Katmiss Everden voluntariamente se ofreçe no lugar da sua irmã nos Jogos Vorazes, uma competição once jovens de cada um dos distritos de Panem são escolhidos aleatoriamente para brigar.Katmiss Everden voluntariamente se ofreçe no lugar da sua irmã nos Jogos Vorazes, uma competição once jovens de cada um dos distritos de Panem são escolhidos aleatoriamente para brigar.Katmiss Everden voluntariamente se ofreçe no lugar da sua irmã nos Jogos Vorazes, uma competição once jovens de cada um dos distritos de Panem são escolhidos aleatoriamente para brigar.
- Direção
- Roteiristas
- Artistas
- Ganhou 1 prêmio BAFTA
- 34 vitórias e 49 indicações no total
- Hob Vendor
- (as Sandra Lafferty)
Resumo
Avaliações em destaque
I could go on about the particulars of the adaptation -- the ridiculousness of the entire Capital setting, or the sometimes disorienting shakycam work, or the great cast of adults patiently playing supporting characters -- or the source material -- the gestures at social commentary, the way that the story protects Katniss from ever having to morally sully herself -- but they all seem to be beside the point. Look. The movie has the things that happened in the book, but in a movie, competently shot and acted, with absolutely no risks taken. If you liked the book, or want to learn what this whole Hunger Games thing is about without having to read the book, you'll probably like this. It's a digestible film, even an enjoyable one, but in the end it's not really interesting or memorable. But to be fair, it wasn't meant to be.
On the upside: Great performance by the main characters, excellent visuals and well directed.
On the downside: The book gives a lot of context as to how the characters feel and how things have come to be the way they are. The movie changes a number of things to make it at all possible to show the story and for me the choices made took down the quality of the story a bit. To give at least some context, it took the movie a while to get really started and even despite that, some of the characters, again in my opinion, didn't really develop in depth the way they should.
Long story short, I liked the movie and thought it was a nice adaptation from the book, but it lacked a bit the intensity from the book.
It's pretty easy to understand everything about this story and its world. We get to know most of it and the entire film is intriguing and undeniably entertaining. The cast brings most of it to life. Jennifer Lawrence is simply fantastic as Katniss. Josh Hutcherson is okay but does not tie with Lawrence. Woody Harrelson, Elizabeth Banks, Wes Bentley, Donald Sutherland, and Stanley Tucci didn't get a lot of screen time but they were good to their roles.
The movie is great in suspense and drama. It doesn't have a lot of score which makes it moving and compelling. The moments of Katniss in the arena are stirring. Thrilling music score is a great effect to these sequences. Unlike our blockbusters these days, the film doesn't focus too much to the CGI and the explosions. There isn't really much explosions here. Surprisingly, the filmmakers aren't lazy to create a non-CGI set(except the chariots). There is, of course, still CGI here but not as excessive as our modern blockbusters. The action is pretty good with the shaky camera. It's nicely shot gives enough momentum and excitement. Most people complain to that though. Lastly, the production design is beyond decent.
The Hunger Games is thrilling and solid enough. Decent filmmaking made it spectacular. It's amazing and intriguing enough to start a big series. It succeeds to become a solid and one and not a lackluster like Twilight or I Am Number Four. I don't know what else to say about it, but it's silent, gritty, and compelling.
In this killing game with no humanity, no rules, and no shame, the purpose of the game is just to make people forget to resist and lose their humanity.
One of the most important rules of the hunger game is: only one survives.
This man returned Yijin to the "privilege, wealth, reputation, prosperity" that the poor compatriots in his hometown envied.
Every game, everyone will watch. In the process of watching, everyone is immersed in it.
At this moment there must be countless ideas in their hearts. But under the guns of the army and under the huge screen, there is no way to show ideas.
Paying attention to the game itself is the only correct expression.
What is suppressed is human nature Many people expressed their desire to live according to their own wishes, and they did not want to be a pawn at their disposal. They are normal human beings with thoughts, humanity and desires, not desperate hunting machines.
It's just that in the end, either look at the distance or choose to die. A certain area can't stand it, it's a riot. They were greeted by repression, slaughter, bloodbath, and company.
In the game, the last deceased thinks he understands the rules of the game before dying and thinks the winner is the default. In fact, the outcome of the game does not matter to the president.
This supreme commander doesn't care who the dead person is or whoever wins. The only thing he was afraid of was surprise, surprise, and people 's emotions beyond control, their yearning for silencer, and their resistance to bondage.
Você sabia?
- CuriosidadesThere was a swear jar on the set. Co-writer and director Gary Ross said half of it was contributed by Jennifer Lawrence.
- Erros de gravação(at around 16 mins) After Katniss volunteers for Prim, it shows the crowd putting three fingers over their lips and kissing it as a sign of respect. You can clearly see a man in the crowd wearing black with a camera. This is often mistaken as a goof but remember that the 'Reaping' is being televised across Panem.
- Citações
Caesar Flickerman: So, Peeta, tell me, is there a special girl back home?
Peeta Mellark: No. No, not really.
Caesar Flickerman: No? I don't believe it for a second. Look at that face. Handsome man like you. Peeta... tell me.
Peeta Mellark: Well, there, uh... there is this one girl that I've had a crush on forever.
Caesar Flickerman: Ah.
Peeta Mellark: But I don't think she actually recognized me until the Reaping.
Caesar Flickerman: Well, I'll tell you what, Peeta. You go out there, and you win this thing, and when you get home, she'll have to go out with you. Right, folks?
Peeta Mellark: Thanks, but I, uh, I don't think winning's gonna help me at all.
Caesar Flickerman: And why not?
Peeta Mellark: Because she came here with me.
- Cenas durante ou pós-créditosThe film opens with a worded passage about the history of the Hunger Games. In the last section, all of the text fades away except for the film's title.
- Versões alternativasA rough cut of the film was submitted to the BBFC in the UK for an advisory screening, a process used by filmmakers to see how likely a film will obtain a certain rating. The BBFC explained a 12A rating would be likely if the violence was toned down. Four scenes were changes, removing bloody violence, threat and a scene of injury. These included the use of alternate footage and the digital removal of blood. When the finished film was submitted to the BBFC for a formal classification, the BBFC stated that more cuts would be needed in order to secure the 12A. Blood splashes were digitally removed from both impacts to bodies and blood on blades of weapons, achieved through the darkening of certain shots and by digitally erasing blood from the image. The BBFC then gave the film a 12A rating for cinema release. This pre-cut version was released on DVD in the UK with a 12 rating. However, the US PG-13 version was submitted to the BBFC for the UK Blu-ray release, which was classified '15' uncut.
- ConexõesFeatured in Lado a Lado (2012)
- Trilhas sonorasDeep in the Meadow
(Lullaby)
Lyrics by Suzanne Collins
Music by T Bone Burnett and Simone Burnette
Performed by Jennifer Lawrence and Willow Shields
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Los juegos del hambre
- Locações de filme
- Shelby, Carolina do Norte, EUA(District 12 reaping ceremony)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 78.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 408.010.692
- Fim de semana de estreia nos EUA e Canadá
- US$ 152.535.747
- 25 de mar. de 2012
- Faturamento bruto mundial
- US$ 695.220.619
- Tempo de duração2 horas 22 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1