Arthur, o Milionário Irresistível

I suspect that Russell Brand is a polarising personality in this world. Some find his idiosyncratic ways quite the put off. I, on the other hand, have always had a soft spot for old Rusty. I find him beguiling and very pleasant to watch.

I am not going to pontificate and deconstruct. This is a remake. I can't remember the Dudley Moore version but all I know is that this film was very charming. Fair enough, there are going to be no big surprises - no epiphanic moments. But what this has in bucket loads is a grand sense of heart.

Russell Brand is silly but underneath the silliness there is real, genuine stuff. You can see his heart break in a crescendo scene and if you let yourself you'll find you become very sympathetic to this lost boy. Jennifer Garner is scarily comfortable in the role of a-grade beyatch! Helen Mirren is just perfect as the man boy's nanny. Look, to be honest I am too lazy to get into nitty gritty stuff but this one is a winner if you are open enough to admit it.

Trust me. It's lovely.

This film is about a young alcoholic man who has to marry a woman whom he does not love, so that he can get his billion dollar inheritance from his mother.

"Arthur" is a lighthearted comedy about a rich young man, who is still a child at heart. He has no sense of responsibility, as he does not have to work for any of the material wealth he has. Despite his immaturity and egocentricity and childishness, Arthur is a likable character. If other comedians portray him, he would easily become irritating and even offensive. So well done to Russell Brand. The romantic comedy element is also engaging and entertaining, so I find "Arthur" a good film for brainless entertainment.

A drunken playboy stands to lose a wealthy inheritance unless he marries a woman he doesn't like, meanwhile he falls for tour guide that his family doesn't approve of.

Entertaining comedy in which Russell Brand surprisingly comes across more lovable that Dudley Moores original incarnation. There are some genuine funny scenes notably with a magnetic bed, children's store, the Batmobile getting pulled over (yes, really) and when Arthur goes nail gun happy with future father-in-law Burt Johnson perfectly played by Nick Nolte.

The realistic sets, New York setting including Grand Central Station act as interesting backdrop that director Jason Winer full utilises. Greta Gerwig as the love interest Naomi Quinn is on likable form while Jennifer Garner refreshingly goes against all American girl typecast as socialite Susan Johnson. Evander Holyfield, Luis Guzmán and Geraldine James Geraldine James put in an appearances. Helen Mirren's Hobson is touchingly portrayed and Mirren steals the show with her grounded and humanistic performance.

Overall the story stinks of countless 80's rom-coms but Arthur is entertaining nonetheless due to its nostalgic yet contemporary reworking and Russels' engaging tongue-tied performance.

I absolutely despise Russell Brand so naturally I assumed that I would not like this movie one bit. That, however, was not at all the case. Sure, the movie started with Brand's typical ridiculous antics and obnoxiousness but it turned out to be quite entertaining. Brand, for once, was able to actually make the transition from ridiculous idiot to still idiotic but also charming with his humor. Also, Helen Mirren stole the movie. She is truly something else. I don't think I'd be alone in saying she is one of the premier actresses in Hollywood. Her character's dry humor but strength and caring shined through perfectly and was the highlight of the film. Garner and Gerwig's characters are also pretty interesting. Garner doesn't really step outside the box with this performance but it was still solid. I was pleasantly surprised with Gerwig though. I had never seen her in a meaningful role and she was very solid in portraying her emotions. All in all the movie was just a pretty good film and it was definitely worth watching.

Was this remake horrible? No, but it also wasn't that great. In only a couple of scenes did this film lift itself above mediocrity. In comparing this update to the 1981 version, the original is simply better on every point. Russell Brand is probably the best choice they could make for the lead, but he doesn't measure up to Dudley Moore's Arthur. And the wonderful Helen Mirren does her best, but she just can't match John Gielgud's witty portrayal of Hobson. The writing fell particularly short of the mark. The one bright spot for me was Greta Gerwig, whom I had not previously seen. She did a fine job of making a thinly-written character become real. I look forward to seeing her in the future.