Zhì chi

Hackneyed narrative that is mercifully saved by some visually inspired production design. The richly constructed look and feel of this film cannot be overstated. From the opening frame, One's senses are immediately assaulted, if not drowned, by the reek and penetrating decay of some saturated underbelly where these token, yet serviceable, characters aptly inhabit. The performances are as effective as the thin and woefully predictable writing will allow, but with as many highly-successful film-making paragons(Wilson Yip, Kin-ye Au, etc.) attached, one might expect a bit more. Nevertheless, the technical team and its bravura display of visual mastery more than successfully manage to compensate for the film's more than obvious weaknesses.

This is a dark Chinese black and white film noir which is vicious. I would put it in a category with both Seven and Kalifornia. Two detectives, a rookie and a salty veteran investigate the murders of junkie prostitutes. The killer has cut off their hands and the police are stumped by the crimes. The cinematography is excellent and the two leads credible. A completely unpredictable ending make this a must watch film.

A very dark and grim thriller filmed in black & white, mostly in the slums of Hong Kong. This movie is so atmospheric with a soundtrack that compliments it to perfection.

This really is one of the best thrillers I have ever seen. Emotions run high in this true masterpiece of a movie!

Two dim-witted, bad-tempered, violent cops - one of them with a toothache - run around the rubbish-strewn back alleys of Kwun Tong looking for a violent killer with some serious mental health issues. Some triads run up some stairs. Then they run down again. Among all this silliness, two street-tough young women are put through some deeply harrowing experiences. Yase Liu as Wong To gives by some distance the best performance in a story that provides very limited context or background to the characters. It all just about makes sense despite each character acting inexplicably to help move the plot along. But, hey, it all looks absolutely stunning. No HK film I've seen has looked this magnificent since Wong Kar Wai's heyday. 10/10 for the production design, 4/10 for everything else. Let's call it a 5.

Black and white picture completely increases the beauty and darkness of hong kong environment. Although action scene feel a bit messy, awesome acting.