Uma Bela Manhã

My Impressions:

Léa Seydoux's outstandingly natural acting and Melvil Poupaud's intimate chemistry with her character made "One Fine Morning" feel meaningful, relatable, and special.

This French movie captured a lot of life's simple moments. I suggest watching it with subtitles, if you don't speak the language.

Smart pacing made the story run smoothly from one scene to the next. Together, each sequence built upon the themes that came before it and stirred deep emotions, like a favourite piece of music is known to do.

Sandra was a widow and took care of her daughter as well as her mentally challenged father, who had a neurodegenerative disease called Benson Syndrome. She was drawn to a single dad named Clément, whom she used to know back in the day.

Tender love, earnest longing, and the need to balance those with their own personal lives - and the people already in them - defined Clément and Sandra's character arcs in this quintessentially French film.

A classic continental style graced the romance and desire angles in "One Fine Morning". These were elegantly counterbalanced by themes relating to family, hope, confusion, frustration, and loss.

The movie was not slow, rather carefully paced. In fact, "Un Beau Matin" ("One Fine Morning") was a great example of what real filmmaking is all about. It dignified its characters by properly portraying their humanity and telling their stories in no uncertain terms.

Hair-makeup and costume design were great. Art direction and set decoration were good. Editing and sound effects were notable. Music and Cinematography was engaging. Screenplay and Direction were amazing.

"Sandra" (Léa Seydoux) is at a crossroads in her life. Her ageing, academic, father (the scene-dominating Pascal Greggory) has been diagnosed with a neuro-degenerative disease that is pretty much robbing him of his quality of life. He is an acclaimed philosopher who finds his increasing lack of ability to think and to remember exasperating. Meantime, she also reconnects with her old friend "Clément" (Melvil Poupaud). He delights in being called a cosmo-chemist (he studies meteoric dust using a rather impressive mass spectrometer). It's clear from the outset that these two have the hots for each other and, despite the fact that he is married with a young son, they embark of quite a lively affair. She is juggling her affection for him while struggling to find an adequate facility for her father; he is having a crisis of conscience as he falls more deeply in love but has his own family to consider. That's about the height of it. Even with the underlying - and rather depressing - analysis of the care provision for her elderly and increasingly failing father adding some gravitas to the film, the story itself is all a rather lacklustre drama centred around two people who are actually quite selfish. They both have responsibilities and as you'd expect, as their relationship develops, these become predictable millstones that we can anticipate all too readily. It has aspects of a soap to it, and though both leads are easy on the eye, I don't think either really have enough here to allow their characters to develop nor to really engage with an audience that has seen this sort of narrative unfold many, many, times before. It looks good - the filming and performances from the younger children are very natural, but at the end I was wondering what was different here. It will work fine on the television, but I doubt I will remember much about it in a fortnight.

One Fine Morning - Un beau matin (2022) is a romantic drama film written and directed by Mia Hansen-Løve, starring Léa Seydoux, Pascal Greggory, Melvil Poupaud and Nicole Garcia. The film premiered at the Cannes Film Festival in 2022, winning the Europa Cinemas Label Award for Best European Film. It tells the story of Sandra (Seydoux), a widow and translator who cares for her father, Georg (Greggory), a former philosophy teacher with neurodegenerative disease. She meets Clément (Poupaud), a married chemical cosmologist who has returned from a work expedition at the North Pole, and they start an affair.

The film explores the themes of love, loss, memory and mortality through the parallel stories of Sandra and Georg. Sandra is trying to cope with her grief and loneliness while also facing the challenges of finding a suitable nursing home for her father, who is gradually losing his cognitive and sight abilities. Georg struggles to hold on to his identity and dignity as he experiences hallucinations and confusion. He often talks about his girlfriend, Leila, whom he met in Algeria during the war. Clément is a catalyst for Sandra's emotional awakening, as he shows her a different perspective on life and science. He takes her to his lab, where he studies the origin of the universe and the possibility of extraterrestrial life.

The film is shot beautifully by Denis Lenoir, who captures the contrast between the urban and natural landscapes and the changing seasons. The score by Nicolas Godin is subtle and atmospheric, enhancing the film's mood. The acting is superb, especially by Seydoux and Greggory, who convey their characters' complex emotions with nuance and sensitivity. Seydoux portrays Sandra as a strong but vulnerable woman torn between her duty and desire. Greggory delivers a heartbreaking performance as Georg, who is aware of his condition but tries to maintain his sense of humour and curiosity.

The pace could be faster and more varied; some scenes feel unnecessary or repetitive. The dialogue is lacking in naturalism and spontaneity. The relationship between Sandra and Clément is not very convincing or compelling, as they lack chemistry and depth. The film also avoids addressing ethical and moral issues, such as the impact on their respective families.

One Fine Morning - Un beau matin (2022) is a touching and thoughtful film that deals with universal themes realistically and humanly. It is not a typical romantic drama but a meditation on life, death, love, and memory. It is a film that will make you feel both sad and hopeful, as it shows the beauty and fragility of human existence.

Beautifully written and directed french drama about the possibility or impossibility of love in different relations, for a lover, a child, a father.

I loved the bitter sweet story, explored here with tenderness, lightness, humour and melancholy, reminding me of the best achievements of french cinema by Sautet or Lelouch in the 60s and 70s. Chemistry between Seydoux, who I never found acting more subtle and intense, and Poupaud with great sensitivity, works ideally. Pascal Greggory, one of the greatest french actors of his generation, gives a very touching performance as a father desperately fighting for his dignity against a mind threatening lethal disease, I also loved the natural performance of the little girl playing Seydoux' daughter.

There's hope in the end and we all know again what it's worth living for! Strongly recommended.

I liked this movie because I like Lea Seydoux, like the subdued yet deep acting of French actors and their stories, yet struggled to understand how it ended and what the point was. It felt like I rode a bus and really enjoying the ride, waiting to reach the final destination, only to get there and not remember why I went, to begin with. I struggle, even now, to make it to the requisite 600 words to create a review, because that is the point-- I do not know what else to say. I am by no means dull and have a penchant for watching international movies that are quite gems, but did not see what the whole point at the end was. I did thoroughly enjoy the characters of this movie. Lea is, as always, an outstanding actress.