A Promoção

This film is about two assistant managers of a supermarket fighting for a promotion to become the manager of the new branch.

The two assistant managers, Doug and Richard, are both developed well. They come across as real human beings that I care about. They are both torn between their need to climb up the ladder, but are both restrained by their morals. This soul searching is beautifully depicted, giving the story depth and charm.

I find "The Promotion" to be very well made. It successfully strikes the right balance between dirty office politics, reflections on moral issues and humour. This is really hard, given the fact that the topic of the film is likely to arouse some negative emotions in the viewer's own work place. I really enjoyed watching "The Promotion".

I expected a bit more from this movie, if only because of Steve Conrad's involvement as well as two decent leads for that type of movie. Unfortunately, Conrad, who is usually a good writer, really delivered his weakest story and lines here. Perhaps the double duty as writer and director didn't help.

Seann William Scott will never be mistaken for an Oscar performing actor but he usually has energy and a charisma that is very evident on the screen. Here, he really seems uninspired. There seems to be an attempt to pull a Jim Carrey or Will Ferrell with a performance that would be partly funny, partly tragic. Unfortunately, he fails on both fronts. John C Reilly, who is both a tremendous character actor and a great comedy guy is the most disappointing aspect of the movie. He utterly fails at making this character believable in any way and, at times, it seems he is reciting lines at a private rehearsal. Really, really bad. The actresses playing the wives of our main characters are equally uninteresting and unconvincing. Special mention goes to Lili Taylor in another awful role. Her worse performance ever and would have been worthy of a Razzie award if the movie was higher profile and her role more prominent.

There's still a nice basic plot, some moments are funny enough. The motivational tapes of Richard Welhner make for a nice running gag, until it becomes overused. By the end of the movie, we're just glad when Reilly throws that away on the sidewalk. The last arc of the film is even weaker than the rest, with a botched resolution. It really could have been a new kind of Office Space but unfortunately, those throwing that comparison are absolutely mistaken and need some more perspective. There simply aren't any classic elements in The Promotion, while Office Space is a top 10 comedy of all time. Quite a difference between the two, really.

Perhaps a director working with Conrad would have helped keep a sense of direction. A recast of the main characters (or much better actor direction) was also needed. The movie is a decent way to kill time but doesn't offer anything beyond that.

Some comedies make you laugh out loud, but this one makes you smile inside.

A languid tale of competition and two guys just trying to get bye in the world, both afraid of failure and willing to hurt the other to make it but each wrapped up in tragedy and common decency.

It will come as a surprise to many that Seann William Scott can actually act and he has real if understated presence in this.

John C Reilly is his usual excellent self but it is the tale that is the real star.

It is easy to make a comedy based on physical slapstick or outrageous language and acts. This one relies on a script and rhythmn and a gentleness of heart.

Without ever threatening to split one's sides, it is a nice film and well worth a watch.

This movie is FAR better than the 5.6 star rating it has. Well written, hilarious, subtle, poignant, well-acted. The premise is so beautifully simple, but the movie is rich with human interest/condition situations. It's definitely a sleeper/winner and worth the watch.

Not the best comedy I've ever seen, but it had it's moments. Occasionally, I did find something to laugh at during a few scenes.

John C. Reilly was was alright but, I expected more from him. Sean William Scott played a push over, a wimp who was the opposite of the American Pie Stifler character that he's known for. I wouldn't classify the movie as deep or profound, but it does have some things to say about ambition and the cost of success.

I would characterize the movie as being more mildly comical than outright hilarious. As a whole the movie was rather tepid. Some of the jokes were juvenile and others didn't work. In the end the movie succeeded more than it failed.

There was enough going on within the movie to keep my attention. Overall it was run-of-the-mill.