Um vendedor de seguros, pela primeira vez, deixa sua cidadezinha para representar sua empresa em uma convenção. O problema é que o rapaz tímido depara com outro vendedor, que o apresenta às ... Ler tudoUm vendedor de seguros, pela primeira vez, deixa sua cidadezinha para representar sua empresa em uma convenção. O problema é que o rapaz tímido depara com outro vendedor, que o apresenta às tentações do circuito das convenções de seguros.Um vendedor de seguros, pela primeira vez, deixa sua cidadezinha para representar sua empresa em uma convenção. O problema é que o rapaz tímido depara com outro vendedor, que o apresenta às tentações do circuito das convenções de seguros.
- Direção
- Roteirista
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- Prêmios
- 1 vitória e 4 indicações no total
Avaliações em destaque
Ed Helms (Andy in "The Office") stars as Tim Lippe, the most sheltered, naive mid-western insurance agent ever captured on film. Lippe lives and works in Brown Valley, Wisconsin ... the most sheltered, naive mid-western town ever captured on film. His only real excitement is found through his "pre-engagement" to his 7th grade teacher played very well by Sigourney Weaver (probably the most worldly person in Brown Valley). When an embarrassing accident claims the life of the hot shot agent in Lippe's firm, the owner (Stephen Root) sends Lippe to the annual convention in Cedar Rapids. His mission is to win the coveted 2-Diamond Award presented by industry legend Orin Helgesson (a snippy Kurtwood Smith).
Since a lone character can't generate many laughs, circumstances at the convention cause Lippe to find himself roommates with a very noble Ronald Wilkes (Isiah Whitlock, Jr from "The Wire") and fast-talking poacher Dean Ziegler (John C Riley). These 3 are joined together by Nebraska agent Joan Ostrowski-Fox (Anne Heche). Lippe is quickly introduced to the "real world" by his new friends and after the first 20 minutes of set-up, the lines and settings get funnier and funnier.
As with most comedies these days, the trailer gives away much more than it should; but, unlike most, it leaves plenty of laughs and situations for the film. What really makes this work is that all characters are actually pretty nice people ... they are just a bit exaggerated in their traits. Lippe is a bit too naive. Wilkes is a bit too uptight. Ziegler is a bit too obnoxious, and Fox is just a little too lonely and adventurous. Still, their earnestness is what keeps the film grounded.
Mr. Helms is really a comic force. He has the extraordinary ability to never hold back or worry how that he might not look cool. Even as the lead character, he knows when scene-stealer John C Riley should have the spotlight. This is a tremendous asset for a comic.
I won't give away much, but will warn that some of the humor is crude ... especially some of Riley's rapid-fire one-liners. If you prefer your humor to be grounded with real people, then you might want to check this one out. I have only previously known this director, Miguel Arteta, as the guy responsible for Jennifer Aniston's best screen performance ("The Good Girl"). Now I look forward to his next project.
Not being a huge fan of any of the leads and not having seen anything of Ed Helms prior I was not expecting anything brilliant here, but I really enjoyed this both times watching. I would regard this as a feel good comedy rather than a straight out comedy. Some of the humour would not be appreciated by everyone and will probably be regarded as quite silly, but I think it suited the movie.
John C. Reilly's movies can be a bit hit and miss, as his humour tends toward toilet humour in many cases and if you are not into that it can be a bit of a turn off. While some of the humour is a bit lowbrow, if you can get over that you will enjoy this movie.
I gave it a 7 out of 10 and will be watching it again.
There are plenty of ideas here and plenty of set-pieces but the problem is that the film doesn't really deliver any of them really well. On one hand we have aspects of it that are the rather awkward naïve comedy that Helms does with his character in The Office. This manifests itself in his relationship with an older woman (she is having fun, he is deeply in love) or his inability to know a prostitute when he sees one. On the other hand we have the more exaggerated adventures he gets drawn into, these involving sex, drink and drugs. Neither of these two aspects is particularly strong either individually or together and, at best, they produce amusing moments and the occasionally laugh but nothing particularly engaging nor particularly funny. Instead what we get is plenty going on in terms of noise and activity and perhaps this is enough to distract and, for me, mostly it was. The actual plot is quite obvious and heads to a sort of solid ending but I was quite surprised by how lackluster much of it was.
The cast are perhaps part of me being disappointed in the outcome but all of them are capable of more. I liked Helms and he played the lead role well, just the material didn't play to his strengths as well as it suggested – it is like it put him between the awkwardness of The Office and the crude slapstick of The Hangover and he didn't sit comfortably between them. Reilly appears to offer the more boisterous side of things but again the film doesn't follow through on what he brings. Heche is a nice touch in casting and works well but Whitlock is wasted; his only contribution of note is to make a great little in-joke where he does an impression of The Wire's Omar (a TV show he was in) – it is funny but it is ruined within seconds since the film feels the need to explain the reference to the viewer. Various other faces do solid work without ever having too much to do, so while some are good, the overall feel is that a great cast don't have much to do. This feeling covers Smith, Shawat Corddry, Root and others.
In the end Cedar Rapids is an OK film that never gets close to delivering on anything it puts on the table. It has an odd mix of styles but it doesn't do any of them really well, which leaves a film loaded with recognizable faces and names, none of whom really excel because the script doesn't either. A solid so-so but no more than that.
Recommended viewing when you think there is no comedy you haven't seen before that would be a deemed worthy of your time. Earns my Two Diamond Award for being such a nice surprise.
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Você sabia?
- CuriosidadesIsiah Whitlock Jr.'s character Ronald Wilke references the character Omar from the TV show A Escuta (2002). He played the character State Sen. R. Clayton 'Clay' Davis on the TV series. According to Whitlock, the 'Wire' references were in the script before he was cast, and they decided to keep them in place as an in-joke for fans of both Whitlock and his former show.
- Erros de gravaçãoWhen Dean Ziegler first enters the hotel, he yells to the desk staff to stock the mini-bar in his room, which he says is 1019, yet he, Tim and Ronald are staying in Room 112. However, it is possible that at the time Ziegler may not have known that he was being moved to a different room. Ziegler could have also just been saying nonsense just to get attention.
- Citações
Ronald Wilkes: I do a pretty convincing Omar from the HBO program, The Wire.
- Cenas durante ou pós-créditosDuring the closing credits, the main characters tell (dumb) jokes at the cottage, and a commercial for their new insurance company is shown.
- ConexõesFeatured in Conan: Airforce One 2: Revenge of President Dracula (2011)
Principais escolhas
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- How long is Cedar Rapids?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Alocada convención
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 10.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 6.861.102
- Fim de semana de estreia nos EUA e Canadá
- US$ 302.968
- 13 de fev. de 2011
- Faturamento bruto mundial
- US$ 7.728.936