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IMDbPro

O Acontecimento

Título original: L'événement
  • 2021
  • 16
  • 1 h 40 min
AVALIAÇÃO DA IMDb
7,4/10
13 mil
SUA AVALIAÇÃO
Anamaria Vartolomei in O Acontecimento (2021)
Follows Annie, a bright young student who faces an unwanted pregnancy while abortion was still illegal in 1960s France.
Reproduzir trailer2:02
2 vídeos
57 fotos
AmadurecimentoDramaDrama de época

Uma adaptação do romance homônimo de Annie Ernaux, que lembra sua experiência com o aborto quando ainda era ilegal na França nos anos 60.Uma adaptação do romance homônimo de Annie Ernaux, que lembra sua experiência com o aborto quando ainda era ilegal na França nos anos 60.Uma adaptação do romance homônimo de Annie Ernaux, que lembra sua experiência com o aborto quando ainda era ilegal na França nos anos 60.

  • Direção
    • Audrey Diwan
  • Roteiristas
    • Marcia Romano
    • Audrey Diwan
    • Annie Ernaux
  • Artistas
    • Anamaria Vartolomei
    • Kacey Mottet Klein
    • Luàna Bajrami
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,4/10
    13 mil
    SUA AVALIAÇÃO
    • Direção
      • Audrey Diwan
    • Roteiristas
      • Marcia Romano
      • Audrey Diwan
      • Annie Ernaux
    • Artistas
      • Anamaria Vartolomei
      • Kacey Mottet Klein
      • Luàna Bajrami
    • 42Avaliações de usuários
    • 170Avaliações da crítica
    • 86Metascore
  • Veja as informações de produção no IMDbPro
    • Indicado para 1 prêmio BAFTA
      • 23 vitórias e 47 indicações no total

    Vídeos2

    Official Trailer
    Trailer 2:02
    Official Trailer
    Trailer [OV]
    Trailer 1:53
    Trailer [OV]
    Trailer [OV]
    Trailer 1:53
    Trailer [OV]

    Fotos57

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    Elenco principal39

    Editar
    Anamaria Vartolomei
    Anamaria Vartolomei
    • Anne Duchesne
    Kacey Mottet Klein
    Kacey Mottet Klein
    • Jean
    Luàna Bajrami
    Luàna Bajrami
    • Hélène
    Louise Orry-Diquéro
    Louise Orry-Diquéro
    • Brigitte
    Louise Chevillotte
    Louise Chevillotte
    • Olivia
    Pio Marmaï
    Pio Marmaï
    • Professeur Bornec
    Sandrine Bonnaire
    Sandrine Bonnaire
    • Gabrielle Duchesne
    Leonor Oberson
    • Claire
    Anna Mouglalis
    Anna Mouglalis
    • Mme Rivière
    Cyril Metzger
    • Gaspard
    Eric Verdin
    • Jacques Duchesne
    Madeleine Baudot
    Madeleine Baudot
    • Lise
    Alice de Lencquesaing
    Alice de Lencquesaing
    • Laëtitia
    Fabrizio Rongione
    Fabrizio Rongione
    • Dr. Ravinsky
    Isabelle Mazin
    • Magda
    Julien Frison
    • Maxime
    • (as Julien Frison de la Comédie Française)
    Édouard Sulpice
    • Patrick
    Leïla Muse
    • Céline
    • Direção
      • Audrey Diwan
    • Roteiristas
      • Marcia Romano
      • Audrey Diwan
      • Annie Ernaux
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários42

    7,413.1K
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    Avaliações em destaque

    7peter0969

    Audrey Diwan delivers an uneasy but realistic approach on a very controversial topic

    Saw this back at the 2022 Sundance Film Festival

    Based on a novel by Annie Ernaux,, the topic of abortion is already becoming a very controversial subject in the past many years. There are many debates about whether abortion is right or wrong. Audrey Diwan takes this serious subject matter and creates a uneasy, intense, but realistic approach about this topic through the lens of an interesting character portrayed by Anamaria Vartolomei who gives an amazing stellar performance throughout this movie. This movie isn't an easy watch because of the brutal nature of what the character is going through and especially a really disturbing third act that made me feel uneasy and quite uncomfortable while watching it. Throughout there are some beautiful camerawork with the 1:33:1 aspect ratio perfectly capturing the 1970s in France, some beautiful production and costume designs, and really good soundtrack. Although, the setting at times didn't feel like the 70s because the movie didn't explore it's time period well enough as it should have which was one of the flaws I had with this movie.

    As I have to say it again, Anamaria Vartolomei sells throughout this movie with her realistic performance on portraying a character who is lost, somewhat arrogant but also finding a way to solve her issue. Even if it risks her own sanity. Character study films are really interesting as it provides an guide to understand how the human life works throughout many lens. It's often not easy to be really engage with a character but if the writing is great, the character is great. Some problems I have with the movie are that some of the dialogue felt a little clunky as it didn't feel like it fits in the 1970s time period and some of the supporting characters felt like they had nothing to do with the movie. Almost as if they could have just been removed from the final cut honestly.

    Overall, this was a really good adaptation from director Audrey Diwan and I really look forward to seeing more films from here. I believe there's a great potential of French female filmmakers coming soon in the near decade.

    Rating: B+
    7Pjtaylor-96-138044

    It's still happening.

    'Happening (2021)' may be set in 1963 in France, but it might as well be set in 2022 in America. With the recent passing of certain draconian laws, this period piece is more relevant than many of its modern-day counterparts. In fact, its period setting actually further compounds its poignance. Anyone tempted to view the backwards beliefs and legislations that plague not only its central character but, indirectly or otherwise, every other female character in the entire affair as a product of their time is either wilfully ignorant or set to have a very rude awakening when they turn on the news. Film has always been a great tool for empathy, offering a glimpse into the life of someone other than yourself. In many cases, it allows people to connect with the lived experiences of groups of people they're unlikely to ever even meet, let alone directly identify with. Watching someone, fictional or otherwise, undergo a struggle completely alien to yourself is something that, if approached with the right mindset, can widen your worldview and allow you to more easily understand those with vastly different lived experiences to that of your own. This movie does just that. It places you in the shoes of a quietly determined young student who becomes pregnant and does everything she can to obtain an abortion. For whatever reason, a woman's right to choose what happens with her own body is still a touchy subject. Here, though, it's rendered with such aplomb that it's almost hard to imagine even the most devout republican having an issue with the central character's decision. Actually, that's probably giving devout republicans too much credit. Regardless, the point still stands that the picture does an excellent job of putting you in the inconvenienced and isolated shoes of its protagonist. It does an excellent job at conveying the deep-rooted sense of betrayal that comes with everyone around you denying your right to choose what happens to you. Doctors become enemies, families become distant, friends become nothing more than faces in the crowd, and the future suddenly doesn't seem quite as bright as it used to. Despite this growing loneliness and desperation, the lead never loses her focus. She never questions her decision or, more importantly, that it's a decision she and she alone can make. Crucially, her pregnancy isn't the result of incest or a rape and there's no indication that her baby will be unhealthy or that their birth would present a danger to her own life. Instead, her pregnancy is the only thing it should need to be in order for an abortion to be administered: unwanted. By doing this, it argues for universal bodily autonomy and presents the case that abortion is a right regardless of circumstance. The protagonist even says she'd like to have a child in the future, just that she doesn't want one instead of a life. The feature is also very careful not to shame her for having sex in the first place, even though certain unsympathetic characters certainly do just that. In doing so, it avoids perpetuating the misconception that pregnancy is perhaps some sort of punishment for premarital sex. In general, the film is fantastically feminist. It's also quietly confident in its construction, taking an almost minimalist approach to its material and putting a lot of focus on its superb central performance. It doesn't shy away from the more graphic elements of its narrative, featuring a couple of protracted attempted abortions that purposefully make you squirm. It isn't overly explicit and knows exactly when to stop so that it doesn't cheapen itself by trudging into gross-out territory. By going as far as it needs to (which is further than many of its contemporaries dare to go), it presents the truth of its situation. It doesn't pretend abortion is a painless procedure, which further hammers home the fact that it should be legal - and, dare I say, free - so that it can be performed in genuine hospitals by genuine doctors with genuine tools like any other genuine medical procedure. Making abortion illegal doesn't stop abortion from happening, it stops abortion from happening safely. The flick makes you care about its central character, so you're on the edge of your seat when she undergoes some of the dangerous procedures she's forced to undergo by the laws that govern her country. While you never want her to go through that kind of pain, you also never doubt the fact that she needs to. Furthermore, you never blame her for going through these life-threatening procedures. After all, what other choice does she have? Though the film itself is a little slow on occasion and it isn't conventionally enjoyable, it's an engaging and affecting experience throughout. It has something important to say and it knows exactly how to say it. It isn't necessarily an easy watch, but it's easily a necessary one.
    8subxerogravity

    A very direct title for a movie that pulls no punches.

    It's a movie that came out at the right place in the right time, it's about a girl in France during the 60s who needs an abortion but is engulf in a culture that made this action illegal. Oh wow! Where have I heard that story before?

    From a man's point a view this might sound insensitive, but this flick was horrifying. The horrible steps this woman had to take because she lived in a world that would not give her the proper medical procedure to have it done in a healthier environment, just made the whole thing feel like a horror movie. They held nothing back when it came to DIY method of how it's all done.

    I don't want to get too political, then again, it's not a coincidence this movie is in American theatres now. All I'm saying is that the movie laid out a great argument for why the woman in the movie made the choice she made.

    For that it's a great film because I felt spoken to instead of preached to.
    gortx

    Strong, decisive and immediate

    Like it's lead character, Anne (Anamaria Vartolomei), Director Audrey Diwan's HAPPENING is direct, strong and decisive. Anne is a very promising literature student who finds herself pregnant after a fling with a visiting student. The place is France in the early 60s when having a procedure to abort a baby is strictly illegal. Her closest friends and doctor want nothing to do with her plans - especially, her doctor, who's very counsel could land him in jail.

    Diwan's adaptation of Annie Ernaux's novel feels immediate, adopting an almost you are there approach (the script was co-written by Diwan and a trio of other writers). While it's certainly not a documentary construct, it's very much a drama, but it feels real. Laurent Tangy's hand-held camera is like an intimate partner to Diwan's vision. The active tense title is very much on point here (the French title also translates into "The Event").

    Vartolomei is quite excellent. She is often the only character on screen and her performance never seems studied, simply inhabited. The others in the cast are always believable even if they don't have time to really develop. Anna Mouglalis is particularly memorable as the blunt Mme. Riviere, and legendary European actress Sandrinne Bonnaire is on hand as Anne's mother.

    HAPPENING gets quite explicit at times, but never feels in the least exploitative. The screenplay is also admirable in that it never preaches. Diwan follows her character on her own terms all the way through. It's a difficult movie, but a very worthy one.
    6paulabaolin

    Leave this film with a feeling of unease

    This film is about the horrors of abortion or the lack of possibility to have one. "I want to have a child later, but I don't want a child instead of the life" the film heroine states at one of her doctors appointments. But being a young woman in the 60s meant exactly that- you could forget a free life and career if you became pregnant. The film told the story very close to the main character, tight cinematography. This is good for intimacy and really increases the horrors of her several attempts at aborting the fetus. At the same time I feel like the film misses a bit out on showing us the world around her, it's not a queens gambit like costume piece... if it weren't for the old cars it could have also been set in the 90s/2000s in terms of costumes and styling I feel. But that's also what gives the story a lot of actuality because it makes you think directly of the horrible situations woman go through today in countries where abortion is forbidden.

    I left the film with a feeling of uneasiness and needed to take a hot shower at home.

    Good acting in general, nudity without voyeurism which I greatly appreciated.

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    Enredo

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    Você sabia?

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    • Curiosidades
      Winner of the Golden Lion at the 78th edition of the world's oldest film festival, the Venice Film Festival. The award was selected by a jury led by Parasite director Bong Joon Ho, who would later cast lead actress Anamaria Vartolomei in Mickey 17 (2025).
    • Citações

      Anne Duchesne: I wasn't able to study, now I am.

      Professeur Bornec: Were you ill?

      Anne Duchesne: The kind of illness that strikes only women and turns them into housewives.

    • Conexões
      Featured in Javo & Temoc: Top 10 Películas: Lo "mejor" del año (2022)

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    Perguntas frequentes

    • How long is Happening?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 7 de julho de 2022 (Brasil)
    • País de origem
      • França
    • Centrais de atendimento oficiais
      • France 3 Cinéma (France)
      • Gaga (Japan)
    • Idioma
      • Francês
    • Também conhecido como
      • El acontecimiento
    • Locações de filme
      • Université Paris-Saclay, campus d'Orsay - Orsay, Essonne, França(many campus and dorms scenes)
    • Empresas de produção
      • Rectangle Productions
      • France 3 Cinéma
      • Wild Bunch
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • € 5.200.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 181.023
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 33.312
      • 8 de mai. de 2022
    • Faturamento bruto mundial
      • US$ 1.577.367
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 40 minutos
    • Cor
      • Color
    • Proporção
      • 1.37 : 1

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