Eventos que mudam o mundo perturbam espetacularmente a celebração anual do Dia do Asteroide em uma cidade do deserto americano.Eventos que mudam o mundo perturbam espetacularmente a celebração anual do Dia do Asteroide em uma cidade do deserto americano.Eventos que mudam o mundo perturbam espetacularmente a celebração anual do Dia do Asteroide em uma cidade do deserto americano.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 4 vitórias e 86 indicações no total
Steve Park
- Roger Cho
- (as Stephen Park)
Avaliações em destaque
People were laughing in the quaint historic theater I watched this film in. But I was not. I laughed one time, when you watch it you'll know the time.
The striking thing about these last couple of Wes Anderson movies is how they're becoming a parody of themselves. I can appreciate film as art vs film as entertainment. This takes entertainment disguised as art and commercializes it to a degree I find distasteful.
It was a pretty film. I loved the colors. I can respect it's aesthetic and that's where all the stars came from. I also love Schwartzmann.
The way the story was told as some kind of slowly unfolding meta-melodrama of a play within a film managed to completely chop the film into indigestible pieces. Ive rarely been that disinterested in the plot of a film.
Last thought. What on earth makes all of these famous actors want to be in these films??? Is it money? Is it the desire to see your own face with some pretty symmetrical colors in the background? Wes Anderson hasn't made a good film in years. We can continue to respect him from afar for doing something unique. Far enough away we don't have to watch....
The striking thing about these last couple of Wes Anderson movies is how they're becoming a parody of themselves. I can appreciate film as art vs film as entertainment. This takes entertainment disguised as art and commercializes it to a degree I find distasteful.
It was a pretty film. I loved the colors. I can respect it's aesthetic and that's where all the stars came from. I also love Schwartzmann.
The way the story was told as some kind of slowly unfolding meta-melodrama of a play within a film managed to completely chop the film into indigestible pieces. Ive rarely been that disinterested in the plot of a film.
Last thought. What on earth makes all of these famous actors want to be in these films??? Is it money? Is it the desire to see your own face with some pretty symmetrical colors in the background? Wes Anderson hasn't made a good film in years. We can continue to respect him from afar for doing something unique. Far enough away we don't have to watch....
Wes Anderson drummed up a magnificent cast. At least ten of them could carry a triple A movie by themselves. Unfortunately, Wes forgot that a good movie needs a good plot as well.
The visuals are outstanding, almost every shot is also an award winning photo. The acting is superb. The setting is magnificent and almost everything about this movie is perfect.
Everything but the plot. If you like humor, you'll like this film. If you come for the visuals, you'll love this film. If you're into acting, you'll have an excellent time. But if you want to be engaged? Look elsewhere.
Dear Wes, your dialogues are hilarious and witty. Your plots lack substance. Work on your plots.
The visuals are outstanding, almost every shot is also an award winning photo. The acting is superb. The setting is magnificent and almost everything about this movie is perfect.
Everything but the plot. If you like humor, you'll like this film. If you come for the visuals, you'll love this film. If you're into acting, you'll have an excellent time. But if you want to be engaged? Look elsewhere.
Dear Wes, your dialogues are hilarious and witty. Your plots lack substance. Work on your plots.
This is by far the worst of his movies. Such an incredible cast and he did nothing with them, the acting is good but the lack of an interesting story is unbelievable. It's a pretty film, yes, but even visually, it's the least interesting from his work. French dispatch was his first strike, Asteroid city is his second, really hope there's not a third. Hope he hires a good writer or writers to help him with his next films. We know he can do art direction, photography, and a few funny bits, but he needs someone to help him with plots. Really, with such an amazing cast, to come up with this, is so so so sad. What a waste. Truly disappointed.
Let me start off by saying: I have seen all of Wes Anderson's movies (including his ad work and his short movies), some of them even multiple times.
I can therefore certainly appreciate his quirky and unique style that made him a favorite at various film schools and among art-house movie lovers.
Asteroid City feels like a very concentrated version of his latest movies in a bland desert setting:
The black-and-white scenes in old TV formatting as well as the theatre-like setups reminded me of the "The French Dispatch" (2021) in particular. The newest movie doubles down on these "theatre/stage play" concepts, the sum of all parts unfortunately feels like a Wes Anderson overdose at times:
Too many actors (the usual staple of big-name actors is larger than ever in this one, only Bill Murray seems to be missing), yet with no real lead role present and very little character development.
The overall plot appears to be going nowhere until the credits roll - while the 1950's SF sub-"plot" also feels wasted when the Alien in his bright green UFO has a screen appearance about as short as the mythical 'Jaguar shark' in Wes' classic "The Life Aquatic" (2004).
Asteroid City looks like Wes jumped the shark on his own ideas and prior body of work.
Overall, the movie unfortunately feels too dry, stiff and boring to me (I would never write this about a prior Wes Anderson movie), even with its relatively short running time.
Summary: Asteroid City will most likely only please and appeal to his most hardcore fans. Another IMDB reviewer summed it up perfectly with this headline: "Nothing happens in the middle of nowhere".
4/10 , maybe rounded up to 5/10 for the (as always) beautiful decor and the immaculate attention to detail.
I hope Wes returns to "real" film-making one day. I wanted to see a "real" movie by Wes Anderson, not a "Wes Anderson doing Wes Anderson" stage play in the desert.
PS: (Edit). I have since found two professional reviews that almost perfectly match my impressions (quoted via Wikipedia):
"A review in the Alton Telegraph entitled, "'Asteroid City' script lacks direction and plot," said, "'Asteroid City' made no sense. The script was mind-numbing. I saw several people nod off because they were bored." Time Magazine's review was titled "Asteroid City Is Too Stiff and Stylized-Even for a Wes Anderson Movie, " saying "Wes Anderson's Asteroid City is what happens when a filmmaker's world of wonder and whimsy becomes a prison."
Yes, indeed. Asteroid City is what happens when a filmmaker's quirky world becomes a prison.
I can therefore certainly appreciate his quirky and unique style that made him a favorite at various film schools and among art-house movie lovers.
Asteroid City feels like a very concentrated version of his latest movies in a bland desert setting:
The black-and-white scenes in old TV formatting as well as the theatre-like setups reminded me of the "The French Dispatch" (2021) in particular. The newest movie doubles down on these "theatre/stage play" concepts, the sum of all parts unfortunately feels like a Wes Anderson overdose at times:
Too many actors (the usual staple of big-name actors is larger than ever in this one, only Bill Murray seems to be missing), yet with no real lead role present and very little character development.
The overall plot appears to be going nowhere until the credits roll - while the 1950's SF sub-"plot" also feels wasted when the Alien in his bright green UFO has a screen appearance about as short as the mythical 'Jaguar shark' in Wes' classic "The Life Aquatic" (2004).
Asteroid City looks like Wes jumped the shark on his own ideas and prior body of work.
Overall, the movie unfortunately feels too dry, stiff and boring to me (I would never write this about a prior Wes Anderson movie), even with its relatively short running time.
Summary: Asteroid City will most likely only please and appeal to his most hardcore fans. Another IMDB reviewer summed it up perfectly with this headline: "Nothing happens in the middle of nowhere".
4/10 , maybe rounded up to 5/10 for the (as always) beautiful decor and the immaculate attention to detail.
I hope Wes returns to "real" film-making one day. I wanted to see a "real" movie by Wes Anderson, not a "Wes Anderson doing Wes Anderson" stage play in the desert.
PS: (Edit). I have since found two professional reviews that almost perfectly match my impressions (quoted via Wikipedia):
"A review in the Alton Telegraph entitled, "'Asteroid City' script lacks direction and plot," said, "'Asteroid City' made no sense. The script was mind-numbing. I saw several people nod off because they were bored." Time Magazine's review was titled "Asteroid City Is Too Stiff and Stylized-Even for a Wes Anderson Movie, " saying "Wes Anderson's Asteroid City is what happens when a filmmaker's world of wonder and whimsy becomes a prison."
Yes, indeed. Asteroid City is what happens when a filmmaker's quirky world becomes a prison.
Wes Anderson has always been a favorite director of mine. I have seen all his movies - but for me, the magic is gone.
I feel like The Grand Budapest Hotel was his masterpiece. Where every aspect that makes his films special was at its peak. The characters, the cast, the sets and, of course, the visuals were up to an 11. His craft was perfected - and it's one of my top 5 films of all time.
When I saw Isle of Dogs, I started to feel full. I felt like I had seen Wes's style a bit too much. And now this.
I feel that Asteroid City is pretty bland. The visuals are fantastic - but we've seen this all before. Instead of a compelling lead who has an interesting problem to solve - we get several bland characters who are quirky, and that's it. The acting is great though. But it's not that funny nor intriguing.
We were eight friends who saw this film together. Every one of us was pretty bored after a while. One of us really liked it though - but she had only seen 50% of a Wes Anderson film before. The rest of us felt... full.
I feel like The Grand Budapest Hotel was his masterpiece. Where every aspect that makes his films special was at its peak. The characters, the cast, the sets and, of course, the visuals were up to an 11. His craft was perfected - and it's one of my top 5 films of all time.
When I saw Isle of Dogs, I started to feel full. I felt like I had seen Wes's style a bit too much. And now this.
I feel that Asteroid City is pretty bland. The visuals are fantastic - but we've seen this all before. Instead of a compelling lead who has an interesting problem to solve - we get several bland characters who are quirky, and that's it. The acting is great though. But it's not that funny nor intriguing.
We were eight friends who saw this film together. Every one of us was pretty bored after a while. One of us really liked it though - but she had only seen 50% of a Wes Anderson film before. The rest of us felt... full.
Wes Anderson Films as Ranked by IMDb Rating
Você sabia?
- CuriosidadesJason Schwartzman used the incomplete on-ramp freeway as a place to relax on set in between takes. "I would go up there all the time and sit up there. (...) Don't tell anyone. It's my secret spot. My secret spot in Asteroid City. It's kind of a hidden gem."
- Erros de gravaçãoThe newspaper shows a photo of the alien with a shadow, as if taken with a flashbulb, but Augie did not use a flash.
- Citações
Augie Steenbeck: I still don't understand the play.
Schubert Green: Doesn't matter. Just keep telling the story.
- Cenas durante ou pós-créditosAt the very end of the end credits, over a black screen a voice whispers, "Wicked."
- Versões alternativasTheatrically, the film is presented entirely within a 2.39:1 frame; the corresponding academy ratio 1.37:1 scenes are windowboxed within that frame. The Blu-Ray, DVD, and streaming version presents everything within a 1.78:1 framing, letterboxing the 2.39:1 segments and pillarboxing the 1.37:1 segments. The opening Focus Features and Indian Paintbrush logos are presented in full 1.78:1.
- Trilhas sonorasLast Train to San Fernando
Written by Sylvester DeVere, Randolph Padmore, Kenneth St. Bernard
Performed by Johnny Duncan and the Blue Grass Boys
Courtesy of Columbia Records Nashville
By arrangement with Sony Music Entertainment
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
24 Frames From Wes Anderson Films
24 Frames From Wes Anderson Films
Explore the memorable career of Wes Anderson through 24 stills from his movies.
- How long is Asteroid City?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 25.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 28.153.025
- Fim de semana de estreia nos EUA e Canadá
- US$ 853.382
- 18 de jun. de 2023
- Faturamento bruto mundial
- US$ 53.857.743
- Tempo de duração
- 1 h 45 min(105 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente