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7,9/10
4,3 mil
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Adicionar um enredo no seu idiomaA dark realistic cop series follows a squad of Paris cops who exist in the blurred boundaries at the very edge of the law, often using violence and intimidation to get the job done.A dark realistic cop series follows a squad of Paris cops who exist in the blurred boundaries at the very edge of the law, often using violence and intimidation to get the job done.A dark realistic cop series follows a squad of Paris cops who exist in the blurred boundaries at the very edge of the law, often using violence and intimidation to get the job done.
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Giving Braquo a 9 because it's totally racist as is it's follow-up/ counter part Engranages. Apart from that excellent TV. not enough adjectives to describe the great acting, writing, makeup or lack there of & production. Shear gritty over the top violent beauty.. Episodes just continue to get better each time..As in life.. everyone is bad, but as the series show, plenty of us are very, very bad. You will have no time to feel empathy for any of the characters.. And there will be times when you'll be rooting for their demise..Especially the cops. If you're trying to learn French, forget about it.. These series are made for native French speakers.. The Subs are so so, sometimes pretty dreadful.. Since 2013, I believe Hollywood has seen the writing of it's own demise on the wall and have begun to collaborate with international actors and film companies from several European countries.. American Hegemony has been waining for sometime and thankfully it's also affecting the film business. It's not that international film has always been this good. It's just that American TV has always been very bad.
Personally I loved every minute of each season.
Gritty and yet, generally believable story lines brilliantly interpreted by each of the cast. Watching here in the UK, the subtitles really weren't necessary as each nuance of every scene was clearly revealed by the superb acting.
I'm going to miss it, but at the same time, I'm glad they didn't run it into the ground, as is the case with so many similar shows.
Au revoir mes amies.
Gritty and yet, generally believable story lines brilliantly interpreted by each of the cast. Watching here in the UK, the subtitles really weren't necessary as each nuance of every scene was clearly revealed by the superb acting.
I'm going to miss it, but at the same time, I'm glad they didn't run it into the ground, as is the case with so many similar shows.
Au revoir mes amies.
"Braquo" is an entertaining and gripping Police TV Series. It is the story of a group of Parisian cops who deal with tough criminals with controversial methods. They often can be confused with criminals for their way of dealing with delicate situations, and they don't hesitate to kill people who can harm them physically or who can damage their status as Policemen. The main characters, the cops Eddy, Roxane, Theo and Walter, who are big friends, get in trouble very easily because of their borderline styles of life (Theo is a cocaine addict, Walter a restless gambler), and they always finish dragging the others in their own problems. They also always have to fight against their superiors who want to kick them out of the Police force. I watched both series and I can say that the second one is much more interesting because it has a quick pace and a very complex plot that involves former military men, ministers and ruthless criminals. The adjective I would use to describe this series is "tough" since there are many brutal scenes. A flaw or, If you want, a bizarre feature of the series is some unrealistic scenes: the police headquarters looks like a damp garage and the group of the 4 cops have a kind of bar inside the police station. However I think "Braquo" is a well done series even if I like "Engrenages" better.
Take " The Shield" and amp it up by swearing more, having more violence, and way more sex, et voila! Well not quite. In Braquo the dialog has a male macho Black and White staccato. The action is fervid, and it's this that saves it, because the plot holes are massive. Bring disbelief into viewing it and it becomes comedy, so best thing is to amp up the Lizard brain and bring out the teenager or Trump voter that lurks inside. "How are they going to get out of this" buildups are followed by RUFKM plot twists dreamed up by writers that don't care about the real world of cause and effect. Tortured for days and voila nothing to show for it but some stitches, just to remind us of the torture, juiced to the max by electrical prods and voila able to recover in 5 minutes flat.
Can't believe anyone would pan season two of Braquo. You try putting together something as phenomenal as that show. Just be thankful that the world has crime and detection offerings from something beyond the technocracy filled serials originating in the US. Any human empathy in American serials is swallowed and drowned in the budding stage by the cacophonous technoRock background music. With European master film making we are given highly believable, living people situations with gut wrenching results. Focus on the use of music in Euro filming and compare it to the monster that has come into American stuff. It is sickening. Emotion is the creed with Euro filming not something on the "attempt to exploit" block. I am freaking to hear that Braquo isn't on board for 2014 presentation. It could only be that their writer died or went overboard, took a live round. The corollary serial 'Engranages' is doing well, what on earth could have tipped over Braquo other than the actors got paid and paid well and consequently OD'd in celebration (not acceptable). I think they should come back by popular demand. Their work is totally believable. Maybe the fatah had a hand in undermining the show. I think Braquo is an essential part of Europe's hope of preserving the culture of the continent and surviving the scourging flood of smuggled narcotic toxins.
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- ConexõesFeatured in De quoi j'me mêle!: Episode #1.16 (2020)
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