The Big Gay Musical

The short "small straight play" intro with Michael Musto was so fresh and funny that I was really excited to see the Big Gay Musical that followed. Unfortunately, the Big Gay Musical was even worse than the small straight play: a lot stupider, a lot more irritating, and a whole lot longer. Within about five minutes I felt just like Musto, except what I wanted to scream was, "Bring back Michael Musto and the small straight play!"

While the small straight play was cleverly dumb, the Big Gay Musical was just dumb, grossly overblown, and so strident, shrill and heavy-handed in its anti-God anti-Bible theme that it almost made me want to turn on Pat Robertson just to clear my palate. Hatred is hatred, and I'm sorry, but gays hating Christians is no better than Christians hating gays. I am happily gay and I love musicals and I love gay movies in principle, but this one promised a lot and delivered just a sour taste in my mouth. If it was supposed to be lighthearted satire, it failed miserably.

The off-stage story was better than the on-stage musical, which is why I gave the movie three stars instead of one. If the Big Musical had not been so heavily, excessively obnoxious, I might have liked the Gay Movie that went along with it.

This movie is superficial in every way possible. Characters completely undeveloped. Story non existent. As for the script, it's possible to hear more meaningful dialog between two drunks after 2:00am in the most looser laden gay dive than in this shallow attempt at a musical. Speaking of music, it's terrible in this "musical". It begins and ends as a meaningless parade of gay stereotypes and cliché plot points: Cue the promiscuous sex, AIDS panic, and familial redemption.

A few unsuccessful shots are taken at religion but with nothing more than over done makeup and southern accents they just fall flat. There's a lot of skin and sex between guys, which for porn might be enough but for a feature length "film" seems a little out of place since there is basically no established characters with any depth or a plot line with any interesting detours. It's possible to tell this story in a meaningful way and even put it too song. But this movie falls flat in every possible way, bad script, bad music, bad acting, and wistful Broadway type vocals. It's actually difficult to comment on this movie because it's barely worth the effort. Bottom line, when a movie doesn't give you any reason to care about anything or anyone in it then there's, nothing to see here. Move along...

It was very average I felt. Nothing was that good. I got bored watching this at one point. The singing was well done. I like the idea of were the story was trying to go but didn't think it did it very well. The acting was good for what the people were given. I don't recommend you watch this unless you are super bored and nothing else is on.

Synopsis. It's a kinda cheesy gay movie with singing. Pretty much what the title reveals. What we do get extra is some serious topics and relatable situations that sometimes don't get the cheesy treatment and it's here what the movie is at it's best

Analysis: It's not a super serious movie. But more some something to enjoy without to much thinking (kind of like a Christmas movie.

Onto the story: Coming of age in New York City story with two main characters finding themselves and love

Dialogue: not bad, sometimes a bit unrealistic just to make a point come across

To close off, would I recommend this movie. Just especially for crowd that related to American shows and lifestyle. Not to most memorable film, but entertaining and easy on the eye with the attractive actors.

Superficial and stereotypical. No substance of any kind. Not up to date with the times. As someone else wrote. Move along. The musical numbers should never long and boring, especially in something billing itself a musical. Not what people want to see these days. When the acting is so-so, not the storyline indeed nothing can hold interest. Stereo types be it southern accents or whatever ... and such cannot save what could have been a worthwhile venture. If it had only sought to distinguish itself in some way that modern audience could relate to. That's not to say there is not a small niche audience. There clearly could be an audience for a collection of show tunes done by unknown or little known artists. But this would be quite small. Those expecting something truly 'big' will be disappointed? Too much emphasis on bodies and hook-ups moves any movie away from something to be taken seriously and into just an excuse to show these things. That is never a good thing to project to the serious movie going public. In a musical, singing and dancing should be first rate, the story should be engaging and if in fact it is based on cliché, at least it could be original in scope and context, not the same tired venues and story lines that someone would expect from similar projects 20 years ago. If you are looking for a musical that is significant to life in the 2000s, then you may better off looking elsewhere.