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IMDbPro

Syn Babilonu

  • 2009
  • Not Rated
  • 1 h 40 min
AVALIAÇÃO DA IMDb
7,2/10
1,6 mil
SUA AVALIAÇÃO
Syn Babilonu (2009)
Drama

Adicionar um enredo no seu idiomaA willful young boy follows his just as obstinate grandmother in a journey across Iraq, determined to discover the fate of her missing son, Ahmed's father, who never returned from war.A willful young boy follows his just as obstinate grandmother in a journey across Iraq, determined to discover the fate of her missing son, Ahmed's father, who never returned from war.A willful young boy follows his just as obstinate grandmother in a journey across Iraq, determined to discover the fate of her missing son, Ahmed's father, who never returned from war.

  • Direção
    • Mohamed Al Daradji
  • Roteiristas
    • Mohamed Al Daradji
    • Mithal Ghazi
    • Jennifer Norridge
  • Artistas
    • Shazada Hussein
    • Yasser Talib
    • Bashir Al Majid
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,2/10
    1,6 mil
    SUA AVALIAÇÃO
    • Direção
      • Mohamed Al Daradji
    • Roteiristas
      • Mohamed Al Daradji
      • Mithal Ghazi
      • Jennifer Norridge
    • Artistas
      • Shazada Hussein
      • Yasser Talib
      • Bashir Al Majid
    • 15Avaliações de usuários
    • 18Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 12 vitórias e 5 indicações no total

    Fotos2

    Ver pôster
    Ver pôster

    Elenco principal59

    Editar
    Shazada Hussein
    • Um Ibrahim
    • (as Shehzad Hussen)
    Yasser Talib
    • Ahmed
    • (as Yassir Taleeb)
    Bashir Al Majid
    • Musa
    Salih Abdul Rahman Farhad
    • Mahmood
    Kefaya Dakhee Kareem
    • Um Fatima
    Mohammed Hussen Jbara
    • Qasim
    Haythem Abass
    • Razak
    Yazy Hassin Hasoon
    • Woman Snging
    Asmaeel Al-Matri
    • Sheikh of the Mosque
    Raad Azoeer
    • Baghdad Bus Driver
    Sayyed Hassin Al-Mosawi
    • Baghdad Bus Driver Assistant
    Lateef Maouat Al-Asadi
    • Baghdad Coach Station Man #1
    Raheem Radi
    • Baghdad Coach Station Man #2
    Shwala Atia
    • Baghdad Coach Station Woman #1
    Najat Mansour
    • Baghdad Coach Station Woman #2
    Najeer Jree
    • Nasiriyah Prison Official
    Hussein Nahi
    • Nasiriyah Prison Assistant #1
    Ali Mhaoush
    • Nasiriyah Prison Assistant #2
    • Direção
      • Mohamed Al Daradji
    • Roteiristas
      • Mohamed Al Daradji
      • Mithal Ghazi
      • Jennifer Norridge
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários15

    7,21.5K
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    Avaliações em destaque

    9Atavisten

    A sobering account of genocide and occupation in Iraq

    The plight of Iraq, and especially the Kurds in Iraq, double struck by the worst imaginable disasters during the past 20 years, first the war with Iran where men where drafted into suicide and the genocide of the Kurds by Saddam and then now in the present carnage of the US occupation, serves as the premise and backdrop of this powerful movie.

    Ahmed tries together with his grandmother to find his father, a soldier missing for 12 years. Saddam has just fallen and his mass graves are uncovered all over the north area. This is of course very difficult. They hitchhike their way through the country with what means possible, including a body transport.

    The fact is that more than 1 000 000 people have gone missing in Iraq during the past 30 years or so and this is not internationally recognized in some (including Arabic) countries as what it is. This movie highlights this.

    An important movie.
    8aboodk-20930

    GREAT Movie

    Great movie about iraq I recommend everyone to watch
    7samuelding85

    When a mother's despair and a son's innocence meets in the post-Saddam era

    Son of Babylon marks the first few movie to be made in Iraq by an Iraqi, after the fall of Saddam Hussien's Regine. Director Mohamed Al Daradji, a former soldier under Saddam's Regine, tells the story on the despair of the loss of the loved ones during the Iraq war in the early 1900's, where family members of the victims could only see the remains of the loved ones buried under the bed of sand where they hoped for their loved ones to remain alive.

    The story begins with a Kurdish grandmother, Um-Ibrahim, and her only grandson, Ahmed, on a journey towards Baghdad to look for her son, Ibrahim (grandson's father), who was forced into the army in 1991 during the outbreak of Iraq war. With a weak body and unable to speak Arabic, Um-Ibrahim wants the willful Ahmed to guide her along the streets of Baghdad, looking into possible places that she can find her son. Throughout the journey, the duo met a driver who drives them to Baghdad from the desert and a former soldier forced into performing a massacre during Saddam's Regine, who helps the duo in locating various mass graves to look for Ibrahim.

    The story for the road movie is fairly simply, but this may not be an easy movie to understand, especially for audience who have no knowledge on the Iraq war and the massacre during Saddam's Regine. The willful Ahmed looks naive and innocent, without knowing what has happened around him until he has to accompany his grandmother in searching for his father. On the other hand, Um-Ibrahim seems more of a villager who is ignorant on the environment outsider her world. Unable to communicate with the people around her in Arabic, it becomes a barrier towards looking for her son. But she will locate her son no matter how difficult it will be. When both has to work hand in hand together, it breeds frustration: Ahmed is tired of his grandmother reading official letters locating the whereabouts of his father; Um-Ibrahim has to stop her grandson from running away from her without her knowledge.

    When arriving on one of the destination, Um-Ibrahim helps Ahmed change a set of clothes, so that he will not look dirty should they found Ibrahim. At the same time, Ahmed helps Um-Ibrahim washes her face after traveling on a long journey. Such acts sends a message on the desperation and hope of thousands of Iraqi's looking towards finding their family members. As the story unfolds, we will see on how many of the Iraqi's burst into disappointment as their hope dashes after being taken to various mass graves, where victims who died under Saddam's Regine were buried in the wild.

    The message Daradji wants to send to the audience across the world is the destruction of the lives and hopes of civilians when war broke out somewhere else, be it an foreign invasion or a civil war. At the same time, it also gives a view on the society in chaos after the war, on how people begin to pick up the pieces from the destruction without any order. Son of Babylon is a story told from the view of the Iraqi's who survived the war, where all the people wished for is for the family and the society to live together harmoniously, not out into a war for the benefit of an individual.

    While we have plenty of movies featuring American troops controlling and restoring the order of Iraq after the fall of Saddam Hussien, we do not have any movie that truly reflects the thought from the view of the Iraqi's. Son of Babylon is the first, and may be the only few movies in the world that could have done so. In short, Son of Babylon marks the first few important movie on the destruction of war in the cinema history.
    7theatirekjain

    Sad truth of war for common people

    This is a movie that shows to reality of people living in Iraq. After wars, American invasions. The rich history and lives of common people are destroyed.

    If you are interested in an antiwar movie, it's quite good and sad. It's a story about a mother and sons search for there father, during the war. We also get to see both the helpful and greedy parts of the world. The contrast between the sorrow felt by the old mother and the young boy searching for his father is clearly visible.

    If you have 1 and a half hour and want a relaxed and sad story based in the real world it's definitely for you..
    8LinJason

    The slightest shimmers of hope will always be around somewhere during the darkest moments in life and pull us through

    Diverting away from the usual politically-driven theme, this film of war-torn Iraq seeks fundamental qualities in humanity amidst the very worst situations from the eyes of a grandmother and her grandson in seek of her missing son. The characters have taught us that the slightest shimmers of hope will always be around somewhere during the darkest moments in life and pull us through.

    Set in the war-hit landscapes of Iraq, we truly get to see the crumbled physical state that the country is left in three weeks after the fall of Saddam Hussein. Location plays a major role in helping to set the foundation of this film that reeks of desolation without a future (notice how barren the lands look without much greenery). From the mass media, we are often brought to the attention of the battle between the US/UN forces and Saddam's regime where a lot of focus are placed on casualty counts and the war development.

    This film sets to tell a heartfelt story that will never be heard of by the world.

    Ahmed is a naive young boy who is often optimistic about his life and all that surrounds it, despite being able to see with his own eyes the turmoil of his homeland. Everything is fresh to him, from his missing father's occupation as an Iraqi soldier to greeting the US Marines at check points. During the entire span of this film, Ahmed gets to see the world and attains enlightenment at the end of it.

    He is not without fears, especially when he is left alone without his grandmother.

    Surprisingly when they face threats that serve to undo them with injustice, he gathers courage to step up against the tyranny and correct what is wrong. He has the nerves to confront a bus driver for a fare refund when the bus was unable to bring them to Baghdad. This highly signifies the potential and capabilities of the young Iraqi generation who can help do the right thing and rebuild the nation. Likewise Ahmed's grandmother also looks to him for support and courage while mutually reciprocating the same, which represents the elder generation looking towards and pinning hopes on the younger ones for protection.

    After all, they're only left with each other of what's left in the family (or nation rather).

    Ahmed's father represents the current working generation that is affected by the cruelties of tyranny and misfortune that have long plagued Iraq. The mass graves discovered are only going to leave a huge trail of grieving families of the dead. I was personally disturbed by the death wailing of the widows at the mass grave sites.

    Initially leaving home to seek the whereabouts of Ahmed's father with hopes of him being alive, the plot developments later degenerated into a heart-wrenching situation where they have no choice but to be contended with seeking his remains to bring home. This proves to be an arduous task that is bleak, but it has not deter them a single bit.

    During their journey, they meet interesting characters such as a grumpy old pick-up driver who is cynical about everything and reluctant to take concern in others' matters. He condemns Saddam's regime (interestingly by calling him up during his call of nature) and has stopped placing faith in religion after all that has happened. His opening chapter brought quite a bit of humour through his crude sarcasm, I would say.

    Ahmed and his grandmother later inspired his love and care to surface.

    Another fine gentleman who was coerced into killing innocents during the Anfal (mass massacre of the Kurds) greets Ahmed and his grandmother with kind intentions. It wasn't easy for Ahmed's grandmother to put the Anfal behind and see him as a repented man.

    Son of Babylon speaks a lot about embracing forgiveness and moving on towards a better life and future despite current dark moments with a focus on qualities of humanity over hatred and blame. Largely in credit to Director Mohamed Al Daradji, he has done us a great favour as we gain new insights and valuable lessons in life.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Official submission of Iraq for the 'Best Foreign Language Film' category of the 83rd Academy Awards in 2011.
    • Cenas durante ou pós-créditos
      The following text, in Arabic and English, appears after the film and before the credits on three separate screens.

      "Over the last 40 years, more than 1,000,000 men, women and children have gone missing in Iraq.

      By April 2009, over 300 mass graves had been discovered containing between 150,000 - 200,000 bodies.

      The majority still remain missing or unidentified."

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    Detalhes

    Editar
    • Data de lançamento
      • 11 de fevereiro de 2011 (Reino Unido)
    • Países de origem
      • Iraque
      • Reino Unido
      • França
      • Países Baixos
      • Emirados Árabes Unidos
      • Egito
      • Território Palestino Ocupado
    • Centrais de atendimento oficiais
      • Official site
      • Official site (Japan)
    • Idiomas
      • Árabe
      • Curdo
    • Também conhecido como
      • Son of Babylon
    • Locações de filme
      • Iraque
    • Empresas de produção
      • ART-Sunnyland Film
      • CRM-114
      • Centre national du cinéma et de l'image animée (CNC)
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto mundial
      • US$ 150.100
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 40 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 2.35 : 1

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