A competição entre duas damas de honra para ver quem é o melhor amigo da noiva representa uma má perspectiva.A competição entre duas damas de honra para ver quem é o melhor amigo da noiva representa uma má perspectiva.A competição entre duas damas de honra para ver quem é o melhor amigo da noiva representa uma má perspectiva.
- Indicado a 2 Oscars
- 25 vitórias e 72 indicações no total
Joe Nunez
- Oscar the Security Guard
- (as Joseph A. Nunez)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Let's be honest: when we saw the first trailer for Bridesmaids, who among us didn't think it looked like a dismal rehash of The Hangover (only this one, of course, features a "ratpack" of women)? Imagine my surprise, then, when I discovered that Bridesmaids is better than The Hangover. I have yet to see The Hangover Part 2, so I can't comment on any similarities/differences that might or might not exist. But one thing is for sure: Kristen Wiig has proved her worth as a female lead with a serious amount of comedic clout.
The story isn't revolutionary: one of two best friends is getting married, and everything involved with said nuptials is threatening to tear their lifelong friendship apart. At the center of this battle is Helen, a newly acquired "friend"—via the merging of two exclusive social circles—who begins taking over the wedding plans for Lillian (Rudolph). Annie (Wiig) makes it her mission to take out this she-devil, and what follows is the setup for one of the more memorable meltdowns (among a plethora of other things) to come along in quite some time. Bridesmaids is also peppered with the sort of humor that made movies like Superbad and Knocked Up so funny—it's observant and kitschy in that it rightly jabs several other films that have braved similar issues. In fact, the previously mentioned Hangover is, in at least a very minute way, one of these movies. In what initially appears to be a sad "bow" to The Hangover as king of the pre-wedding funnies, the girls decide to go to Vegas for Lillian's bachelorette party. This ends up being a perfectly welcome curve ball, though, as screenwriters Wiig and Mumolo brilliantly utilize the length of the plane trip to said destination to further flesh out their characters and create an impressively humorous string of in-flight mishaps.
There are a number of other contributors who make Bridesmaids work extraordinarily well, but, as is the case with any solid piece of cinema, it's best if you set aside some time to take in the whole thing in one fell swoop and let it unravel of its own volition. Sure, it's extraordinarily raunchy from time to time, but the nuanced, perfectly- timed moments of comedic genius make it a very worthwhile trip.
The story isn't revolutionary: one of two best friends is getting married, and everything involved with said nuptials is threatening to tear their lifelong friendship apart. At the center of this battle is Helen, a newly acquired "friend"—via the merging of two exclusive social circles—who begins taking over the wedding plans for Lillian (Rudolph). Annie (Wiig) makes it her mission to take out this she-devil, and what follows is the setup for one of the more memorable meltdowns (among a plethora of other things) to come along in quite some time. Bridesmaids is also peppered with the sort of humor that made movies like Superbad and Knocked Up so funny—it's observant and kitschy in that it rightly jabs several other films that have braved similar issues. In fact, the previously mentioned Hangover is, in at least a very minute way, one of these movies. In what initially appears to be a sad "bow" to The Hangover as king of the pre-wedding funnies, the girls decide to go to Vegas for Lillian's bachelorette party. This ends up being a perfectly welcome curve ball, though, as screenwriters Wiig and Mumolo brilliantly utilize the length of the plane trip to said destination to further flesh out their characters and create an impressively humorous string of in-flight mishaps.
There are a number of other contributors who make Bridesmaids work extraordinarily well, but, as is the case with any solid piece of cinema, it's best if you set aside some time to take in the whole thing in one fell swoop and let it unravel of its own volition. Sure, it's extraordinarily raunchy from time to time, but the nuanced, perfectly- timed moments of comedic genius make it a very worthwhile trip.
My friends invited me to a preview screening of Bridesmaids last night, and I accepted the invitation with a sense of cautious optimism. The trailer for the film admittedly didn't do much for me, but I was intrigued by the concept of a female-driven Apatow film. Ultimately, I went into the theater with modest expectations, hoping to get a few good laughs out of it.
By the time we came out of the theater, my three friends and I had smiles plastered across our faces, and we couldn't stop talking about the film for the next couple hours. We all loved it. I think it easily ranks with the best of the Apatow productions, and it might even be my personal favorite. Like all of Apatow's productions, there are admittedly scenes that arguably go a little too far or a little too long, but that's a small criticism when the film successfully fires on so many other cylinders.
To start with, the film is hilarious, and I think the comedy far exceeds the standalone bits shown in the trailer. Scene after scene is filled with humorous and often sidesplitting moments, and they had the theater in an uproar during the screening. I can't say enough about Kristen Wiig. Prior to this, I've always liked her to some extent but never really loved her. I think she's good at what she does, but I wasn't sure her shtick could sustain an entire film. Would her passive aggressive wit get old? Is it the only note she can play? Can she handle anything more dramatic? Ultimately, she blew me away in this film. Not only is she consistently and uniquely funny, but her character is surprisingly well-developed, and Wiig brings the character to vibrant and dynamic life on-screen.
And this brings me to my next point about Bridesmaids: the film has a surprising amount of depth that completely caught me off guard. Bridesmaids isn't a quickie 80-minute gag fest by any stretch of the imagination; it's actually a leisurely paced 2-hour character-driven comedy that takes time to develop its characters and establish the various relationships and resultant conflicts between them. Ultimately, the film ends up being quite heartfelt and even rather sad in places. Despite the over-the-top antics shown in the trailer, the themes that the film explores are actually quite grounded. Kristen Wiig's character is someone who is feeling completely let down by life, which is a place we've all been, and the personal journey of her character resonated strongly for me. While her character is easily the most well-developed of the bunch, even the other bridesmaids ultimately show some three-dimensionality as well, despite the fact that they are sometimes initially introduced as two-dimensional caricatures.
Ultimately, Bridesmaids was one of the most enjoyable comedies I've seen in a long time. It's certainly not perfect: it could probably do with some editing, there might be a few too many subplots (some of which are left unexplored), and it arguably goes too over-the-top at times, but everything else about the film works so well that these complaints are little more than nitpicks. While I applaud everyone involved in the production, it is Kristen Wiig who deserves the most accolades. As co-writer and lead actress, she plays a huge part in the film's success, and I sincerely hope this film puts her on the Hollywood map, as I would love to see more from her in the future. Whatever the case may be, Bridesmaids certainly makes for a successful maiden voyage for her into the world of feature-film comedies.
By the time we came out of the theater, my three friends and I had smiles plastered across our faces, and we couldn't stop talking about the film for the next couple hours. We all loved it. I think it easily ranks with the best of the Apatow productions, and it might even be my personal favorite. Like all of Apatow's productions, there are admittedly scenes that arguably go a little too far or a little too long, but that's a small criticism when the film successfully fires on so many other cylinders.
To start with, the film is hilarious, and I think the comedy far exceeds the standalone bits shown in the trailer. Scene after scene is filled with humorous and often sidesplitting moments, and they had the theater in an uproar during the screening. I can't say enough about Kristen Wiig. Prior to this, I've always liked her to some extent but never really loved her. I think she's good at what she does, but I wasn't sure her shtick could sustain an entire film. Would her passive aggressive wit get old? Is it the only note she can play? Can she handle anything more dramatic? Ultimately, she blew me away in this film. Not only is she consistently and uniquely funny, but her character is surprisingly well-developed, and Wiig brings the character to vibrant and dynamic life on-screen.
And this brings me to my next point about Bridesmaids: the film has a surprising amount of depth that completely caught me off guard. Bridesmaids isn't a quickie 80-minute gag fest by any stretch of the imagination; it's actually a leisurely paced 2-hour character-driven comedy that takes time to develop its characters and establish the various relationships and resultant conflicts between them. Ultimately, the film ends up being quite heartfelt and even rather sad in places. Despite the over-the-top antics shown in the trailer, the themes that the film explores are actually quite grounded. Kristen Wiig's character is someone who is feeling completely let down by life, which is a place we've all been, and the personal journey of her character resonated strongly for me. While her character is easily the most well-developed of the bunch, even the other bridesmaids ultimately show some three-dimensionality as well, despite the fact that they are sometimes initially introduced as two-dimensional caricatures.
Ultimately, Bridesmaids was one of the most enjoyable comedies I've seen in a long time. It's certainly not perfect: it could probably do with some editing, there might be a few too many subplots (some of which are left unexplored), and it arguably goes too over-the-top at times, but everything else about the film works so well that these complaints are little more than nitpicks. While I applaud everyone involved in the production, it is Kristen Wiig who deserves the most accolades. As co-writer and lead actress, she plays a huge part in the film's success, and I sincerely hope this film puts her on the Hollywood map, as I would love to see more from her in the future. Whatever the case may be, Bridesmaids certainly makes for a successful maiden voyage for her into the world of feature-film comedies.
This flick is silly, funny, bitchy, and just great. We meet Annie (Kristen Wiig) a bridesmaid, whose best friend is getting married. Annie has lost her business and is alone and loveless. She is also getting pushed out of her bestie relationship by the NEW broad, the NEW bridesmaid, who is gorgeous, rich, and generous. How dare she? Then Annie loses her apartment and has to move back in with mommy (Jill Clayburgh). This is a hilarious chick flick of high caliber. The women are funny, clever and outrageous. The fashions are just silly enough and the writing and acting carry it off smoothly. There isn't a miss in the bunch but Melissa McCarthy stole plenty of the show.
This is the funniest film ever made. Hands down. And it gets funnier every time. I have never laughed so hard, and I quote it almost daily. Just perfection!
The cast are all amazing and are perfectly cast. Kristen Wigg has never been better. There are just too many funny scenes- the plane scene is an absolute classic. If you don't pretend to be Ms Iglesias on your next flight then there is something wrong with you. But all the scenes are hilarious- the wedding speeches, any scene with Annie's mam, any scene with Megan, any scene with Rita... just brilliant. You feel like, somehow, even though they're all completely bonkers, you know them. And you leave the film feeling great.
Watch it... on repeat! You will not regret it!
The cast are all amazing and are perfectly cast. Kristen Wigg has never been better. There are just too many funny scenes- the plane scene is an absolute classic. If you don't pretend to be Ms Iglesias on your next flight then there is something wrong with you. But all the scenes are hilarious- the wedding speeches, any scene with Annie's mam, any scene with Megan, any scene with Rita... just brilliant. You feel like, somehow, even though they're all completely bonkers, you know them. And you leave the film feeling great.
Watch it... on repeat! You will not regret it!
This is like a big slap in the face to all the lame chick flicks out there as of now and a breakthrough, star making leading role for the brilliant and hilarious Kristen Wiig. I have never seen a comedy in a long time that was as consistently funny and I mean laugh on the ground with tears coming down your face funny as well as touching and for once genuine characters that you can relate to and have an instant, believable, bond and chemistry on screen that makes the ongoing crazy shenanigans all the more effective and hysterical. The showstopper, scene stealing, laugh riot Melissa McCarthy was fantastic and no wonder has her own sitcom and she should host or be apart of SNL or something she is so freaking funny I almost wet myself! Maya Rudolph and Kristen Wiig should make more comedies together and are much better than Tina Fey and Amy Poehler were in Baby Mama, they are a comedy dream team and the rest of the cast is the cherry on top. The movie goes through typical issues from the average chick flick like jealousy, insecurities, narcissism, cat fights, self-doubt, self-pity, self-destruction you name it but it deals with those is a more honest, realistic non sugar-coated way that was refreshing and smart from the norm and raises the bar so high for chick flicks (which is more anti of that anyways) and comedies in general that I personally can't see any comedy this year or in the future surpassing its comedy greatness, it's golden!!! Overall if you were waiting for a movie that will truly make you laugh harder than you ever laughed before in the theaters in a long time your wish has been granted, wear depends just in case because you might need them. Highly Recommended! The most satisfying comedy in the past decade that I never wanted it to end and forget about the overrated The Hangover and its unnecessary sequel and bring on Bridesmaids 2 already! 4.5 out of 5 stars.
Você sabia?
- CuriosidadesIt was originally intended that Chris O'Dowd's cop would be American, but everyone was so enamored of O'Dowd's native Irish accent that it was decided that he keep it.
- Erros de gravaçãoWhen Annie receives the shower invitation it reads "Sat." as the day. When Annie's car breaks down on the day of the shower, and Ted picks her up, she asks him, "Were you busy?" and he answers, "Well, it is Friday."
- Versões alternativasThe 131-minute unrated version contains several additional scenes as follows:
- The conversation between Annie (Kristen Wiig) and Mother (Jill Clayburgh) is slightly longer with Mother telling her about Father's "chicken coop" sex act, and it also reveals that Annie's father grew up in a farm.
- Becca (Ellie Kemper) mocks Annie for being single and offers to arrange a date for her.
- The car ride with Lillian (Maya Rudolph) and Annie after the bridal store fiasco is longer and different than the theatrical version. In the new cut, after Lilian admits crapping her wedding dress, Annie starts to feel uncomfortable, gets out of the car and throws up.
- When Annie is at the bathroom, Gil (Matt Lucas) and his sister were in the bathtub together. He asks Annie to hand her the disposable shaver and shaves his sister's armpits.
- There's a new 5-minute scene where Annie has a date with a guy called Pete. While waiting at the living room for Pete to get ready, she has a very uncomfortable conversation with his son Taylor (he's talking about "fear of dying", asking about Annie replacing his mother, etc.). After Annie goes upstairs, she overhears Pete talking on the phone telling his wife how he missed her and describes Annie as unattractive. Shocked by that, she went back downstairs and saw Taylor taking some contraceptive pills before leaving the house hastily.
- The home video of Megan (Melissa McCarthy) and Jon (Ben Falcone) is slightly longer. She sticks a slice of ham on his chest and eats them. However, Jon's reaction doesn't tell whether he likes it or not.
- ConexõesFeatured in The Tonight Show with Jay Leno: Episode #19.135 (2011)
- Trilhas sonorasRip Her to Shreds
Written by Debbie Harry (as Deborah Harry) and Chris Stein
Performed by Blondie
Courtesy of Capitol Records
Under license from EMI Film & Television Music
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Operação Madrinha de Casamento
- Locações de filme
- 2501 South Kinnickinnic Avenue, Milwauwa, Wisconsin, EUA(Annie's apartment exterior)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 32.500.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 169.106.725
- Fim de semana de estreia nos EUA e Canadá
- US$ 26.247.410
- 15 de mai. de 2011
- Faturamento bruto mundial
- US$ 324.840.797
- Tempo de duração
- 2 h 5 min(125 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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