Pão Negro

This movie has given me the same feeling of what another Spanish movie, "The Labyrinth" did to me several years ago. The cinematography, the lighting, the shooting angles, the colors are just top notched, but the story itself is not as good as the aforementioned elements. There are so many weird and depressed moments in this movie, sometimes even a bit messy. It seems to me that the Spanish people are still deeply haunted by their civil war and could never walk away or walk out of it. This is a very depressive movie full of symbolism. The bird lover father and his caged birds in the attic. The awkward and always confused childhood of the son, the local police chief, the often helpless mother, the whole family clan, the weird and a bit crazy left-hand missing girl...The Spanish dialog is sometimes too quick to be absorbed and understood even with the English subtitle. The struggle of the poor, as always, fell prey to the rich and the powerful. The adults always told their kids that what they did, good or bad, right or wrong, are solely for their kids and it's disgusting. No wonder the kid finally realized what the adults said were nothing but lies. His self denial, rejection and his recognition in the end was an inevitable result, gloomy and hopeless. This is a very heavy movie, just like the heavy colors in this movie.

This year I saw "In a glass cage", another movie also written and directed by Agustí Villaronga from 1986 (considered one of the most disturbing films of all time), and the movie was so strong, fast and intense, that is hard not to compare with Black Bread. Black Bread is quite decent, it has a great way to handle mystery, and the characters (and their psychology) are very well developed. The portrait of the Spain that was living under the rules of Franco is also great, specially on the countryside. But knowing what Villaronga can do, I expected way more. The movie is over saturated with dialogs, there are way to many characters to follow the plot, and the ending was quite flat. Villaronga seems very skilled to handle themes that are considered taboo with a great taste but there was a lack of those themes in this movie. By the other hand, the point of view of a Spain post war mainly in children is great, same as the acting. So if you like mystery but you don't like to jump from your sit, then go for it.

Black Bread begins with a familiar scene: a man leads his horse and cart through a darkened wood, glancing around with unease at the various forest sounds which break the tense silence. A fairy-tale quality hangs over the scene, the images framed in wide angles and brought to life with rich autumnal hues; perhaps this will be a fantasy parable. When an assailant attacks the traveller, binds him in the cart, and leads the now-blindfolded horse to the cliff's edge, brutally smashing it in the face with a sledge hammer, our stomachs concomitantly fold alongside the illusion that this will be anything but sickeningly real. It is the first clue to us that we are not in for the easiest of rides; many of the images that will come to us will be disturbing, even distressing.

Set in the years following the Spanish civil war, the film portrays the lingering dissent and tarnished political atmosphere of a nation divided. Andreu—the young boy who discovers the wreckage and is caught up in the post-civil war world of deceit that grips his small village as he attempts to discover the truth behind the "accident"—is sent to live with his grandmother, aunt, and cousins when his father—having fought for the losing side along with the murdered man—is forced to flee in fear of his own life. Andreu's journey to discover what happened to the cart and its riders takes him into the darkness within his village, his family, and even himself.

It seems to me that there is a recurrent idea in modern Spanish-language cinema: to explore the issues of the civil war through the eyes of a child. Predating Black Bread, there are a number of films such as Butterfly's Tongue and Pan's Labyrinth which use the same concept. Examining the war through young eyes contextualises it, reducing it to its most fundamental perceptible elements and providing a fascinating perspective on (in the case of the former) the senselessness of condemning people by ideology alone and (the latter) the monstrousness of war and the frivolity of conflict. In a way, Black Bread achieves both of these things, though far more so the second. It demonstrates not the horror of war itself, but the horror of the people war creates; the capability for evil of those left living. The dark truths Andreu unearths are as horrifying as any war, the images he dreams up truly disturbing. The child protagonist is a proxy through whom we see things at their most stripped-down, basic, and shocking, exposing to us the sheer lunacy of humanity's follies. Surprising is the film's tackling of a particular societal issue which gradually becomes the centre of its comment upon our race, and the animalistic prejudices which, sadly, so often characterise us. Worth making mention of is the film's name, something of a motif referring to the secondary theme of class and social standing, commenting upon the sickening imbalance between the wealthy and the poor in times of hardship. Most films would do well to achieve half the depth Black Bread manages with this theme, and it is a secondary one.

A worthy addition to the fray of Spanish civil war dramas, Black Bread is a surprisingly dark and deep examination of war's effect upon the lives and personalities of those who suffer through it. Condemning the capability of ordinary people to do extraordinary evil, it is an impactful portrait of guilt, responsibility, society, and family.

Dark film with thrilling events , awesome performances , adequate settings and including a spotless as well as shading pictorial cinematography . The flick has some powerful , rousing images and occurs strong and downbeat happenings . This upsetting story of how war creates monsters is set in the harsh post-war years' Catalan countryside , as our hero is Andreu , a little boy (Francesc Colomer) who lives with his parents (Roger Casamajor , Nora Navas)and he then meets the corpses of a man and his son in the woods . The Mayor (Sergi Lopez) and Guardia Civil blame his daddy named Farriol (Roger Casamajor replaced Óscar Jaenada) of the deaths , but Andreu attempts to help him by finding out who actually murdered them . He investigates and finally discovers dark secrets . In this search he betrays his own roots and seeks the terrible truth . Then his father is detained , Andreu gives up hope of seeing him again and he goes home his grandmother , aunts and cousin .

This is a thought-provoking flick dealing with astonishing events as well as a passionate retelling and a touching post-warlike drama with some historical insight . "Pa Negre¨ or ¨Pan Negro¨ being finely adapted by the same director Agustí Villaronga from a novel written by Emili Teixidor about a twisted tale of treason , lies , punishment and redemption . This moving as well as strong story is an emotive recounting and an intense drama , including disturbing intrigues , tragedies , deaths and executions . "Black Bread" results to be other of the uncountable stories to deal with dramatic deeds regarding the Civil War background . A familiar theme about the global horrors of a fratricide war , impossible to forget to Spanish Cinema , as the picture gives a deep detail about lives at a village set during post-Civil War and some atrocities being committed by Francoists . It belongs a sub-genre that revolves around the themes of the civil war through the eyes of a child , as there are a great number of pictures about this engaging issues such as ¨Secrets of heart¨ by Montxo Armendariz , ¨Butterfly's Tongue¨by Jose Luis Cuerda , ¨Viaje De Carol¨ by Imanol Uribe and Pan's labyrinth by Guillermo Del Toro . Agusti Villaronga also writes the script and being filmed in his usual formal and stylistic scholarship , without leaving a trace the thoughtful issues , in terms of dramatic and narrative excitement . The main problem has to face "Pan Negro" , beyond not being able to avoid falling into the politic pamphlet is precisely derived from the coldness of its staging , which eventually become monotonous over 108 minutes of footage . This is an enough budget Spanish production and obtained moderate success in the Spaniard box office . The starring boy is well performed by Francesc Colomer , he plays as Andreu who develops a moral consciousness against a world of adults fed by lies and ends up finding out the monster that lives within him . Excellent support cast forming an enjoyable human group of players and giving excellent interpretations such as Roger Casamajor as a Republican father with deep idealism to be made responsible for two strange deaths , Laia Marull as unsettling Pauleta , Eduard Fernández as abusive teacher and Sergi López who plays a similar role to Pan's labyrinth as a cruel fascist . This was first Catalan-language film to win the Goya Award for Best Film and Spain's official submission to the Best Foreign Language Film category of the 84th Academy Awards 2012 .

Appropriate and evocative musical score by Jose Manuel Pagan . Dark as well atmospheric cinematography by Antonio Riestra who is nowadays working in internationals productions as ¨Mama¨ , ¨Lidice¨ , ¨Czech-Made Man¨ and ¨Last knights¨. Being filmed on location in Olot , Gerona , Puig-Reig, Santa Fe Montseny, Talamanca, Tavertet, Vic , Puig De Balma , L'Espunyola , Manlleu, Mataró , Barcelona , Catalonia, Spain . The motion picture was compellingly directed by Agusti Villaronga . Agusti was born in 1953 in Majorca, Balearic Islands, he uses to make films including genuine chills , suspense , mystery and dark atmospheres . His movies pack excellent creation of taut , thriller , emotions and rare atmospheres such as ¨Aro Tolbukhin¨ , ¨El mar¨ , ¨El Niño de la Luna¨ and especially ¨In a glass cage¨ or ¨Tras el Cristal¨ . His greatest success was this ¨Black bread¨ or Pa Negre¨ winning several Goyas .

dark movie. about truth and its price, about illusions and the need of lies. the scene - Civil War shadow who represents perfect arena for a kind of story. like many Spanish films about same period, it is an exercise of exorcism. a child front to reality. the fall of veils. the cruelty of discoveries. it is not easy to say if it is a good or bad movie. because the answer is not on screen. the theme, the acting, the images, the chain of symbols, the final are only a circle. a frame. the real answer, one of them, is work of viewer experiences, memories, impressions. Francesc Colomer has an admirable work and the Balkanic layer of story is almost seductive. but something is more important - the large shadows, the heavy air, the powerful emotions, the force of each detail.a film like a string of answers. in skin of a question out of words. only the ash of images. and traces of a deeper war than one from a history lesson