O Amor Não Tem Razão

Arshad looks incredulously at the boy in front of him. "Tu Kaise Jaanta Hai Itna Saara Hathyaron Ke Bare Main?". The boy, deadpan, with no suggestion of humour, responds "Yahan Pe Chuttad Dhone Se Pehle, Tamancha Chalana Sikhate Hain". Welcome to a madcap roller coaster ride through a world that most Indian Netizens are not very familiar with, the India that we've kind of forgotten exists, the badlands of UP and its small villages, their on-going caste wars, con-men and utter lawlessness. Using the colourful, invective laced language that characterises the region, it proceeds to poke fun at the madness that passes for everyday life in most such places. And it simultaneously makes us laugh and think, to feel for characters so nicely etched that we cheer even when they're breaking the law.

Arshad & Naseer, Mama and Bhanja, both con-men, are on the run from Naseer's Jijaji, for what exactly we're not sure but it involves some money and some ice. Due to a mix of circumstances which include an unwanted pregnancy and a jail term, they land up at the home of one of their ex-cell-mates, who it turns out has expired, leaving behind his widow, Vidya Balan. Unsure and hesitantly at first, Naseer & later Arshad develop feelings for our spunky but quiet lady. However, the Jija returns. And then the game heats up…

The situations and characters that we encounter are beautifully drawn. The sense of humour or wry perspective that we're offered, remains intact through the film. The dialogue is witty and makes you chuckle non-stop. And the songs, the background music is of exceptional quality. Right from the number of classics liberally laced in different situations (Dhanno Ki Aankhon Main, Pyaar Ka Surma at a brothel, Ae Meri Zohra Jabeen as a ringtone for the Jija) or the semi-classical song that Vidya sings in the beginning or the two flagship songs the zany, peppy 'Ibn Batuta' or the lyrical, romantic 'Dil to Bacha Hai', after a long time in a Hindi film, it was worth the price of a ticket just to see the songs.

Arshad Warsi and Vidya Balan light up the screen with their effervescent performances, while Naseeruddin Shah, true to his character remains the stable one. With his surma ringed eyes, ready wit, goofy grin, angry stare and lovable roguishness, Arshad delivers a performance we'd forgotten he was capable of. Vidya doesn't put a foot wrong, playing on the emotions of both the men like a taanpura, sad, melancholic at times and smiling, alluring, teasing at others. For both of them, this film will feature prominently on their CV for some time to come. And Vishal / Abhishek continue their knack of picking an ensemble cast that looks like they belong to the villages…each of the characters we meet look comfortably at home in their rural setting.

more on this film, incl several dialogue references at ApurvBollywood at blogspot, here it shows up as spelling errors. You must watch this film !

This is what a good movie is all about - The authentic setting of village life with beautiful cinematography, the 3 main starts were perfect - I for one could not picture any other actress alive in Hindi cinema that could have delivered the role what Vidya played. Everything could be read from her emotions without her saying anything.

You know how good a film is when you can read and feel each character as they interact with each other - almost as good as a book.

Without spoiling the film I urge everyone to watch this gem and really do wish it wins awards it deserves. Hindi cinema needs to embrace these new type of film styles - were all fed up with rich brats in foreign lands scenario. Hope YC and KJ are taking a note from these clever films - you don't need mega stars or million dollar budgets to produce a film.

Whats refreshing is most people who have posted a review have said similar things. So I am glad I am not alone when I think Hindi Cinema needs to encourage directors/writers that produce films like these.

9/10

The performances by the whole cast has to be given an ovation for they were so enigmatic with their roles & portrayal; and I am so in love with Abhishek Chaubey's direction.

Speaking of noir, the film chiefly talks about betrayal, romance, lust, banditry and crime as a whole. Vidya Balan is the cynosure of the story and revolves around her quest to find what actually happened to her beloved spouse. Naseeruddin Shah & Arshad Warsi's characters follow suit as they try to equal their uncle in terms of money. Things go worse when the characters meet. First comes betrayal, then comes mastermind plan, subterfuge, love, love songs, dreams and all.

The screenplay is tad non-linear and it accentuates the experience. What I loved most is the blank screens that go in line with scenes of anticipation & suspense. The editor did a very good job by dimming the screen and coming back with another frame. The music is mind-blowing; the score of beats, tunes and reverberating rhythm still rings in my head. All aspects are finely matched together to bring out a crime thriller with tint of black comedy. Good cinematography!

BOTTOM LINE: A very well-executed cinema by a newcomer. 2010's one of the best movies. Highly Recommended!

Profanity/Vulgarity: Mediocre | Sex/Foreplay: No | Mouth-Kiss: Strong | Violence/Gore: Very Strong | Alcohol/Smoking: Strong | Drugs: No | Porn: Very Mild

In Omkara, Vishal Bhardwaj sets such a high standard for him self that Kamine even though good enough by typical bollywood standard disappointed many. But here comes Ishqiya, almost matches Omkara blow by blow. Directed by a débutant Abhishek Chaubey, Ishqiya is a story shown with a wonderful euphoria. And did I mention you that it has set appealing good standard for comedy too?

Crisp script with proper blend of suspense and humor and on top of that ultimate cast selection makes sure nothing goes wrong. Every actor is given role what he is best suited for and in what he regards as best in bollywood. No need to say about class performance of Naseeruddin shah, and can any one match Arshad Warsi in on the spot comedy? Vidhya Balan suits so much in the role that you forget that you are seeing an actress from glamor world of bollywood.

If you admire Omkara's genre, it is worth to watch Ishqiya. 8/10.

Movie Review: Ishqiya (Hindi) 107

If the promos were to be believed, this could have been one of the best made movies of the year. Who could predict that a movie that starred the immensely talented Naseeruddin Shah, Vidya Balan and Arshad Warsi along with the 'Vishal Bharadwaj' tag could only turn into a movie which you would call nothing more than 'Okay, decent'. Nevertheless, as music adds much needed spice, it's still worth your money!

The film opens with Krishna (Balan) in bed with husband Vidyadhar Verma in playful pillow-talk. As Krishna addresses Verma as 'Jahaanpanah' on screen, the audience was quick to append it with 'tussi great ho'; remember "3 Idiots" anyone? Cut to next scene, a blast. Cut again to Khalujaan (Shah) and Babban (Warsi) fleeing with stolen money seeking refuge at the now widow Krishna's village home near Gorakhpur.

The story builds on as Krishna unleashes her femme fatale charms to tame the duo to toe her line. Vidya Balan playing her part to perfection uses her 'desi' sensuality to the fullest while also displaying shades of bravado firing the shotgun when needed. As with Vishal Bhadwaj's movies, Ishqiya too has a rustic setting, foul mouthed characters and a hinterland heart. This flick deals with Kidnapping near the Nepalese border.

By interval time, the narrative just warms up enough to suggest that the trio now plan to kidnap a rich businessman for ransom. Khalu and Babban jump into agreement, given that their booty stands stolen and has to be repaid while on the other, they're taken over by lust and love for Krishna who manipulates their passions, so much so that Khalu junks his old lover's photo & Babban ditches his pal to make love to her.

The film-makers may have planned their hard-sell on the plank that Krishna's role is in shades of grey. Femme fatales have done well for themselves all through history, be it Cleopatra, or in Bollywood, "Karz" or "Aitraaz". But expectations fall flat towards the end as Krishna turns into nothing more than the clichéd vengeful Indian wife. Well, being apologetic was the last thing that one could expect out of a Vishal Bhardwaj film.

Making things worse is the hurried rush of scenes towards the end; as if a student just realized that he only ten minutes left with half the paper still to go. Climax is contrived and destroys the original 'femme fatale in grey' thread. But, its brilliant songs such as Rahat Fateh Ali khan rendition 'Dil to Bachcha Hai' and Singhs Sukhwinder & Mika's 'Ibn- E-Batuta' work like a balm. Try it out and you won't regret watching it.