Os Pequenos Crimes de Agatha Christie
Título original: Les petits meurtres d'Agatha Christie
AVALIAÇÃO DA IMDb
7,6/10
1,7 mil
SUA AVALIAÇÃO
A narrativa magistral de Agatha Christie ganha um toque de charme francês nestes mistérios envolventes e espirituosos. Estas adaptações francesas são uma nova e elegante reviravolta nos cont... Ler tudoA narrativa magistral de Agatha Christie ganha um toque de charme francês nestes mistérios envolventes e espirituosos. Estas adaptações francesas são uma nova e elegante reviravolta nos contos clássicos da Christie.A narrativa magistral de Agatha Christie ganha um toque de charme francês nestes mistérios envolventes e espirituosos. Estas adaptações francesas são uma nova e elegante reviravolta nos contos clássicos da Christie.
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9wagu
I guess this series was made following the success of "Petits meurtres en famille", which is, the best movie version of Hercule Poirot's Christmas I've ever seen. To lead the investigation, instead of Hercule Poirot or Miss Marple, we have here Commissaire Jean Larosière (Antoine Duléry - who I think looks like Robert De Niro) and his subordinate Inspector Lampion (Marius Colucci), who shows a homosexual tendency. In Petits meurtres en famille, Larosière - Lampion remind me of funny detective couple in Les 4 as, where the subordinate shows high respect to his idiot superior; but in this series, Commissaire Larosière is not that stupid anymore and he really does his share in solving the cases. The relation between the 2 is like father - son and each cannot live without the other.
British series based on Agatha Christie books are too faithful and we can see how the characters come alive like how they have been written. This French version is more free in the adaptation and therefore more interesting to watch.
British series based on Agatha Christie books are too faithful and we can see how the characters come alive like how they have been written. This French version is more free in the adaptation and therefore more interesting to watch.
I watched a few episodes with Superintendent Larosière and the young Inspector Lampion, set in the Thirties , and some other episodes featuring Commissaire Swan Laurence and reporter AliceAvril in the Fifties. All of them bring a fresh approach to Agata Christie's stories, a touch of comedy and a glance at the society of the time, but let me say that the earlier episodes are far more intriguing than the later ones. My rating for this series would have been a 8 or even 9 for the Larosière and Lampion duo, but a 6 for Laurence and Avril. This series definitely makes a case for having per-season ratings for TV shows on IMDb.
Amazing casting and production. Attention to detail is very impressive...and what about the era cars? Wow
The interpretation of Agatha Christie's stories is unique with french flair.
What a treat to watch .
This show sets the perfect mood for intrigue, mystery and entertainment.
Agatha Christie's works have inspired many iterations on film, although "the usual suspects" are most often repeated (Death on the Nile, etc.). So, it's not just "new" stories that are presented here, but the crimes are solved by a new set of characters who bring lots of playful dynamic to the mix.
Of the 1950's episodes - while the first two seasons very well establish the era and tone, the series really hits its stride in seasons 3 & 4. With increased confidence, everyone brings more layered nuance to the storytelling.
Overall, the production values are extremely well delivered. A special shout out to set dressers, costume and make-up. And the soundtrack engages with suspense and mischief, and perfectly balances the actors' and editors' comedic timing.
Of the performers, my personal favorite is Elodie Frenck as the divine Marlene. She's sexy, funny, the perfect blend of subtlety and charm, and occasional well-placed gaucherie, making this character irresistibly adorable.
Well cast, the other actors bring dynamic energy to their roles in unique ways.
J'adore!
Agatha Christie's works have inspired many iterations on film, although "the usual suspects" are most often repeated (Death on the Nile, etc.). So, it's not just "new" stories that are presented here, but the crimes are solved by a new set of characters who bring lots of playful dynamic to the mix.
Of the 1950's episodes - while the first two seasons very well establish the era and tone, the series really hits its stride in seasons 3 & 4. With increased confidence, everyone brings more layered nuance to the storytelling.
Overall, the production values are extremely well delivered. A special shout out to set dressers, costume and make-up. And the soundtrack engages with suspense and mischief, and perfectly balances the actors' and editors' comedic timing.
Of the performers, my personal favorite is Elodie Frenck as the divine Marlene. She's sexy, funny, the perfect blend of subtlety and charm, and occasional well-placed gaucherie, making this character irresistibly adorable.
Well cast, the other actors bring dynamic energy to their roles in unique ways.
J'adore!
First, for the answer to expectations. Because it is a real smart serie. Preserving the spirit of Agatha Christie, giving a seductive chain of stories and beautiful performances.And proposing an interesting humor and few clever used taboos. Commisaires and women. Cases and wise manner to solve them. Especially, the French flavor gives seduction to each episode. The result - almost fascinating, surrely charming.
Você sabia?
- CuriosidadesCommissaire Laurence drives a rare Facel-Vega Facellia.
- Cenas durante ou pós-créditosDuring the closing credit sequence in the first two episodes of the series, dialogue quotes from the episode, spoken by Larosière and Lampion, are replayed over the music. Beginning with the third episode, however, there are no longer any spoken lines heard over the end credits - the only audio is the theme music.
- ConexõesFeatured in La grande histoire des Petits meurtres (2021)
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- Agatha Christie's Criminal Games
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By what name was Os Pequenos Crimes de Agatha Christie (2009) officially released in India in English?
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