Horror in the High Desert

It's the easiest way to make a micro-budget film, do a faux documentary that ends with found footage. You can use a lot of photos instead of actually filming anything, have random location shots where nothing is happening, and you never have to stage scenes with actors, just have people sit and be a talking head. And this one starts off seeming to get everything right. The faux actors are believable, the disappearance at the heart of the plot starts getting mysterious, and then after only about twenty minutes it starts sliding progressively downhill. It don't help when you have all these characters (including an investigative journalist who apparently doesn't know how to investigate anything) talking about how super-intelligent and together the missing character is and when we finally see video of him he talks and acts like he just got out of his "special" class for those of, shall we say, far less than average intelligence. Then we spend the next half hour going nowhere with subplots suddenly abandoned or forgotten about and the mystery becomes rather obvious, and then we conclude with ten minutes of "found footage" which is so poorly shot, directed, and overall underwhelming it kinda makes you angry. Shoulda turned it off when the talking heads kept telling how dramatic one of the missing characters last videos was, and then they just say "that video got accidentally erased"; which I took to mean the actors performance was so horrible they couldn't even use a clip of it. And the climactic found footage is literally as bad as you can get. Unless you get scared staring at the same bush under infrared light. One bush. That's pretty much it. From a solid 8/10 in the first few minutes all the way down to 3/10 says it all.

I understand that Found Footage movies are typically about building up to the big ending, and that's fine, but I do prefer it when the meat of the film has a little more going on that just interviewing 5 or so people and chopping between them intermittently. It's only 82 minutes long the film luckily, but the first 67 minutes are basically just this. It can test your patience a little. The final 15 minutes though was a very well done sequence for the most part.

When we finally get to the action 'Horror in the high Desert' does have something to offer. The camera angles, the noise (what was that noise?) and the suspenseful timing were all very well done. The only thing that it forgot is that it's what you don't see that is always scarier than what you do. We saw too much and it ruined it a little for me. That's being a little bit nit-picky though.

If you've got some patience then this one could be for you. It seems to be setting itself up for a sequel too, so look out for that if you enjoy it. 7/10.

Horror in the High Desert does a nice slow burn and then becomes fairly unnerving at the film's conclusion. This is only the second "found footage" film I've ever seen, "The Blair Witch Project" being the other. Genre-novice viewer as I am, all I can say is that this is a well-made (if not vaguely similar to "Blair Witch"), and if you stick with it, suspenseful movie. Toward the end, my own tension was palpable. Some of the other reviews here read as if the reviewer was jaded and weary of similarly envisioned "found footage" films. My own opinion is that this is an effectively executed and well-done movie that fans new to the genre will enjoy.

Horror in the high desert is a cinematic feat that very few people could pull off. Dutch Marich is the director, writer, cinematographer, producer, and editor of this extraordinary mockumentary horror film based on the true story of Kenny Veach. It's beautifully shot, with acting that is surprisingly impressive for a cast that had relatively no experience in feature films. The dialogue was sharp, and the ending is as tense as it could've possibly been with the budgetary constraints the filmmaker was under. If I was ever going to attempt to get into filmmaking, this is the blueprint I would follow. Marich was able to maintain creative freedom because of the lack of studio interference and the extremely low production costs. Nonetheless, he crafts a stunning film with an abundance of creativity and some palpable suspense and mystique. He deserves all of the credit for this original piece of art that incorporates fright, thrills, and the influence social media has on an individuals ego as it relates to decision making.

If only there was more footage of Gary, rather than interview after interview whose mission is to delay the inevitable, this movie would be better. But is watchable enough and the final 20 minutes are actually creepy and made with plenty of suspenseful talent.