Nora e Hae Sung, dois amigos de infância profundamente conectados, se separam depois que a família de Nora decide sair da Coreia do Sul. Vinte anos depois, eles se reencontram em Nova York p... Ler tudoNora e Hae Sung, dois amigos de infância profundamente conectados, se separam depois que a família de Nora decide sair da Coreia do Sul. Vinte anos depois, eles se reencontram em Nova York para uma semana fatídica.Nora e Hae Sung, dois amigos de infância profundamente conectados, se separam depois que a família de Nora decide sair da Coreia do Sul. Vinte anos depois, eles se reencontram em Nova York para uma semana fatídica.
- Direção
- Roteirista
- Artistas
- Indicado a 2 Oscars
- 83 vitórias e 237 indicações no total
Moon Seung-ah
- Young Nora
- (as Seung Ah Moon)
Shin Hee-cheol
- Hae Sung's Friend #2
- (as Hee Chul Shin)
Avaliações em destaque
I loved the film, it stayed with me for days.
People who watch it will either find it to be super boring or will keep thinking about it for days.
The cinematography, the dialogues, performance and Score are just beautiful. The silent moments between them are beautiful too.
I do not recommend this to everyone, but if you love movies like Before Sunrise trilogy or the Irish movie Once or Eternal Sunshine of a Spotless mind. You will love this one too.
But, for me having watched the 2018 Indian film 96 many times I could not stop comparing these two movies. , I mean the subway scene with them holding the pole just staring at one n another.
The What ifs. Both the movies are so similar concept wise.
People who watch it will either find it to be super boring or will keep thinking about it for days.
The cinematography, the dialogues, performance and Score are just beautiful. The silent moments between them are beautiful too.
I do not recommend this to everyone, but if you love movies like Before Sunrise trilogy or the Irish movie Once or Eternal Sunshine of a Spotless mind. You will love this one too.
But, for me having watched the 2018 Indian film 96 many times I could not stop comparing these two movies. , I mean the subway scene with them holding the pole just staring at one n another.
The What ifs. Both the movies are so similar concept wise.
Difficult to write too much about this film who offers a nice , large fist of emotions. The story itself is simple and offers minimum surprises. The 1940 decade romance air is honest, clear and, sure, in special sense, comfortable.
It is the story of two friends, from childhood, their lives across decades, their encounter and their choices. Nothing new, at first sight, but the acting is one of precious virtues in this case, like the admirable construction of story , reminding a honey drop.
In short, I have this certitude, it is one of films for who you are grateful to director and chance to see it. And this is the mattering thing, in fact.
It is the story of two friends, from childhood, their lives across decades, their encounter and their choices. Nothing new, at first sight, but the acting is one of precious virtues in this case, like the admirable construction of story , reminding a honey drop.
In short, I have this certitude, it is one of films for who you are grateful to director and chance to see it. And this is the mattering thing, in fact.
I felt like this film touched on so many subtle, unsaid things between people: love that's lost because two people don't know how to/don't want to prioritize it, the convenience of being in some relationships, the feeling like you're saying something just because you think it's the right thing to say (especially around the people that you think need to hear it) when deep down it doesn't feel like the truth whatsoever, and going along with something because you've already committed to it instead of doing it because you want to do it. I know that's vague, but I didn't want to spoil anything, but maybe once you've seen it you'll know what I mean. It was all handled so beautifully and had such heartbreakingly sincere human experiences. I think it's safe to say that in the end, we have no effing idea what we are doing and how it will turn out, but we just hope it's the right decision in the moment.
I really enjoyed this film. What I love about Oscar season is that I'm encouraged to watch films I normally wouldn't go to (yes I know, I'm one of those people). I think the thing I most enjoyed about this film was the purely naturalistic feel to it. Some may call this mundane but life isn't always like a romance novel. Who can really say they didn't have a connection with someone from their past that they wished they had the option to explore. Things happen in our lives and the natural reaction to that is to wonder what could have been and I love how this film shows these characters exploring that and wanting to hold on to something in their past but also acknowledging that life goes on and you can't always live that fairy tale! How it was shot was also beautiful and I really like what the cinematography team did. This is very much a worthy best film nominee!
They say that the best kisses, the best loves, the best love stories are those that never happened, those that are idealized and remain in fantasy. Past Lives is that.
It is a beautiful film, very well directed, very mature. The dialogues are fantastic, the resolution, as it should be. The theme is the path, perhaps the theme of the time jumps and the fact that so much happens between one and the other will take you a little off. Beyond that, it is impressive that it is Celine Song's first work. As for the performances, I am far in favor of the character of the husband, very mature and deconstructed, with perhaps the best dialogues and development of the film. The last two scenes, both in the restaurant and the farewell, are by far a delight. Highly recommended.
It is a beautiful film, very well directed, very mature. The dialogues are fantastic, the resolution, as it should be. The theme is the path, perhaps the theme of the time jumps and the fact that so much happens between one and the other will take you a little off. Beyond that, it is impressive that it is Celine Song's first work. As for the performances, I am far in favor of the character of the husband, very mature and deconstructed, with perhaps the best dialogues and development of the film. The last two scenes, both in the restaurant and the farewell, are by far a delight. Highly recommended.
Você sabia?
- CuriosidadesIn an interview on 2 June 2023 on NPR with Ailsa Chang, Greta Lee indicated that she found it amusing that when she told her family and friends that she was taking this role, many of them were surprised and wondered if she could even speak Korean.
- Erros de gravaçãoWhen the protagonist's family arrives at Canadian immigration, a French-language government sign reads "loresque" (instead of, correctly, "lorsque.")
- ConexõesFeatured in WatchMojo: Top 10 Best Movies of 2023 (2023)
- Trilhas sonorasIt's Not Love If It Hurts Too Much
Written by Kim Kwang Seok
Performed by Kim Kwang Seok
Courtesy of STARWEAVE Entertainment
By arrangement with Ingrooves Music Group
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Past Lives?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Vidas pasadas
- Locações de filme
- Madison Square Park, Manhattan, Nova Iorque, Nova Iorque, EUA(Nora and Hae Sung Meet in New York)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 12.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 11.331.983
- Fim de semana de estreia nos EUA e Canadá
- US$ 232.266
- 4 de jun. de 2023
- Faturamento bruto mundial
- US$ 42.713.187
- Tempo de duração
- 1 h 45 min(105 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente