Rota sem Saída

Struggling single mom Maben (Willa Fitzgerald) and her young daughter Annalee return to their home town in the deep south. She tries prostitution at the nearby truck stop when she's picked up by a sheriff deputy. The deputy rapes her and calls for his friends. She manages to steal his gun and shoot him dead. Meanwhile, Russell (Garrett Hedlund) is released from prison and goes home to his father Mitchell (Mel Gibson).

I hate that one giant coincidence in the middle of this movie. It could be lessen if he's the one who spots her first. I do love the gritty southern noir style atmosphere. The actors do good work. I'm even fine with Mel in this one. Ryan Hurst is impressively unhinged. The movie is a bit too long at almost two hours and it's stretched too far after the climax. This is very good except for those two issues.

Very good film. Primary themes include the challenges of redemption and forgiveness. Outstanding performances by Willa Fitzgerald, Garrett Hedlund, and Ryan Hurst. Some excellent lines and monologues, surely taken right from the book. Those who are saying it is too slow were not connecting with the emotional tension of the characters, because that tension is intense throughout. These are people who are now (or were previously) broken by mistakes (theirs and others) and by their own personal demons, but who are striving to redeem and overcome.

There are some minor plot issues along the lines of too much coincidence or convenience to bring characters together and push forward the plot. But believe me, most movies have much worse flaws. This one is worth watching.

Decent enough thriller, and much deserving of better current overall rating of 5.7

Garrett Hedland does a good job in the main male role, though the bigger name of Mel Gibson adds a bit of prestige to the film.

But the main acting honours goes to Willa Fitzgerald who reminds me a lot of Julia Garner which is no bad thing. Not for the first time Ryan Hurst is cast as the villain in the movie, which is getting a bit tiresome now

In summary though a good watch considering how quick the film was made (2 weeks) and probably on a cheap budget, and plenty of worse higher rated similar movies around so give it a shot.

The good: real fine quality actors who do carry this story about a young poor couple (she a prostitue, he an ex-prisoner) struggling to make their marriage work, with a young daughter caught in between all the upheaval that a life with a mother as a prostitute brings with it.

Kinda bleak and somewhat sad and depressing as well, but simultaneously a real gritty life portrait of two young lovers struggling to get by.

Any bad? Beware that Mel Gibson only has got a small supporting role as a father for a few minutes. So this is definitely NOT a Mel Gibson movie. The other actors are fine though, so no problem with that, but...

However good the actors are, this drama fails to become truly gripping. It's more of a bleak and slowburning portrait than a gripping drama. I was missing some spark and punch...

But that's about my only gripe I can think of, besides the soundtrack being a bit too obtrusive and present all the time as if we as viewers dont know WHEN a scene is dramatic without this bombastic soundscore droning on constantly in the background.

Not great, but certainly not bad at all either. A gritty and bleak portrait of a young couple struggling with life, probably best suited for the more patient art house movie fans.

So be prepared to be pleasantly surprised... Garret Hedlund is maybe at his best in years as the ex-con Russel trying to make amends when he hurtled back into his past by the arrival of troubled young mother Maben (Fitzgerald) and her daughter.

Complicating things are run ins with Larry who is out for revenge (Hurst) as well as reconnecting with his ex wife Sarah ( Thomas) who is now re married ; which is actually really moving scene. Mel Gibson lends his star power to his brief yet effective screen time as Russels Dad. Complaints range mostly for the unnecessary heavy handed semotional score.