Miranda's Victim

A beautiful tale of salvation and cultural evolution. A young lady's journey through a course of absurd unjustnesses to get the justice done for an obvious heinous crime. The revelation on the backwardness of toxic masculinity is sharply criticized also knocking off any remnants at present. Thought provoking crusade marking a mile stone of law and policing of a country. And the flawless performance by Abigail Breslin was a bonus and the rest of the cast were also putting up sincere performances. Great visuals capturing both emotions and changing imes. Great music saves the story from any dullness. Miranda's victim is a iconic docudrama that's uniquely interesting.

"Miranda's Victim" is a true story and is about the landmark case which brought the so-called 'Miranda Rights' to the forefront. I should mention that the case involving Mr. Miranda was a tough one to watch and talk about, as he kidnapped and sexually assaulted a poor lady. I mention this because it's important to know about this before you watch. If you've been a victim yourself, you might want to think twice about seeing the film. You also might want to have a loved one watch it with you.

Now I am not saying the film handles the subject matter poorly. I was actually VERY impressed that they didn't show much of the assault and it was clear to show how terrible doctors can be when they examine patients who have been attacked. I also appreciated the inappropriate way some folks handled this...such as the victim's own mother. It was not glossed over and these scenes might be best to be seen with some Kleenex nearby.

The story begins in 1963. A young woman is kidnapped and assaulted. While her mother wants her to be quiet and not tell the police, her sister insists and Trish talks to a police detective about the incident. The film follows the police work...leading ultimately to the arrest of Ernesto Miranda. What happens next and how they now name the police 'Miranda' warning after him, you'll have to see for yourself.

This film is truly terrific...hard to watch...but terrific. I cried and yelled quite a few times during the movie...a testament to the impact of the movie. It also did something very few movies do which are based on true facts...it stuck to the facts and really told the story well. As a result, it's probably the best made film about sexual assault you can watch...tough watching, of course, because it is made so well. Terrific acting, direction and, well,...everything.

By the way, this was Donald Sutherland's final feature film. While he's not the star, he was terrific as a judge and it's a wonderful career ending movie.

Historical accuracy: 8.

Acting: 6.

Dialogue: 8.

Camera work: 8.

Editing: 6.

Budget: 7.

Story: 8.

Theme: 9.

Pure entertainment factor: 7.

Pacing: 7.

Suspension of disbelief: 8.

Non-cringe factor: 7.

Lack of flashbacks: 3.

Special effects: NA.

Video quality: 7.

Great little movie. You can see where it's a tad cheap and rushed. But it doesn't have a TV movie feel to it despite in those few instances. The story is great and I didn't know about a lot of these historical details that I assume are largely true as the main facts I do know are presented fairly here. Initially the movie starts out with us not knowing if Miranda did it as the victim didn't quite recall much. And we see how the police trick him into thinking they have a bunch of evidence they don't actually have, making him sign a confession. At the end of the movie we practically know for sure what happened during the criminal act. The Miranda warning doesn't save him despite the Supreme Court creating it for his defense.

The main issue is the constant flashbacks that ruin the pacing much of the movie. At times they add a bit to the movie, mostly they just fully break any tension and setting. Overall it's a very strong movie besides the editing which ruins some parts of it. I would gladly watch more of these type of movies as I love police investigations and trials. The victim did have way too many scenes where she was just crying or doing nothing. Which ruined her character as she ended up looking like a clueless doll. Which surely was not the intention yet that's the result of too many scenes with nothing happening in them for periods of time. The camera could at least have moved with her movements to make it look more dynamic. The police officers were the heroes here delivering top tier acting and very engaging scenes without overacting. The rest felt a tad flat.

Although everybody has heard about the Miranda warning, nobody really knows the background story about the circumstances that led to the enactment of this ruling.

Miranda's Victim presents the story from all sides: through the eyes of the attorneys, Miranda, and most importantly, his victim. Trish Weir's persistence in obtaining justice at a time where few women reported rapes is a crusade that still resonates today as women collectively find their voices to share their own sexual abuse stories in the ongoing MeToo movement.

This movie is not just a story. It sends a greater message to all sexual assault victims on how one brave voice can have such a profound effect on the American justice system.

Greetings again from the darkness. "You have the right to remain silent." Whether you say it out loud or just finish it in your head, the vast majority of us know what follows, even if it's (hopefully) just from watching TV and movies. You likely also know that it's part of The Miranda Rights ... a list of rights that anyone being arrested is entitled to. If you are like me, you probably hadn't put any thought into the origin of those rights or the requirement for law enforcement to recite them in a timely manner. Director Michelle Danner (THE RUNNER, 2021) and co-writers George Kolber and J Craig Stiles are here to educate by bringing us the story of Trish Weir and Ernesto Miranda.

The film is based on the true story of Trish, an 18-year-old working at a local movie theater. After one late night bus ride home from work, she was abducted and raped. As Trish, Abigail Breslin proves yet again that she is a terrific actor, and fully grown up since her breakthrough performance in LITTLE MISS SUNSHINE (2006). What follows is gut-wrenching, and likely a scene that played out all too frequently fifty years ago, and still occurs today. Trish's mom (Mireille Enos, "The Killing") tries to dissuade her from going to the police by warning her that "they never believe the victim", and that she will then be considered "damaged goods." It's painful to watch this play out, despite knowing that mom thinks she is protecting her young daughter. Trish's sister Ann (Emily Van Camp, "Revenge") is very supportive and follows her to the doctor for the initial check-up, to the police station for filing the report, and ultimately to the courtroom.

There is much to consider in this story. How courageous was Trish for standing up and pursuing the case? How about the detectives (played by Enrique Murciano, Brent Sexton) who recognized that even though other victims had chosen not to come forward, Trish could help them stop a really bad guy? And then there is a legal system that was unfair to both Trish and Ernesto Miranda (Sebastian Quinn), as well as the attorney, judges, and jurors involved with the cases. Fittingly, a clip of the 1962 classic TO KILL A MOCKINGBIRD is shown, emphasizing the wheels of justice turn slowly. We see that the ACLU attorney (Ryan Phillippe) gets involved when he believes Mr. Miranda was coerced into a confession. This is the case that changes everything.

Supporting work comes from Luke Wilson as Trish's attorney, Lawrence Turoff; Andy Garcia as Miranda's first defense attorney, Alvin Moore; Donald Sutherland as a judge in the case; Taryn Manning ("Orange is the New Black") as a key witness; Dan Lauria as the examining doctor; and Kyle MacLachlan as Chief Justice Earl Warren, who is excited for a rare public reading of the Supreme Court's landmark ruling in 1966. It should be noted that the film is very well acted, with the notable exception of Ryan Phillippe, who tries oh-so-hard to steal his scenes, failing painfully.

Michelle Danner's work as director here is exceptional, given how many facets to the story must be juggled and given proper due. Even the re-trial of Miranda is handled well, as Trish is put through another round of emotional turmoil, this time involving her spouse. The film ends with a startling statistic: only 5 of every 1000 sexual assaults result in a conviction. Those are today's figures, so we are left to wonder just how much has changed over the past 60 years.

The film is currently playing the Film Festival circuit.