend, very "crazy" of course and who owns a box of transvestites or similar: since 1978 (La Cage Aux Folles, Édouard Molinaro) the representation of homosexuality has come out of these chromos... The French are noisy. The runnings gags are at least out of a think tank. The cab drivers want to be actors. We have the shot on the mount Lee, the palm trees... The film is based on a dramaturgy and a scenario free of any element related to reality: the film contains no sociological, societal, social or economic element that links it to a reality. Impressive. They are wealthy and do not work. While the characters seem to suffer (we don't care).

It would seem that there is an alibi of truth, in the sense that there is inspiration from a true story. But veracity is no guarantee of drama.

Netflix has nothing to fear from Prime Video with a film like this. Prime Video needs to be careful and not fund films that are permanently weak, i.e. Dumb.

Seemingly ageless French icon Sophie Marceau plays a woman who after raising two daughters looks for a fresh start in the US. As she's a movie director in her home country she chooses LA and Hollywood as her destination. Lisa also has a close friend there.

She wants to experience the places she's seen in her favorite movies and maybe relive some of the stories portrayed there.

You may have noticed by now that this is a semi-autobiographical movie depicting the life of the director of this very film.

So you won't be surprised that it's not just the typical Hollywood romcom made after a checklist from the studio. Indeed it seems to be combining the French way of making movies with some of the Hollywood standards.

Yes, we have some typical ingredients like the supportive gay friend and the obnoxious dates meant to make us cringe.

Yet almost at the beginning we get a u-turn where Lisa has to literally revisit her deeply troubled relationship with her parents. So we witness her reluctantly dealing with her childhood trauma both in the current time frame and in flashbacks.

This can be rather depressing, sad and triggering at times but when we wade through the difficult emotions with our protagonist we can also enjoy the shiny and (not always) happy encounters throughout the movie.

The somber undertone makes this movie less of a comedy. It's rather a fresh and uninhibited look at modern relationships. So if you're in it just for cheap laughs you might be disappointed.

We have some of the bizarre downsides of (online) dating here but they are shown in a realistic way so they are not really laughable due to their somewhat ridiculous nature. These are rather WTF moments.

Also if you don't like gay people being shown cross-dressing and kissing you will probably hate it.

I blame homophobia for the surprisingly low reviews. Apparently some "American patriots" were drawn in by the title just to realize that it is the open minded America people from outside the US love. If you hate truly American values like freedom of expression don't watch this.

If you are a healthy heterosexual man (like I am) - sorry for the outing - you may want to watch the movie just to see the lead's breasts! They are incredible. How on earth do they look so beautiful at that age without looking fake at all? I hope this is not just about CGI special effects.

Given that I Love America is just an Amazon Prime production and rather low budget compared to full-fledged Hollywood movies I was pleasantly surprised by the depth, uplifting message and overall enthusiasm of this little film.

The main drawback is that it's basically two films at once, one about dealing with childhood trauma and one about navigating the often strange realm of dating and (the lack of) relationships these days.

I had the impression that the movie was jumping back and forth all the time.

Each time you relaxed a bit there was another blast from the past. So I can't give "I Love America" a 9 or 10 like the "one time reviewers" reviews which look like mostly written by friends and team members.

I Love America is clearly better than your stereotypical Hollywood romcoms. It combines the best of two worlds, French filmmaking and tried out Hollywood concepts yet it could be more polished and have benefitted from a bigger budget IMHO. The editing and overall cinematography have suffered from this apparent lack of funds.

I hope to see more (American movies) of Sophie Marceau and writer-director Lisa Azuelos. This is indeed a fresh start.

Last but not least Sophie plays a woman of 50 who poses as 43 while in reality being 57 at time of filmmaking. I had to look that up to make sure. Why? She looks incredible. I should add "older women" to my online dating settings haha.