AVALIAÇÃO DA IMDb
5,9/10
3,1 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA modern, gothic tale of crime and redemption about an aging police officer from a small Ontario Mennonite town who hides a violent past until a local murder upsets the calm of his newly ref... Ler tudoA modern, gothic tale of crime and redemption about an aging police officer from a small Ontario Mennonite town who hides a violent past until a local murder upsets the calm of his newly reformed life.A modern, gothic tale of crime and redemption about an aging police officer from a small Ontario Mennonite town who hides a violent past until a local murder upsets the calm of his newly reformed life.
- Prêmios
- 6 vitórias e 5 indicações no total
Stephen Eric McIntyre
- Steve
- (as Eric McIntyre)
Avaliações em destaque
To be fair, the director set himself up with a task that was going to undermine him. This is the story of a severely bottled-up individual who has a history of rage and violence, who has separated himself from larger society both because he can't trust himself and they know they can't trust him either. But to play such a character means going inward so much that it doesn't give the viewer a whole lot to look at. There are long stretches of this short movie where we see the protagonist simply frozen with his own torment.
The standout performance here is by Jill Hennessey, who conveys such resentment and antipathy toward the protagonist that it practically jumps off the screen. Every frame she's in the movie becomes compelling. If there had been more done with the back story between these two it might have made for a more interesting story.
Regarding the music - this kind of new-gospel is not to my taste, but even if it were, the fact that it's amped-up so loud compared to the rest of the film, where the characters barely speak above a whisper, is completely off-putting. What is supposed to add emotional and spiritual impact ends up just sounding bombastic. I felt aurally mugged.
The standout performance here is by Jill Hennessey, who conveys such resentment and antipathy toward the protagonist that it practically jumps off the screen. Every frame she's in the movie becomes compelling. If there had been more done with the back story between these two it might have made for a more interesting story.
Regarding the music - this kind of new-gospel is not to my taste, but even if it were, the fact that it's amped-up so loud compared to the rest of the film, where the characters barely speak above a whisper, is completely off-putting. What is supposed to add emotional and spiritual impact ends up just sounding bombastic. I felt aurally mugged.
Recommended for watchers that appreciate the fine enactment of a well-crafted screenplay. Direction also very good. All the actors had their moments, and some were indeed memorable: I shall always remember the look between Rita and Steve at the end when Steve is in the back of the police vehicle. Let's just say brilliant acting, direction, and camera-work must culminate to capture something that good. Of course, one will need to watch what comes before to reach that point. The pace of the movie is deliberate, and dialog is often exchanged haltingly, especially from our main man, Walter (Peter Stormare depicts him from the inside out -- excellent all the way through; also loved the lingering accent, which fits Walter perfectly). Music and biblical quotes were a bit jangling, I must agree, as many other reviewers have noted. The quotes were more of a problem than the music for me, because I have a problem with quotes in general. As a viewer, I don't need to be told what a section of movie is going to be about. That's a bit of an insult, in fact. Anyway, take the quotes out and the movie would have been just as watchable from my perspective. Music -- OK, it adds atmosphere, though again I probably would have enjoyed the movie just as much without it. Reminiscent of another Mennonite-centric film I saw directed by Carlos Reygadas in Mexico, Silent Night, though that was brilliant in a very different way.
To recap, here, "Small Town Murder Songs" is a title that describes the movie literally; the acting, screenplay, and direction make this a watchable film, especially for the contemplative viewer.
To recap, here, "Small Town Murder Songs" is a title that describes the movie literally; the acting, screenplay, and direction make this a watchable film, especially for the contemplative viewer.
The movie itself is a haunting, powerful experience, much like the excellent Gothic thriller "Septien" and the short film "The Abattoir". These films are set in provincial towns, seemingly cut off from the world, and that adds to the suspense and mystery.
But check the discussion boards, I'm not the only one who thought the overbearing music killed the mood. The music itself was appropriate (jarring religious hymns), but they were just so loud and harsh that they distracted from the poetry of what was on screen. My advice to you would be to turn the volume down as much as possible while still being able to understand the dialogue. If you have it up too loud, I guarantee your neighbors will start pounding on the floor thinking you're starting a weird psycho cult and sacrificing first born children or something twisted like that.
Back to the movie, like I said above, it's suspenseful and mysterious. There's not a lot of action. In fact, basically there's no action at all. Instead you get a thick disturbing atmosphere, occasional dramatic flashbacks and unyielding tension building up. Very effective.
The DVD cover compares it to the Coen Brothers. I can definitely see some similarities with their serious side ("A Serious Man", "The Man Who Wasn't There"). It also reminded me of the 2005 film "Capote". If you like slow, heavy thrillers with interesting characters but not much action, give it a shot. Just beware of the loud soundtrack.
But check the discussion boards, I'm not the only one who thought the overbearing music killed the mood. The music itself was appropriate (jarring religious hymns), but they were just so loud and harsh that they distracted from the poetry of what was on screen. My advice to you would be to turn the volume down as much as possible while still being able to understand the dialogue. If you have it up too loud, I guarantee your neighbors will start pounding on the floor thinking you're starting a weird psycho cult and sacrificing first born children or something twisted like that.
Back to the movie, like I said above, it's suspenseful and mysterious. There's not a lot of action. In fact, basically there's no action at all. Instead you get a thick disturbing atmosphere, occasional dramatic flashbacks and unyielding tension building up. Very effective.
The DVD cover compares it to the Coen Brothers. I can definitely see some similarities with their serious side ("A Serious Man", "The Man Who Wasn't There"). It also reminded me of the 2005 film "Capote". If you like slow, heavy thrillers with interesting characters but not much action, give it a shot. Just beware of the loud soundtrack.
I have always admired Peter Stormare's acting but I am unable to recall him in a leading role - until now. He provides a strong performance as a religious police officer with violent and painful past, and there are very few scenes without his presence. As for the rest, I cannot find more outstanding features: the plot is slow and dull (the killer can be figured out early), religious soundtrack and church links are annoying, other actors/characters are not catchy. Even in terms of pondering and profundity, there are far more interesting and versatile movies, even from Canada. Luckily, its duration is 1 hour and 10 minutes only.
Thus, a film for art's sake, but not interesting to follow. It could just have been a psychological film without any crime at all. By the way, I like the Coens a lot and have seen all of their films. Small Town Murder Songs does not measure up to them.
Thus, a film for art's sake, but not interesting to follow. It could just have been a psychological film without any crime at all. By the way, I like the Coens a lot and have seen all of their films. Small Town Murder Songs does not measure up to them.
"You need to ask, what kind of man do I choose to be." After discovering a murdered girl in a field, Ottawa police officer Walter (Stormare) is put in charge of trying to find the killer. When the pressure of the case starts to get to him will he act like the officer he is, or will his past catch up with him first? This is another movie that has a very deliberate pace, it does drag a little in spots, but overall a very good movie. The best way to describe this is slowly watching a man who has it all together begin to lose it. All the while you begin to feel sorry for him, and you feel like you shouldn't. This is the best Coen Brothers movie that they haven't directed. This movie has the pacing and feel of one of their movies, even though they had nothing to do with this one. The acting is excellent and is a joy to watch Walter try to stay calm in the midst of the pressure he is facing. This is a great choice if you are looking for a movie. I liked it a lot. Overall, a very good movie filled with great acting. The music used in this movie is excellent, and it really adds to the feel of the movie. This is another movie that is not for everyone, but those that like the Coen Brothers will really enjoy this movie. I give it a B.
Would I watch again? - I don't think I will, not really a repeat watcher type movie.
*Also try - Winter's Bone
Would I watch again? - I don't think I will, not really a repeat watcher type movie.
*Also try - Winter's Bone
Você sabia?
- CuriosidadesJackie Burroughs final film.
- Erros de gravaçãoIn the credit for the song "Here Comes the Comet," written is misspelled as "wriiten."
- ConexõesReferenced in Film Junk Podcast: Episode 332: Fright Night and Conan the Barbarian (2011)
Principais escolhas
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- How long is Small Town Murder Songs?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Песнь убийцы маленького городка
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 31.133
- Fim de semana de estreia nos EUA e Canadá
- US$ 2.810
- 5 de jun. de 2011
- Faturamento bruto mundial
- US$ 31.133
- Tempo de duração1 hora 15 minutos
- Cor
- Proporção
- 2.35 : 1
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By what name was Small Town Murder Songs (2010) officially released in India in English?
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