Anna é contadora em uma firma de seguros. Casada com o rude Alessio, com quem tem uma relação estável, leva uma vida rotineira, mas confortável. O nascimento de seu sobrinho e as indiretas d... Ler tudoAnna é contadora em uma firma de seguros. Casada com o rude Alessio, com quem tem uma relação estável, leva uma vida rotineira, mas confortável. O nascimento de seu sobrinho e as indiretas do marido criam nela a pressão de engravidar.Anna é contadora em uma firma de seguros. Casada com o rude Alessio, com quem tem uma relação estável, leva uma vida rotineira, mas confortável. O nascimento de seu sobrinho e as indiretas do marido criam nela a pressão de engravidar.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 11 indicações no total
Antonino Bruschetta
- Fratello di Domenico
- (as Ninni Bruschetta)
Avaliações em destaque
... Cone Undone (Cosa voglio di più) really is one of the better films in the wife/partner-infidelity-genre... all is good.. script-casting-acting-production.values, all of it... unsatisfied-unhappy in her bland relationship, she quickly gets involved with a married man that has two small children... he just-wants a mistress (and his family), she's looking for a different-exciting-lustful-relationship
... story moves along more or less logically, sex scenes seeming real and intensely-passionate, chemistry between actors exceptionally-good.. blowing up a relationship you're not completely happy in doesn't appear to come at a very high price for her.. it's what she wants-desires
... if the movie were to continue on, how would you want it to go.. do they remain clandestinely-together.. does she find another lover that she can have a life with (more than just couple hours a week)... or does she stay with her live-in-partner without seeking outside-affairs... what's good about the work is that each of these scenarios seem realistically-plausible... real ending's in viewer's mind.
... story moves along more or less logically, sex scenes seeming real and intensely-passionate, chemistry between actors exceptionally-good.. blowing up a relationship you're not completely happy in doesn't appear to come at a very high price for her.. it's what she wants-desires
... if the movie were to continue on, how would you want it to go.. do they remain clandestinely-together.. does she find another lover that she can have a life with (more than just couple hours a week)... or does she stay with her live-in-partner without seeking outside-affairs... what's good about the work is that each of these scenarios seem realistically-plausible... real ending's in viewer's mind.
Once the Italians gave up on realism in film they were stuck with movies by such dullards as Antonioni, the bored doings of the rich and fashionable Italians. This movie is not about rich and fashionable Italians but it is still boring. Sexual attraction, can you believe it?, causes problems for all involved and the principal characters have to decide how far they will go in self gratification which also involves harming many other people. Here the ending could go any number of ways and the way it finally goes is certainly believable but also banal. I cannot imagine two more boring hours with some very unappealing Milanesi, not one is really attractive, male or female. Perhaps this is the new realism; give me the old!
A fast pace in the first minutes, then it keeps slowing down over and over till it leaves a sense of loss. "What more do I want" keeps telling a story with almost no surprise. Probably a teenage love story in a non-teenage context, shaking because of its voids.
Most of the social, political subjects are kept in the background. Full of love, love and more love. Or surrogates of it.
An upsetting watercolor painting in my opinion.
I do not know how this film can sell in the countries where it has been produced. Looks also strange how money can be invested in such a story and put in a film with good acting, photography, and direction.
Most of the social, political subjects are kept in the background. Full of love, love and more love. Or surrogates of it.
An upsetting watercolor painting in my opinion.
I do not know how this film can sell in the countries where it has been produced. Looks also strange how money can be invested in such a story and put in a film with good acting, photography, and direction.
I thought that this movie did a good job of exploring the mindset of a frustrated and confused woman. It also toughed base on a man who thought only of himself and was too weak to let his wife know the truth as to his direction concerning their marriage and two children.
I noted various red flags in his character that Anna failed to see until the very end. Including guilt trips, manipulative control freak behavior and stalking with physical abuse.
But their are people out here in the world who for reasons known only to themselves who will forever fall victim to these tactics. As evident with Anna and how she devolved into her need for attention that she thought she wasn't receiving at home.
As for the ending of this movie, personally I would have opted for Anna to reach home with the locks changed and her husband growing a pair to let her know that he was not to be played a fool and not to take his kindness as a weakness.
Just my takw on the subject.
I noted various red flags in his character that Anna failed to see until the very end. Including guilt trips, manipulative control freak behavior and stalking with physical abuse.
But their are people out here in the world who for reasons known only to themselves who will forever fall victim to these tactics. As evident with Anna and how she devolved into her need for attention that she thought she wasn't receiving at home.
As for the ending of this movie, personally I would have opted for Anna to reach home with the locks changed and her husband growing a pair to let her know that he was not to be played a fool and not to take his kindness as a weakness.
Just my takw on the subject.
Silvio Soldini is a very good director. At his best, he can give us touching, inspiring comedies like "Pane e Tulipani" or in-depth social studies like "Un'anima divisa in due".
Unfortunately this film seems to be stuck in the middle, and ultimately have no point. Well acted (Giuseppe Battiston is always a guarantee), interestingly filmed, too little edited. Yes, the editor could have left some more out of it.
The analysis of the Italian contemporary society (financial struggle, emptiness, fear of engagement) is quite precise, but gets lost in a never-ending (and repeating) lovers' story, everybody gets tired about. The audience tend to look forward the other characters, the whole support cast (the friends, the betrayed companions, the families), because these two really go back an forth, back and forth, back and forth...
Alba Rohrwacher doesn't seem to have enough to work on, in terms of creating a complete character. She's good, but seeing her driving around for a while doesn't take the story anywhere. Pierfrancesco Favino has a more interesting character, and Teresa Saponangelo has a standardized role (as a betrayed wife and mother of screaming children) that we've seen way to often (what a missed opportunity).
At the end of the 'World Première', here in Berlin, Silvio Soldini didn't really know what to say, except to thank for the polite applauses. That's the point: he has the craft, the skills, the production means and the crew to create something new and revealing. We still love you, but please wait for the inspiration, next time. A film can come out wrong like "Agata e la tempesta" and still be an enjoyable experience, but if there is nothing to say, better to pass on to the next project.
Also, please have the English subtitles redone. They were pretty bad. Don't cut corners and have them done better next time. Thanks!
Unfortunately this film seems to be stuck in the middle, and ultimately have no point. Well acted (Giuseppe Battiston is always a guarantee), interestingly filmed, too little edited. Yes, the editor could have left some more out of it.
The analysis of the Italian contemporary society (financial struggle, emptiness, fear of engagement) is quite precise, but gets lost in a never-ending (and repeating) lovers' story, everybody gets tired about. The audience tend to look forward the other characters, the whole support cast (the friends, the betrayed companions, the families), because these two really go back an forth, back and forth, back and forth...
Alba Rohrwacher doesn't seem to have enough to work on, in terms of creating a complete character. She's good, but seeing her driving around for a while doesn't take the story anywhere. Pierfrancesco Favino has a more interesting character, and Teresa Saponangelo has a standardized role (as a betrayed wife and mother of screaming children) that we've seen way to often (what a missed opportunity).
At the end of the 'World Première', here in Berlin, Silvio Soldini didn't really know what to say, except to thank for the polite applauses. That's the point: he has the craft, the skills, the production means and the crew to create something new and revealing. We still love you, but please wait for the inspiration, next time. A film can come out wrong like "Agata e la tempesta" and still be an enjoyable experience, but if there is nothing to say, better to pass on to the next project.
Also, please have the English subtitles redone. They were pretty bad. Don't cut corners and have them done better next time. Thanks!
Você sabia?
- CuriosidadesFor the sex scenes, director Silvio Soldini said he was inspired by Intimidade (2001). "I wanted to take on the challenge of shooting sex scenes as naturally as making love in everyday life," he said.
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Come Undone?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Qué más quiero
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 10.035
- Fim de semana de estreia nos EUA e Canadá
- US$ 2.030
- 5 de dez. de 2010
- Faturamento bruto mundial
- US$ 3.101.465
- Tempo de duração2 horas 6 minutos
- Cor
- Mixagem de som
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente
Principal brecha
What was the official certification given to Que Mais Posso Querer (2010) in France?
Responda