Crescendo no Arizona da era pós-Segunda Guerra Mundial, um jovem chamado Sammy Fabelman descobre um segredo de família e explora como o poder dos filmes pode ajudá-lo a ver a verdade.Crescendo no Arizona da era pós-Segunda Guerra Mundial, um jovem chamado Sammy Fabelman descobre um segredo de família e explora como o poder dos filmes pode ajudá-lo a ver a verdade.Crescendo no Arizona da era pós-Segunda Guerra Mundial, um jovem chamado Sammy Fabelman descobre um segredo de família e explora como o poder dos filmes pode ajudá-lo a ver a verdade.
- Direção
- Roteiristas
- Artistas
- Indicado a 7 Oscars
- 32 vitórias e 299 indicações no total
Mateo Zoryan
- Younger Sammy Fabelman
- (as Mateo Zoryon Francis-DeFord)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
When I first found out that Steven was making a movie about his life my first reaction was "wow, that's a conceited thing to do" so, I really wanted to dislike this film even before watching.
So, I skipped it at the theaters, did read some reviews and there were a lot of mixed ones. Watched the trailers and I admit those made it look half good. I figured I'd just wait till it streaming then I'd give it a go.
This afternoon I did just that, sat down in my rocking chair and watched 'the Fabelmans' and after it had ended and the credits were rolling my first thought was 'I apologize Steven'
I now know that it wasn't out of some conceited place or Steven trying to pay tribute to his own career. Instead it's a film about his family and it's dysfunctions and milestones that would eventually lead Steven to be the wonderful filmmaker we all love.
It's obvious now that Steven was the only one that could of written and directed this film.
Now, I can understand if there's questions on 'why' he made this film. Why expose his family's dirty laundry? Why stir up controversial moments but all these things led to Steven becoming the filmmaker he is.
In the end I was very pleasantly surprised by this film. I laughed, I was aggravated and at times very moved and inside all of those emotions we have tidbits on Steven falling in love with filmmaking. It's always present in the film but really it's not the focus. It's his family, the love he has for them and those struggles to keep it all together.
Good job Steven and thank you for such a wonderful career and so many great memories you have given to me and my family.
So, I skipped it at the theaters, did read some reviews and there were a lot of mixed ones. Watched the trailers and I admit those made it look half good. I figured I'd just wait till it streaming then I'd give it a go.
This afternoon I did just that, sat down in my rocking chair and watched 'the Fabelmans' and after it had ended and the credits were rolling my first thought was 'I apologize Steven'
I now know that it wasn't out of some conceited place or Steven trying to pay tribute to his own career. Instead it's a film about his family and it's dysfunctions and milestones that would eventually lead Steven to be the wonderful filmmaker we all love.
It's obvious now that Steven was the only one that could of written and directed this film.
Now, I can understand if there's questions on 'why' he made this film. Why expose his family's dirty laundry? Why stir up controversial moments but all these things led to Steven becoming the filmmaker he is.
In the end I was very pleasantly surprised by this film. I laughed, I was aggravated and at times very moved and inside all of those emotions we have tidbits on Steven falling in love with filmmaking. It's always present in the film but really it's not the focus. It's his family, the love he has for them and those struggles to keep it all together.
Good job Steven and thank you for such a wonderful career and so many great memories you have given to me and my family.
Lynch's last role, that's why I wanted to see it. For some reason, the film didn't get carried away at the release. I like to make mistakes and discover such amazing paintings after a while.
A movie about cinema and love for it.
Throughout the life of the main character, the movie goes along with him to one degree or another. At first, it amazes him as a viewer, but very soon he starts filming it himself. If in childhood it could be called a hobby, then it develops further to the vocation of a lifetime.
He makes short films, then full-fledged films, which, although they are shot for his own money and shown only to the participants in the filming, still touch the audience.
In fact, each film shot inside the film reflects the gradual development of the hero as a director and personality.
He is going through a drama in his family, relationships with peers and a girlfriend, but only cinema and the craving for it as the meaning of life helps to overcome all this and eventually succeed.
Also, the film is beautifully shot in terms of technical components, and every acting job pleases the eye and you, as a viewer, empathize with all the characters. They are prescribed and you believe in their problems.
A movie about cinema and love for it.
Throughout the life of the main character, the movie goes along with him to one degree or another. At first, it amazes him as a viewer, but very soon he starts filming it himself. If in childhood it could be called a hobby, then it develops further to the vocation of a lifetime.
He makes short films, then full-fledged films, which, although they are shot for his own money and shown only to the participants in the filming, still touch the audience.
In fact, each film shot inside the film reflects the gradual development of the hero as a director and personality.
He is going through a drama in his family, relationships with peers and a girlfriend, but only cinema and the craving for it as the meaning of life helps to overcome all this and eventually succeed.
Also, the film is beautifully shot in terms of technical components, and every acting job pleases the eye and you, as a viewer, empathize with all the characters. They are prescribed and you believe in their problems.
The Fabelmans is both a coming-of-age story and a love letter to filmmaking; calling this movie a labor of love is an understatement. The Fabelman is Spielberg's most personal film ever as he shared how he developed his passion for filmmaking while demonstrating the power of escapism the movies brought to his life. Steven Spielberg understands that love for art is not just a hobby but also an expression of one's self and exploration of humankind. Steven Spielberg was able to articulate himself in a very raw yet profound way with his film, The Fabelmans. It is good to see him tell the story of his life while recognizing that his family is far from perfect and how a young man deals with one family crisis and overcoming it through the power of filmmaking. If you share the same love for film, like everyone here, you would certainly appreciate this movie. But, the movie is far from perfect as most of Spielberg's films.
The movie focuses on Sammy, played wonderfully by Gabriel LaBelle, which sometimes comes off as a bit pretentious as a character. But, Gabriel LaBelle was great in this movie that he showed the emotional depth of the character, and his fascination with filmmaking translates to the audience. Gabriel LaBelle must have felt extreme pressure while playing this character, considering that he's playing one of the best filmmakers of all time, but he was able to give justice to the character at no fault. However, it was Michelle Williams that stood out in this film---to say her performance is phenomenal is diminishing---she was terrific and captivating as Mitzi, a free-spirited mother with an extreme love for art. Paul Dano was great in this film, as well as Seth Rogen. Also, Judd Hirsch is for sure a shoo-in for an Oscar nomination, only in the movie for less than 10 minutes, but his character is pivotal for Sammy's growth.
During the third act of the film, it kinda lost its footing, the movie became dragging, cliche, and pretentious. But, The Fabelmans is far from Spielberg's best work, like Schindler's List or ET, but the movie works as a coming-of-age story that delivers more of the director's insights. The Fabelmans is a charming and poignant anecdote about life glimpsed through the camera and how those occasions shaped one of the greatest filmmakers of all time. Although the movie is predictable and does not come with surprises. The Fabelmans still works without depending on glitzy special effects, an excessive amount of violence, or shock value, but because of its great direction, performances, sincerity, and authenticity from the writing perspective, it resulted in The Fabelmans being one of this year's best films. We can see that it's personal, but it feels like the movie is made for us as well.
The movie focuses on Sammy, played wonderfully by Gabriel LaBelle, which sometimes comes off as a bit pretentious as a character. But, Gabriel LaBelle was great in this movie that he showed the emotional depth of the character, and his fascination with filmmaking translates to the audience. Gabriel LaBelle must have felt extreme pressure while playing this character, considering that he's playing one of the best filmmakers of all time, but he was able to give justice to the character at no fault. However, it was Michelle Williams that stood out in this film---to say her performance is phenomenal is diminishing---she was terrific and captivating as Mitzi, a free-spirited mother with an extreme love for art. Paul Dano was great in this film, as well as Seth Rogen. Also, Judd Hirsch is for sure a shoo-in for an Oscar nomination, only in the movie for less than 10 minutes, but his character is pivotal for Sammy's growth.
During the third act of the film, it kinda lost its footing, the movie became dragging, cliche, and pretentious. But, The Fabelmans is far from Spielberg's best work, like Schindler's List or ET, but the movie works as a coming-of-age story that delivers more of the director's insights. The Fabelmans is a charming and poignant anecdote about life glimpsed through the camera and how those occasions shaped one of the greatest filmmakers of all time. Although the movie is predictable and does not come with surprises. The Fabelmans still works without depending on glitzy special effects, an excessive amount of violence, or shock value, but because of its great direction, performances, sincerity, and authenticity from the writing perspective, it resulted in The Fabelmans being one of this year's best films. We can see that it's personal, but it feels like the movie is made for us as well.
There is a tendency these last years for directors to create movies about their love of movies. This movie is Spielberg's attempt, and I can confirm that it's pretty well achieved. You can feel the "true story" in the ways in which this coming-of-age story avoids melodramatic teenage cliches and tropes. The protagonist is simply a good guy. There are no real antagonists except... I guess a couple of bullies...? It's a story that simply proves Spielberg's unmatched proficiency in the language of cinema: the pacing, the directing, is very refined and well-crafted, there's a lot of sentimentality that is efficiently conveyed and the visuals are always engaging in one way or another.
Spielberg is a weird director, one that basically is simply very good at doing what he does, he talks the language of movies, Hollywood movies. He's one of those producers that turns every pop song into a hit. He doesn't have a strong sense of story, he lives and breaths in the Hollywood mainstream, and the movie portrays this very well, it shows how he is inspired by action movies, or epic movies, any entertaining story. His alter ego in the film is a very normal lead character, a very Hollywood-type of character. The best moments in the story are the interaction with his family, his complex relationship with his mother (really beautifully performed). I don't find a lot else to say, really. The only nitpick I have to offer is that the main character wears these extremely distracting brown contact lenses (I suppose to make his eyes look "genetically accurate) and I don't understand how necessary that was. The movie is simply a very conventionally well told story. Also the Lynch cameo is admittedly a moving tribute both to him and to his character of John Ford. It's slow in parts but not grating, some moments are chuckle-worthy, some are moving. It's a testament to Spielberg's insane versatility and his ability to just serve the medium of Hollywood films. I'm probably going to forget this movie in a while, but I will gladly revisit it. It's a cute movie, very cozy and feel-good, a nice Christmas family watch.
Spielberg is a weird director, one that basically is simply very good at doing what he does, he talks the language of movies, Hollywood movies. He's one of those producers that turns every pop song into a hit. He doesn't have a strong sense of story, he lives and breaths in the Hollywood mainstream, and the movie portrays this very well, it shows how he is inspired by action movies, or epic movies, any entertaining story. His alter ego in the film is a very normal lead character, a very Hollywood-type of character. The best moments in the story are the interaction with his family, his complex relationship with his mother (really beautifully performed). I don't find a lot else to say, really. The only nitpick I have to offer is that the main character wears these extremely distracting brown contact lenses (I suppose to make his eyes look "genetically accurate) and I don't understand how necessary that was. The movie is simply a very conventionally well told story. Also the Lynch cameo is admittedly a moving tribute both to him and to his character of John Ford. It's slow in parts but not grating, some moments are chuckle-worthy, some are moving. It's a testament to Spielberg's insane versatility and his ability to just serve the medium of Hollywood films. I'm probably going to forget this movie in a while, but I will gladly revisit it. It's a cute movie, very cozy and feel-good, a nice Christmas family watch.
It's watching Steven Spielberg grow up from a child terrified by the train crash in THE GREATEST SHOW ON EARTH, to an adolescent film maker. He's pretty up front about the family issues and his parents' break up. I suspect he has realized that being an adult is a tough thing and is willing to forgive.
At 150 minutes, it should feel self indulgent, but it never does, thanks to a terrific performance by Michelle Williams as the mother and Paul Dano as the father. No one seems to be acting, which is half the Spielberg magic. There are also great cameos by Judd Hirsch as the profane uncle who was a lion tamer, and David Lynch as John Ford.
Some of the characters seem sketchily drawn, particularly the sisters, but that serves to emphasize Miss Williams, Dano, and Gabriel LaBelle as the Steven Spielberg character. Is she t that Spielberg and his frequent collaborator Tony Kühner, have drawn a fine portrait of a Jewish post-war family, when things were supposed to be so very bland... but really, people were living their lives.
At 150 minutes, it should feel self indulgent, but it never does, thanks to a terrific performance by Michelle Williams as the mother and Paul Dano as the father. No one seems to be acting, which is half the Spielberg magic. There are also great cameos by Judd Hirsch as the profane uncle who was a lion tamer, and David Lynch as John Ford.
Some of the characters seem sketchily drawn, particularly the sisters, but that serves to emphasize Miss Williams, Dano, and Gabriel LaBelle as the Steven Spielberg character. Is she t that Spielberg and his frequent collaborator Tony Kühner, have drawn a fine portrait of a Jewish post-war family, when things were supposed to be so very bland... but really, people were living their lives.
Você sabia?
- CuriosidadesSteven Spielberg said his parents had been "nagging" him to put them on the big screen prior to their deaths. "They were actually nagging me, 'When are you going to tell that story about our family, Steve?' And so this was something they were very enthusiastic about," he said. He also shared what finally prompted him to make The Fabelmans: "I started seriously thinking, if I had to make one movie I haven't made yet, something that I really want to do on a very personally atomic level, what would that be? And there was only one story I really wanted to tell." He also said The Fabelmans is "the first coming-of-age story I've ever told." "My life with my mom and dad taught me a lesson, which I hope this film in a small way imparts," he told The Hollywood Reporter. "Which is, when does a young person in a family start to see his parents as human beings? In my case, because of what happened between the ages of 7 and 18, I started to appreciate my mom and dad not as parents but as real people."
- Erros de gravaçãoYounger Sammy Fabelman's eyes are blue, while the older Sammy Fablelman's eyes are brown.
- Cenas durante ou pós-créditosTwo dedications to Spielberg's real life parents Leah Adler and Arnold Spielberg appear after the closing credits.
- Trilhas sonorasThe Greatest Show on Earth
from O Maior Espetáculo da Terra (1952)
Written by Victor Young, Ned Washington
Performed by the Paramount Studios Band
Courtesy of Paramount Pictures
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Los Fabelman
- Locações de filme
- 12908 Bailey Street, Whittier, Califórnia, EUA(Monte's camera shop: Bennie tries to offer Sammy a film camera)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 40.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 17.348.945
- Fim de semana de estreia nos EUA e Canadá
- US$ 161.579
- 13 de nov. de 2022
- Faturamento bruto mundial
- US$ 45.614.213
- Tempo de duração2 horas 31 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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