AVALIAÇÃO DA IMDb
7,9/10
33 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAfter breaking up with his childhood sweetheart, a young man finds solace in drugs. Meanwhile, a teenage girl is caught in the world of prostitution. Will they be destroyed, or will they fin... Ler tudoAfter breaking up with his childhood sweetheart, a young man finds solace in drugs. Meanwhile, a teenage girl is caught in the world of prostitution. Will they be destroyed, or will they find redemption?After breaking up with his childhood sweetheart, a young man finds solace in drugs. Meanwhile, a teenage girl is caught in the world of prostitution. Will they be destroyed, or will they find redemption?
- Direção
- Roteiristas
- Artistas
- Prêmios
- 12 vitórias e 27 indicações no total
Kuldeep Sharma
- Paro's father
- (as Kuldeep Singh)
Jimi the Quiff
- The Twilight Players
- (as Jimi 'The Quiff')
Ammo 'Too Sweet'
- The Twilight Players
- (as Ammo 'Too Sweet')
Sinbad Phgura
- The Twilight Players
- (as Sindbad Phgura)
Asim Sharma
- Bhuvan
- (as Aseem Sharma)
Nawazuddin Siddiqui
- Patna Ke Presley
- (as Nawazuddin)
Nitin Chainpuri
- Patna Ke Presley
- (as Nitin U. Chainpuri)
Avaliações em destaque
Let me helm AK as the new czar of motion picture extravaganza ...
With a conforming applaud to the concept visualization by Abhay Deol himself , AK and co-writer Vikramaditya Motwane concoct a tale foretold adding the backdrop and zing of contemporary Ludhiana , Delhi !
The beauty of narrative is that it doesn't speak in dialogs but rather gratifies on the senses of the viewer . The editing is brisk and is noteworthy of its nuances to help add the necessary twists in the plot.Fresh music with loads of it helps to contemplate the emotions of the protagonist.
It isn't banal or prudish ..the dialogs are witty and minimalist !
For those who have watched the archaic DevDas , it's overwhelming to match "loosely based original characters " to our new era real life DevD( trying to empower his childhood love or trying to understand what love really is ), Paro ( Very Indian but yet liberating and sexually charged and also at par with the ultimate Indian "aadarsh" Bahu agnostics ) , Chandramukhi ( A thumbs up to the Sex industry which preaches what the whole world tries to echo in darkness and unlike the world which then raises fingers of indignation and loathe - CMon India did preach Kamasutra long back )not to forget Chunni( an amiable friend but a pimp of the sorts ).
The ensemble has done a worthy job . Newcomer : Mahie Gill easily transitions from a vulnerable lover girl to a mature responsible lady , Kalki Koechlin epitomizes the naiveness of a teenage girl whose social stigmata con-volutes her essence of life into an awry ordeal which she readily accepts and moralizes as a state of "Trying to move on .." And Abhay ( I read him being at someplace learning Wood Carving during the release of this movie ) - ( is purely a treat to watch ..the way he triumphs in being a sole loser who worships Vodka and doesn't chastise himself rather acclimatizes himself to the corner of the world called "SELF" -- the virility shown by his hairy bod -- a pungent antonym to chest waxed embellishments -- 10 kg's lost for this role -- shows the kind of efforts put on screen )
All of this with a maverick Director's surreal vision ( trademarks being his liking for water and snow .. he uses them as props and landscaper's to unearth the beauty of the far .. No Smoking had loads of it) is a cinematic milestone in itself ...
If your above 18 then go with a heart of redemption, lust , despair striving to the ultimate nemesis with oneself --- you shall be a winner !!!
With a conforming applaud to the concept visualization by Abhay Deol himself , AK and co-writer Vikramaditya Motwane concoct a tale foretold adding the backdrop and zing of contemporary Ludhiana , Delhi !
The beauty of narrative is that it doesn't speak in dialogs but rather gratifies on the senses of the viewer . The editing is brisk and is noteworthy of its nuances to help add the necessary twists in the plot.Fresh music with loads of it helps to contemplate the emotions of the protagonist.
It isn't banal or prudish ..the dialogs are witty and minimalist !
For those who have watched the archaic DevDas , it's overwhelming to match "loosely based original characters " to our new era real life DevD( trying to empower his childhood love or trying to understand what love really is ), Paro ( Very Indian but yet liberating and sexually charged and also at par with the ultimate Indian "aadarsh" Bahu agnostics ) , Chandramukhi ( A thumbs up to the Sex industry which preaches what the whole world tries to echo in darkness and unlike the world which then raises fingers of indignation and loathe - CMon India did preach Kamasutra long back )not to forget Chunni( an amiable friend but a pimp of the sorts ).
The ensemble has done a worthy job . Newcomer : Mahie Gill easily transitions from a vulnerable lover girl to a mature responsible lady , Kalki Koechlin epitomizes the naiveness of a teenage girl whose social stigmata con-volutes her essence of life into an awry ordeal which she readily accepts and moralizes as a state of "Trying to move on .." And Abhay ( I read him being at someplace learning Wood Carving during the release of this movie ) - ( is purely a treat to watch ..the way he triumphs in being a sole loser who worships Vodka and doesn't chastise himself rather acclimatizes himself to the corner of the world called "SELF" -- the virility shown by his hairy bod -- a pungent antonym to chest waxed embellishments -- 10 kg's lost for this role -- shows the kind of efforts put on screen )
All of this with a maverick Director's surreal vision ( trademarks being his liking for water and snow .. he uses them as props and landscaper's to unearth the beauty of the far .. No Smoking had loads of it) is a cinematic milestone in itself ...
If your above 18 then go with a heart of redemption, lust , despair striving to the ultimate nemesis with oneself --- you shall be a winner !!!
A movie so great that it simply blows your heads off. Every character is Grey. No one is moral and every body is a victim of circumstances. the film is the pinnacle of movie making. the sheer audacity, rawness, and unrealistically realistic treatment creates magic on screen. and believe me one time is not good enough. songs are unbelievable as well. the characters of paro and chanda are so well written that before dev falls in love with them; u will fall in love with them. and both the ladies have done a remarkable job. mahi gill looks so elegant and an epitome of femininity. kalki has an amazing screen presence. with her earthy and next door girl looks, she will win ur heart and her school girl sexuality is incomparable. anurag is THE BEST director in this country and with a girlfriend like kalki he is a lucky bastard as well. and now we come to the real reason of watching the movie. abhay deol. he has become a cult figure for a lot of his fans. the concept is his and he has completely overshadowed and other devdas that ever was. from now on if anybody will be remembered as devdas, he will be abhay. after 7 movies he has overshadowed many heavyweights in the industry. he looks so natural and confident on screen. and how chilled this guy is can be judged from the fact that at the time of his biggest ever release he is rite now in new york for a welding course.
Well I had been waiting for over two months for this film to release. And It has been worth the wait. Anurag Kashyap's Dev.D is a contemporary take on the immortal Devdas, whose boldness will dazzle you, to say the least. The direction and screenplay, as expected, are top-notch. The music is terrific, and has been used creatively to take the story forward. The performances are excellent too, with Abhay Deol delivering a brave, powerful performance that won't be easy to forget. Mahie Gill and Kalki are very impressive too. Watch this movie also for some gems- Paro going in the fields to get laid with Dev with mattresses tied to her bicycle and Chanda and Dev in the sauna-there are many more I promise. AK has successfully ironed out the flaws in the original Devdas, and that's what makes this dark film also a feel-good film at times. AK has handled sexuality and some real-life incidents (MMS scandal, BMW hit- and-run case) in a very mature manner, without being sensationalist. Don't miss it for anything. Watch it for its sheer audacity.
"I give a 10/10 and two thumbs up for AK's newest piece of art."
"I give a 10/10 and two thumbs up for AK's newest piece of art."
I've been waiting for this movie since the past 2 months. I had gone to see another movie around 2 months back and there was a poster of Dev. D. It starred Abhay Deol. From that moment, I knew this movie is gonna be one of a kind. It takes place in the modern era. The instances shown in the movie are very life-like. The story deals with a loser ( Abhay Deol ) and how he deals with his life. Its like a modern rip-off from Devdas.
Everything about this movie is top notch. Right from the direction to the sets, its stunning. The screenplay is impeccable & the cinematography couldn't get better. The visuals are delightful. The music score is exceptional. Even though it is a slow movie, the pace seems very fast. The editing also is so well done. The dialogues are perfect, used in a really vulgar tone. The story is set in & around Delhi. The locations shown are ideal.
I really don't remember the last time I had seen such a good bollywood movie. But this flick is not one that will please all audiences. Only connoisseurs of movies will respect & admire this class act. Hats off to Anurag Kashyap. Legend.
Everything about this movie is top notch. Right from the direction to the sets, its stunning. The screenplay is impeccable & the cinematography couldn't get better. The visuals are delightful. The music score is exceptional. Even though it is a slow movie, the pace seems very fast. The editing also is so well done. The dialogues are perfect, used in a really vulgar tone. The story is set in & around Delhi. The locations shown are ideal.
I really don't remember the last time I had seen such a good bollywood movie. But this flick is not one that will please all audiences. Only connoisseurs of movies will respect & admire this class act. Hats off to Anurag Kashyap. Legend.
This movie is 'not' a remake of Devdas. Probably, Anurag Kashyap wanted to borrow the base story from there, but I repeat if you are a big fan of Devdas then this movie isn't for you. But then again this is one of the most insane movies to come out of Bollywood. You might probably end up with a headache after watching it, but its completely worth it. There are few movies with such exceptional cinematography and music which blends completely with the movie.
The characters are well defined, but also over the top. Abhay puts in a real perfect act of a self-sympathetic fool, who drinks and does drugs just in the obsession of Paro. He becomes completely lost and finally ends up in the arms of Chanda. Paro has apparently never known the words 'shy' nor 'blush'. Chanda has seen a lot of pain and is the only character who slowly becomes sure of herself.
This movie is more about how they have painted the characters rather than the characters themselves. This is a first in Bollywood and I have never heard such dark, yet at times beautiful music. Its loud at times, but Amit Trivedi's work is a sheer genius one. If you do end up liking the movie, you would give half the credit to the music.
Anurag and the entire team have poured in their heart for this movie. Most of the work and the ideas are genuine and is not picked up from some other random movie. It is an 'its own movie'.
The characters are well defined, but also over the top. Abhay puts in a real perfect act of a self-sympathetic fool, who drinks and does drugs just in the obsession of Paro. He becomes completely lost and finally ends up in the arms of Chanda. Paro has apparently never known the words 'shy' nor 'blush'. Chanda has seen a lot of pain and is the only character who slowly becomes sure of herself.
This movie is more about how they have painted the characters rather than the characters themselves. This is a first in Bollywood and I have never heard such dark, yet at times beautiful music. Its loud at times, but Amit Trivedi's work is a sheer genius one. If you do end up liking the movie, you would give half the credit to the music.
Anurag and the entire team have poured in their heart for this movie. Most of the work and the ideas are genuine and is not picked up from some other random movie. It is an 'its own movie'.
Você sabia?
- CuriosidadesWhen asked why he cast newcomer Abhay Deol, director Anurag Kashyap simply replied, "He has turned out to be one of the best. When everybody wants to be a Hero, he plays the character.
- Erros de gravaçãoAt around 59 mins Chunni calls out to Chanda to show her the bike he has purchased for her. While Chanda looks out from the Balcony, Chunni points to himself, his body language leading to my conclusion that it is for himself, while this mismatch is carefully patched by adding a dialogue ("Yes, for you") from Chunni, while the camera focuses on Chanda.
- Cenas durante ou pós-créditosThe film's name appears twice, once as the character's name and then as the film's name itself.
- ConexõesFeatured in 55th Idea Filmfare Awards (2010)
- Trilhas sonorasMahi Mennu Nahi Karna
Written by Shellee
Composed by Amit Trivedi
Performed by Labh Janjua (as Labh Jajua)
Courtesy of Super Cassettes Industries Limited (T-Series)
Principais escolhas
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- How long is Dev.D?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- ₹ 60.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 18.613
- Fim de semana de estreia nos EUA e Canadá
- US$ 10.950
- 8 de fev. de 2009
- Faturamento bruto mundial
- US$ 4.047.969
- Tempo de duração2 horas 24 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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