Avaliações de usuários

I felt like this film touched on so many subtle, unsaid things between people: love that's lost because two people don't know how to/don't want to prioritize it, the convenience of being in some relationships, the feeling like you're saying something just because you think it's the right thing to say (especially around the people that you think need to hear it) when deep down it doesn't feel like the truth whatsoever, and going along with something because you've already committed to it instead of doing it because you want to do it. I know that's vague, but I didn't want to spoil anything, but maybe once you've seen it you'll know what I mean. It was all handled so beautifully and had such heartbreakingly sincere human experiences. I think it's safe to say that in the end, we have no effing idea what we are doing and how it will turn out, but we just hope it's the right decision in the moment.

And first-time director Celine Song has created one of these. It's a masterpiece of deeply genuine human emotion. And that masterpiece is Past Lives.

Song's dialogue is understated to the point of risking not creating a connection with the characters. It would not have worked with sub-par actors. But the risk payed off big time-all of these actors are wonderful, allowing their body language and line delivery fill in the gaps with their characters' true psychology.

A simple plot becomes a richly complex story of lost love, sought closure, and found purpose; and it's all due to Celine Song having the proper understanding of when to allow silence to speak.

Yet despite the frequent bouts of silence, not a moment feels wasted. Every shot and sentence is meticulously edited to give us exactly what we need to feel each moment with its full emotional power.

This very well may be the best film of 2023. It's the work of a master storyteller, and it's only her first film.

The wind, the leaves, the streets, the towers; everything exists with a supple glow. There's a love for environment behind the camera, where director Celine Song stands, telling her story. Kirchner, her cinematographer, lends immense craft to the film's 35mm scenery. Nora, Hae Sung, Arthur; the three central characters are handled with wonderful grace. They easily communicate complex emotion. They're likable, and they're relatable. New York City, Seoul; I hardly know either of them practically, but now I feel like I do, in some intimate way. These two cities are dearly loved. Longing; what did you think of when you finished this film?

Past Lives is an honest, delicate, and ambling movie. Nora, once a little girl from urban Korea, chooses her path as an American writer after immigrating with her family. She marries a different writer (Arthur, a Jewish New Yorker), adopts the culture of NYC, and chases her ambition. She's still Korean, but the identity ebbs. She doesn't sound like it anymore. Hae Sung, her childhood friend who never left the country, is very much Korean; his path is that of an engineer living with his parents, which he describes as ordinary. He loves Nora deeply. He loved her when she left Seoul at twelve, and loved her still at the points in which their lives intersected. Nora loves him too, in her own complicated, almost grieving way. He is her connection to a childhood she longs for, washed away in her memories, and seldom revisited because of the complicated feelings that come with being a child immigrant.

The story is simple but it bursts at the seams with emotion and humor. Admittedly slow, but without wasting your time. I connected with all three of the main characters to some degree, each carried by an actor with the apparent gravity of a veteran superstar. They are emotionally intelligent, and they react to each other in interesting, startlingly realistic ways. Celine Song plays on a very specific feeling of aching; for a forgotten time in one's life, for an identity, or for a lover. It's particular, but looking around the audience as we left the theater, you could see that most people were in their own heads, thinking of something (or someone). We all long for something lost.

Perhaps not all of us, but probably most, have also wrestled with the feeling of permanence in the journey we choose for ourselves. You only live once, said Drake, but that's really a terrifying thought sometimes. Carving out one lifetime - engineered across thousands of individual decisions - means foregoing an infinite number of others. People deal with this in a number of ways; providence, reincarnation, and an afterlife, to name a few. Nora and Hae Sung might be soulmates, but will they know it in this lifetime, or the next?

I really can't wait for the next project Song works on, and that goes double for the cast. I sunk my teeth into this deeply romantic, deeply resonant film, which is capable of bringing immense longing to the surface. It is coated with a beautiful score and draped atop memorable settings. It's a home-run.

9/10 for making me want to visit Seoul.

Here is a film that looks nothing, offers a beautiful evening, full of sincerity and missed opportunity. Very well played and an irreproachable aesthetic, hard not to be touched by this feeling, that we all knew one day.

The staging fits with the passing of time, we navigate in space as we navigate in our lives, our choices, our hopes and our regrets. There is something very poetic and somewhat tragic in all this and it was difficult for me not to be touched by its final which is as simple as successful.

A film that is as touching as it is just, offering a point of view on expatriation and the roots of feelings, while offering a nice surprise on the veracity of feelings through a life and the choices that result.

Like the characters, I didn't see the time pass...

Celine Song, in her directorial debut, makes a film whose story has little to do with the usual "movies." Past Lives is true, it is not the usual love story. It is not the usual movie love story. But it is more, because it is real, because it is true, because it is drawn from the living experience of the director. And in one way in the other, all of our lives are movies, only thanks to cinema we have the power to give a different development or ending to those stories. Instead, Song chose, bravely, to be true to what seemingly seems like a "trivial" love story of two people who are separated as children and meet again after 20 years by choice and not by chance. Two people who in the generality of their life stories, look at each other, scrutinize each other and love each other. It is a story made of silences, from which the thoughts of the two protagonists arise and arrive. It is a story made of glances and behind those glances are all the unspoken words, all those emotions that words would not render. Past Lives works because it is not what one expects from a film love story. It is real life.

As a Korean native speaker I find this movie below mediocre. It has all the bad ingredients of kdrama which I am not a fan of. At least kdrama has a storyline. This is just boring movie with boring cast. Cinematography is the only thing that saved the day but then that becomes irrelevant when the movie is so dragged on with no particular plot. We in Korea have many of these drama and those are just for killing time.

Also the title of the movie 'inyeon' has more multi faceted meaning than just past lives. Every Korean I know disliked this movie and don't see the hype and that says something . The movie doesn't speak for Koreans. A Korean immigrant that directed this film just doesn't get it. In that regard, this may indeed have a unique storyline but as far as romance movie goes this is not worth your time.

Difficult to write too much about this film who offers a nice , large fist of emotions. The story itself is simple and offers minimum surprises. The 1940 decade romance air is honest, clear and, sure, in special sense, comfortable.

It is the story of two friends, from childhood, their lives across decades, their encounter and their choices. Nothing new, at first sight, but the acting is one of precious virtues in this case, like the admirable construction of story , reminding a honey drop.

In short, I have this certitude, it is one of films for who you are grateful to director and chance to see it. And this is the mattering thing, in fact.

Now here's a story that has something for us all, if you consider all the past events and things that went before, all the options, permutations, that could have ended in relations, outcomes, futures, roads untaken, that then fall. As Jung Hae Sung and Nora meet as kids, there's a connection but then adios she bids, moving to the USA, kimchi days are left astray, different plays shape different folks - the lives they've lived. Correspondence over time keeps thoughts reflective, then meeting up creates a kind of retrospective, what could have been, and what could be, things preordained, but choice is free, quite intriguing, but it rests on your perspective.

They say that the best kisses, the best loves, the best love stories are those that never happened, those that are idealized and remain in fantasy. Past Lives is that.

It is a beautiful film, very well directed, very mature. The dialogues are fantastic, the resolution, as it should be. The theme is the path, perhaps the theme of the time jumps and the fact that so much happens between one and the other will take you a little off. Beyond that, it is impressive that it is Celine Song's first work. As for the performances, I am far in favor of the character of the husband, very mature and deconstructed, with perhaps the best dialogues and development of the film. The last two scenes, both in the restaurant and the farewell, are by far a delight. Highly recommended.

The wife and I aren't action movies and gravitate towards movies with stories but this was just ok. Lots of emotional scenes but the interaction was awkward and unrealistic. The actors didn't need to rehearse their lines as there was little dialogue. It had some emotional moments but the movie lacked character engagement. We both felt it spent too much time on the artistic side and not enough time developing the storyline. They went from Korea to Toronto to New York with basically no indication or reason how or why We both agree it was average to good but certainly not deserving of an 8.4 rating.

I saw the trailer to "Past Lives" before a showing of "Master Gardener," and immediately knew I wanted to see it. I have an affinity for Asian cinema, but more than that, the concept of past lovers reconnecting after decades made for an intriguing premise, one that I had to see unfold on the big screen. And after seeing it unfold (on the big screen), I honestly can't tell how I feel about "Past Lives," which, I guess, means it left me feeling kind of cold.

With so many people gushing over this movie, the fact that I fail to see what others are seeing has made me somewhat uncomfortable. I'd have loved to witness the "pitch-perfect romance" that critics say "Past Lives" contains. I wish I managed to see the "first great film of the year"; instead, I watched a perfectly watchable film, but one that didn't leave much of an imprint on me. "Past Lives" is less a romance and more a dramatic exploration of what could have been. And while that seems like it could be interesting, the unlikeable character of Nora, played by Greta Lee, and the distinctly unromantic and uncomfortable story progression made for a decidedly cringy experience. So, let's start with Nora.

Greta Lee is a great actress - there is no doubt about that. The thing is that her character, Nora, is extremely unlikable and unsympathetic. Throughout the course of the entire film she makes mean, borderline cruel choices that put others through the emotional ringer. This left me entirely unsympathetic to her romantic plight - however, I did enjoy Teo Yoo's portrayal as Hae Sung, and especially John Magaro's character of Arthur; both of them play entirely believable and relatable characters who become caught up in situations either of their own doing or of someone else's.

As I mentioned, "Past Lives" is also remarkably unromantic. Instead of seeing two people fall in love against all odds, you'll witness a bizarre sort of reconnection with a third-wheel that is obviously against everything that's occurring. It's not romantic - purposefully so, I think - but it's also not very fun to watch, which might be the point, but still. The whole "will they, won't they" scenario begins to fall short as you'll begin to realize that you don't care whether they will or they won't because of how awkward the entire scenario is. And with an ending that feels more of a fizzle than a bang, when the credits rolled I couldn't help but feel empty. "That's life," the movie seems to say, hoping you simply accept what it's showing you.

The more I think about this film, the less I like it, which sucks because I really wanted to like it. Call me a romantic, but I was hoping for a more straightforward love story, and what I got was something that was awkward, uncomfortable, and un-enjoyable.