AVALIAÇÃO DA IMDb
6,1/10
7,7 mil
SUA AVALIAÇÃO
Um jovem paramédico faz seu primeiro ano de trabalho na cidade de Nova York.Um jovem paramédico faz seu primeiro ano de trabalho na cidade de Nova York.Um jovem paramédico faz seu primeiro ano de trabalho na cidade de Nova York.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 indicações no total
Michael Pitt
- Lafontaine
- (as Michael C. Pitt)
Kareemeh Odeh
- Live Poultry Employee
- (as Kareemah Odeh)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
'Asphalt City' aka 'Black Flies' has a point to make and goes the extra mile to drive it home. Casual moviegoers who want light, something uplifting are in the wrong place. Though you're not wrong to question if it's too heavy or removed from reality at times. It seems appropriate they set the tale in NYC as it was once the haven for hard boiled action flicks, horror nasties that liked to play up it's once seamy nature. As one who never sat thru the Nic Cage pic 'Bringing Out the Dead', I thought the ride here thru the ups and downs of a paramedic was unique if not scattershot.
Cross (Tye Sheridan) a newbie NYC paramedic gets a crash course in death, sadness and the futility of helping the public. Who sometimes distrust, loath, don't appreciate or abuse people in civil service frontline jobs. Mainly stuck to the nightshift, he lives in a rundown apartment with strangers and studies to become a doctor. Soon enough his world mentally starts to unravel and an incident with his veteran partner 'Rut' (Sean Penn) is either a really bad mistake or something much worse. A wakeup call to not go down the wrong path, circling the drain.
Story is mainly a collection of emergency calls various states of panic, distress and the learning curve that goes along with it. Film is purposely dark and you see the correlations between the mens journeys at certain points. Michael Pitt & Gbenga Akinnagbe play fellow paramedics and in a bit of stunt casting Mike Tyson their immediate supervisor. Really the strength is two leads - Sheridan, Penn - willing to throw themselves into their roles and what is has to say about the toll paid on people doing this for a living.
'Asphalt City' left me wondering a lot about paramedics. What they get paid, the worst of what they see and ultimately why they do it. Having it all go down in the city that never sleeps as opposed to small town USA wasn't lost on me. I knew the effect they were going for here at all times. Only in the last quarter of it's two hour runtime did I wish for a more fleshed out story, sanctuary from it's dark nature. It's not a home run, but it's also not bad like some people are making it out to be.
Cross (Tye Sheridan) a newbie NYC paramedic gets a crash course in death, sadness and the futility of helping the public. Who sometimes distrust, loath, don't appreciate or abuse people in civil service frontline jobs. Mainly stuck to the nightshift, he lives in a rundown apartment with strangers and studies to become a doctor. Soon enough his world mentally starts to unravel and an incident with his veteran partner 'Rut' (Sean Penn) is either a really bad mistake or something much worse. A wakeup call to not go down the wrong path, circling the drain.
Story is mainly a collection of emergency calls various states of panic, distress and the learning curve that goes along with it. Film is purposely dark and you see the correlations between the mens journeys at certain points. Michael Pitt & Gbenga Akinnagbe play fellow paramedics and in a bit of stunt casting Mike Tyson their immediate supervisor. Really the strength is two leads - Sheridan, Penn - willing to throw themselves into their roles and what is has to say about the toll paid on people doing this for a living.
'Asphalt City' left me wondering a lot about paramedics. What they get paid, the worst of what they see and ultimately why they do it. Having it all go down in the city that never sleeps as opposed to small town USA wasn't lost on me. I knew the effect they were going for here at all times. Only in the last quarter of it's two hour runtime did I wish for a more fleshed out story, sanctuary from it's dark nature. It's not a home run, but it's also not bad like some people are making it out to be.
It's atmospheric, slow, dark. All the things that a good and bloody drama should be.
Perfectly cast with some great acting and not too over the top. Even the legendary Mike Tyson makes an appearance which, even though questionable as a casting, he pulls it off perfectly.
Thrown in at the deep end, the main protagonist, a rookie paramedic is on the verge of madness. The film shows exactly what emergency workers have to attend to, day in, day out, and how it affects them, bustling on the verge of madness and faced with the adversity of violence.
It certainly packs a punch. Known as 'Black Flies' in the UK. Give it a watch.
Perfectly cast with some great acting and not too over the top. Even the legendary Mike Tyson makes an appearance which, even though questionable as a casting, he pulls it off perfectly.
Thrown in at the deep end, the main protagonist, a rookie paramedic is on the verge of madness. The film shows exactly what emergency workers have to attend to, day in, day out, and how it affects them, bustling on the verge of madness and faced with the adversity of violence.
It certainly packs a punch. Known as 'Black Flies' in the UK. Give it a watch.
Ollie Cross (Tye Sheridan) is a rookie paramedic in the chaotic New York City. Gene Rutkovsky (Sean Penn) is his world-weary veteran partner. Lafontaine (Michael Pitt) is another paramedic and Chief Burroughs (Mike Tyson) is their commander.
Tye Sheridan is a great young actor. Sean Penn is solid. I can't see Mike Tyson as anything other than Mike Tyson. I want a real actor in that role. Why not have Mike Tyson play Mike Tyson in one of the emergencies instead. He could be punching out a guy.
This is a lot of crazy emergencies all jammed into a two hour movie. I would have preferred a single-night story. Single-night stories can have the intensity of time. This is going for hyper dynamic story telling. I get it. I'm not generally against it but it does seem over the top. One can excuse it since the story is told over a long time. All this craziness wears me out in a two hour movie. Otherwise, it's fine.
Tye Sheridan is a great young actor. Sean Penn is solid. I can't see Mike Tyson as anything other than Mike Tyson. I want a real actor in that role. Why not have Mike Tyson play Mike Tyson in one of the emergencies instead. He could be punching out a guy.
This is a lot of crazy emergencies all jammed into a two hour movie. I would have preferred a single-night story. Single-night stories can have the intensity of time. This is going for hyper dynamic story telling. I get it. I'm not generally against it but it does seem over the top. One can excuse it since the story is told over a long time. All this craziness wears me out in a two hour movie. Otherwise, it's fine.
Sean Penn is great in this dark New York City drama. The film is centered around two paramedics one seasoned and one new to the game that then become partners. They work the overnight shift in New York City as paramedics, so they see some crazy intense stuff along the way. Either I am missing it or I am not properly following it, but the film does not seem to have much of a plot other than to shoe how gritty the city is to these paramedics and it shows two men young and older on how they deal with it. I don't think the plot was there until about the last 30 minutes which is a huge flaw of this film.
Some excellent acting all round (even Mike Tyson was believable), and not enough props given to the actor that played Lafontaine, Michael Pitt.
While I don't need a film neatly served up to me, there was just a little too much flip-flopping around, including things that are brought up and never explained- eg. Swapping Cross and Rutkovsky around with who took the baby, so you are uncertain for a while, who did what.
The misery is relentless- the hostility from the patients with mental illness or other issues I sort of get (the amount of gang members they pick up, and have to deal with abuse from their friends is unreal), but constant harassment/bullying from their own team not to mention some of the police. Is it really this dysfunctional?
Still, enjoyed the film nonetheless, always good to see something original about a role we don't see on the silver screen that often.
Nice to see Gbenga Akinnagbe (Chris Partlow from The Wire), albeit in a small role.
While I don't need a film neatly served up to me, there was just a little too much flip-flopping around, including things that are brought up and never explained- eg. Swapping Cross and Rutkovsky around with who took the baby, so you are uncertain for a while, who did what.
The misery is relentless- the hostility from the patients with mental illness or other issues I sort of get (the amount of gang members they pick up, and have to deal with abuse from their friends is unreal), but constant harassment/bullying from their own team not to mention some of the police. Is it really this dysfunctional?
Still, enjoyed the film nonetheless, always good to see something original about a role we don't see on the silver screen that often.
Nice to see Gbenga Akinnagbe (Chris Partlow from The Wire), albeit in a small role.
Você sabia?
- CuriosidadesMel Gibson was initially cast as the character "Rutkovsky". During the pre-production process he was re-cast by Sean Penn.
- Citações
Chief Burroughs: How's it out there with Rutovsky?
Ollie Cross: He's a good partner
Chief Burroughs: And a great medic but no one can do it forever
- Trilhas sonorasCan't Kill The Devil
performed by Metal Allegiance ft. Chuck Billy
Principais escolhas
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- How long is Asphalt City?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- Asphalt City
- Locações de filme
- 1155 Gerard Ave, Bronx, NY, EUA(Hopscotch scene outside Nancy's apartment building.)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 220.970
- Fim de semana de estreia nos EUA e Canadá
- US$ 132.898
- 31 de mar. de 2024
- Faturamento bruto mundial
- US$ 492.711
- Tempo de duração2 horas 5 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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