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hey everybody, don't listen critics, this is a superb movie which leaves u engrossed for the whole runtime and never runs away from its point, the characters are real and u feel part of them. the storyline is perfect, the songs are well embedded, farhan and deepika are just brilliant. and the suspense is worth sitting, the background score is enough engrossing that u feel a part of it, the moment it begins. Somehow, I could correlate to KARTHIK from the word go and loved it, I was so into the movie that I watched into full one stretch and didn't even move a single inch here and there, come what may. So forget critics, watch this superb movie and be proud that in this totally blurred and commercial age of bollywood in which actors like SRK and AKSHAY don't know nothing except to be making films for own motive, we have actors like FARHAN which r sincere and want to work from their heart, not because they want to earn money, but because they want to act.

Ring Ring! Karthik picks up the phone and speaks to someone he never thought he would.. The person speaking claims to be Karthik!

The person claiming to be Karthik calls Daily at 5 am and says he is there to change Karthik's life......

REWIND

Karthik is an IIM topper and the record breaker of CA exam.. His job sucks and he is frustrated of his life.. His boss tortures him and the girl(Deepika Padukone) whom he secretly loves doesn't even know he exists or not!

THEREAFTER

Karthik is a changed man! Shonali(Deepika) is now his girlfriend! He has been promoted on his job! His boss is now polite to him! Thanks to his 5 AM friend!

But you keep guessing that is it possible? Can you ever get a call from yourself? This is what you keep thinking till the climax unfolds and you come to know the truth behind that mysterious phone call!

Special Kudos for débutante director Vijay Lalwani for making a great thriller! This is Farhan Akhtar's third film as an actor and it must be said that he takes giant strides when it comes to acting.. This is by far his best work! Not many movies in bollywood have been made under the genre of psychological thriller and that is main highlight of the film.. Vijay Lalwani's writing is superb and direction is fantastic! The music of the movie(Shankar-Ehsaan-Loy) is an asset for the film! Background score by MIDIval Punditz is great! Deepika is getting worse! She definitely needs someone to train her!

The main aim of a suspense movie is to keep the audience guessing what will happen next and Karthik Calling Karthik succeeds in doing that!

To conclude:

Positives: The suspense is maintained well, Superb acting by Farhan and excellent music!

Negatives: The ending of the movie may NOT be appreciated by some!

My Rating : 7/10

Thanks and Regards

This is the first review I am writing and I am writing it because I just had to. So impressed was I after watching this movie. I am still surprised that it has come from Bollywood and not Hollywood. The script is the strong point of the film (I shall not delve into it as it is a suspense story). It is original (as far as I know) and neatly does the job of keeping you guessing till the end. Though some people are not happy with the ending I was quite satisfied with the explanation given. It is an acceptable resolution from a psychological point of view. This film must be the first psychological thriller from Hindi filmdom and quite a credible one at that.

The execution of the script is also exceptional. Acting by all the key people (which by the way is only a handful) is very spontaneous and natural. Cinematography is in line with the thriller genre with a lot of shadows thrown in for good effect. Music (both songs as well as background score) also fits the mood of the film perfectly. Editing is tight and there is no lag in the movie. Overall this debut effort by Vijay Lalwani is quite appreciable as he steers clear from stereotypes and clichés. Kudos to the whole team behind KCK.

Alongwith "A Wednesday", "Rock On", "3 Idiots", "Dil Chahta Hai", "Munna Bhai 2", "Chak De", "Lagaan" & "Rocket Singh" this movie makes it into my list of all time favorite Hindi movies in recent times.

KCK is a well made movie that does not insult the intelligence of the viewer. The script, editing and story telling is crisp. Acting is believable. Overall I came back very entertained. Not the typical film from Bollywood that gets put out in the name of "masala". A special word of praise for first time director Vijay Lalwani for trying something bold and off-beat in his very first movie. Also Farhan deserves special mention; he dons the cap of lead actor and does a very commendable job. He is truly the "master of all trades" -- a good director, producer, writer, singer and now an actor. Shefali and Ram Kapoor have also turned in good performances.

The telephone has left its indelible mark as a horror film element, thanks to many Japanese films and Hollywood remakes which dwell on mankind's fear of pervasive technology, and it is easy to mistake this Bollywood film, written and directed by débutant Vijay Lalwani as one of the run of the mill horror films which the protagonist get antagonized by strange phone calls made to him in the middle of the night. Thankfully though it steered clear of that formula, although it did become quite the stretch in its home run revelation, to achieve what's relatively short for an Indian film that clocks in just slightly over two hours.

Farhan Akktar impresses and carries the film on his shoulders from start to end. Famous for being a prolific producer and director himself, he has no lack of acting chops and takes on the role as the mysterious Karthik Narayan, a meek man who is agonized by his childhood secret of having been involved in his brother's death. Carrying that kind of guilt while growing up does severe deficiencies as a child, and he becomes very much reserved, often failing to let his talent shine, and being trampled over in his office. He is infatuated with his beautiful colleague Shonali Murkhejee (Deepika Padukone) to the point of being a crazed stalker, accumulating thousands of emails he just had not the guts to send out, and it is this point about being obsessed that is truly scary in the film, especially when these emails were used to aid in the wooing process. Run, girl!

The only other film I watched Farhan star in, is the ensemble piece Luck By Chance, which gave a contemporary look at the Bollywood film industry. Here he cuts his Karthik in two different styles, the first of course which is the shy and gentle meticulous genius with a penchant for solving Rubik cube puzzle. The second develops when Karthik receives anonymous calls on his landline, from a chap to claim to be Karthik himself, dispensing advice on taking personal ownership and standing up for oneself. It's a confidence booster that Karthik's own psychiatrist (Shefali Shetty) seem unable to dispense, and with the prep talk every dawn at 5am, Karthik becomes the confident man as he struts around the office, succeeding in every aspect thanks to those calls, and eventually wooing the girl of his dreams.

The first half focused on the romance for the most parts after Karthik's professional life gets sorted, and here the usual musical montages form the backdrop of the courtship between Karthik and the outgoing Shonali. Deepika Padukone's career so far as been an interesting one, bursting onto the scene with Om Shanti Om and Chadni Chowk to China, both films where she would play two characters each. Thereafter the roles offered somehow didn't challenge the actress, from Bachna Ae Haseeno and Love Aaj Kal capitalizing on her good looks to become yet another romantic heroine. Karthik Calling Karthik again doesn't allow her to break new ground, other than being the clotheshorse in the film..

For a first timer, Vijay Lalwani doesn't become like Karthik in being the bundle of nerves, but pulls this film through with a story that discusses about how technology develops itself despite detrimental effects to health, and mental issues of guilt and intricate complexities of the mind. Through the narrative he challenges the usual norms that one would stereotype this film under, although for a teasing moment decided to let it go a little to offer what a horror film would do with ease. The cards get kept close to his chest with a satisfying revelation at the end of course, but somehow the second half, in which Karthik would be set to challenge the caller after a series of downfalls because of the breaking of promises (and if pushing it, the inevitable trusting of a woman!), seem to be dragging things out for a tad too long, and convenient to boot as well.

No cheap gimmicks were used, and by steering clear of the expected, Karthik versus Karthik manages ring through (pardon the bad pun) as an above average thriller.