Fim da linha

Certain people like to stand outside McDonalds rather than go to school that's how!

Again these two appear in a derivative quick to forget bargain bin British gangster movie with all the cock-er-ney geezer charm of Guy Ritchies Bowel movements, hell they even throw in the lesser supporting cast of Snatch, a far far superior movie. Gangster Rapper 50p must have had a spare 10 minutes while in London during a promo tour because he's a barely written cameo (who could have livened the film up in a beefier role) and the two strongest actors in the movie, Brenda Blethyn and Phil Davis just seem lost in their own embarrassment wondering what there agents where playing at.

The involvement of English Premiership footballers as executive producers would suggest the film was a plaything and an outlet for their rather substantial weekly wage and it's their money that probably paid for the clearance of an actually rather good soundtrack.

Leave this movie well alone unless you like tucking socks into trackie bottoms, listen to music on buses using a mobile and have many friends with Asbo's and trophy dogs, for the rest of us there's a bit of damp paint on the wall over there, it'll be dry soon.

3/10 for the soundtrack alone

Lighter in tone than most British gangster type thrillers, there are some real giggles to be had in this.

Helps that the acting is a cut above too, and there seems to be real chemistry between the two leads Tamar Hussain and Danny Dyer.

There's a couple of plot holes, but nothing major.

It's also stylishly filmed and directed, and moves along at a fast pace, and gets a definite thumbs up from me.

I didn't know what to expect from this film except that the poster made it look like an honest-to-goodness thriller that could've been made any time in the past 40 years, and that appealed to me. In the event, it's a well-played noir mostly set in London (though you get no real sense of the city, and it's a shame they had to show Big Ben) in which Nick (engagingly played by Tamer Hassan) has 24 hours to find £100,000 or he, and his mother (as always, a superb performance from Brenda Blethyn) will be 'buried in a shallow grave'. Well-paced, with a reasonable twist, it's only a shame that most of the dialogue is quite lame, and everything has a second-hand feel, but that's deliberate, I feel, and we need more movies like this that have a heart of noir while only seeking to entertain. The audience I saw it with, in Wandsworth, were thoroughly entertained.

'Dead Man Running' sees the cinematic Cockney wide boys Tamer Hassan and Danny Dyer join together for yet another jolly boys outing on the big screen. Except this time instead of playing raging football hooligans destroying East London one shop window at a time, they are instead pushed into the world of the British Gangster flick. Which sounds like potential entertainment, but it really isn't. It'll help you fill an hour and thirty minutes of free time, but you won't be rushing to see it again at the Cinema, or out to buy the DVD, or see to it on pay-television...

The opening scene of the film shows that the recession has had far and wide reaching consequences across the economic board as the underworld boss Mr Thigo (Curtis '50' Jackson) decides to draw in every penny from all the outstanding loans he is currently owed. While Nick (Hassan) is the unfortunate customer who is going to be made an example of by Thigo to make sure everybody pays up promptly and without hassle – Barclays Banking this is not. Nick is given twenty-four hours to acquire the hundred grand he owes Thigo otherwise he and his mother (Brenda Blethyn) will be sleeping with the fishes. Cue a frantic race across London with his business partner and working-class friend Bing (Danny Dyer) in tow as they attempt various different activities while trying to raise the debt and stay alive.

Hassan and Dyer play the typical characters you have seen them time and time again, and it is now becoming a little annoying as well as entirely predictable and boring. Nick is a former 'hardman' who was a resident at Her Majesty's service before taking the legal and law-abiding route so he could care for his family. While Bing is his right-hand man who is willing to do almost anything to help Nick obtain the £100,000 that he owes. Yet there is one gleaming performance in this stiff, wooden cast which is that of veteran British actress Brenda Blethyn who plays Nick's caring, soft, yet incredibly versatile mother who provides not only the biggest laugh of the film, but also the tensest scene as we uncover a secret she has kept buried under her blanket.

I was never expecting a brilliant film from Alex De Rakoff's British crime flick 'Dead Man Running', but I was expecting more considering the decent cast it contains. It fails to harbour the primarily British cast's potential and instead delivers a predictable narrative coupled with a terribly clichéd script. The biggest problem however is the fact that despite being evenly and well paced, the film has nothing which will keep an audience's attention for longer than five minutes.

The plot: Given 24 hours to pay off his massive debt, a reformed gangster descends back into the underworld he struggled to escape.

Dead Man Running isn't a bad film, but it's strictly by-the-numbers. It lacks the brutal realism of something like Refn's Pusher trilogy or Hodges' Get Carter, operating in a universe more like Guy Ritchie's, where the underworld is populated by idiosyncratic acquaintances, crime bosses with dangerous reputations, and oddball sidekicks. The biggest difference, however, is that this seems like something of a breezy overview of the genre, where each character is given a brief cameo, rather than any kind of reinterpretation. Nobody really has much to work with, but it does give the film a certain simplicity that many people found lacking in Get Carter and Revolver, which are often accused of having overly intricate plotting.

It's not an original movie, but it's enjoyable enough for what it is. If all you want is a simple, mildly violent crime thriller, then this will fit the bill nicely. If you're looking for something a bit deeper or original, I think you'd be better off skipping it. You'll just be bored or annoyed by all the clichés.