Dark Blue: No Limite da Lei

When I first sat down to watch this show I was expecting another formulaic, "fast and loose with the rules but always just on the right side of the line" cop show. I must admit that I was pleasantly surprised.

Dark Blue is indeed refreshingly dark; the characters are predictably tortured souls with an interesting mix of personalities and histories that add to the depth of the plot lines, they are all superbly written and acted to the degree that sometimes the plot becomes something of a happenstance as we follow the personal journeys of the protagonists.

the plots themselves have all been seen before in numerous guises, but Dark Blue puts a new and slightly twisted slant on them that can fool you into thinking that you have never seen them before, but it is worth remembering that the case is not really the important thing here; it is what the case does to the characters that defines the show.

All in all, I would recommend this show to anyone who wants to watch a new and gritty take on a genre that has not yet been pushed to these limits.

This format works for other shows like NYPD Blue, CSI, Law & Order, etc. but I think it really limits a cop show about undercover police officers. Even more so because "Dark Blue" also promises to focus regularly on the characters' personal lives. I don't see how they can do this effectively if they rush through each and every episode. The pilot episode felt so rushed that I felt as if I could hardly keep up with what was happening. The Franzine character, who according to Detective Shaw was "a jack of all trades", could've easily lasted for several more episodes before being wiped out. The writing and the dialog seemed off! I hope the writers realize they can cover a lot more ground with story lines and characters by stretching things out a little.

The script is not bad, the directing and all not bad either ... but although Dylan McDermott was brilliant--if not perfect--in playing his character in every setting in The Practice, Lt Carter Shaw in Dark Blue is one role which should never have been offered to him/which he should never have accepted.

Let us face it, nearly every actor/actress has roles they cannot possibly play convincingly--Streep can pull off Sophie's Choice, The Devil Wears Prada and Mamma Mia, but that does not mean that everyone else can.

If you adore Dylan McDermott even if he just sat there watching paint dry, then there is no reason for you not to enjoy Dark Blue. But if you are the type of viewer who is distracted by actors playing roles which do not suit them--as in Michael Weston in BURN NOTICE Season 3-Episode 5 "Signals and Codes"--then you will be distracted throughout much of Dark Blue.

First off, I'd like to know how you guys were able to swipe the name I had registered for the last eight years! :) Secondly,I'd like to say congrats to your writers and actors for putting together a nice piece of work. Dark Blue clearly defines the fine line between what an 'undercover' and a 'plainclothes'cop. Most of your viewers will catch on if they haven't already. Although you've taken police genre in a new direction, I've seen several flaws in some of the action scenes. I know this because I'm an ex-NYPD undercover cop. I wonder how much more gritty your show would be if you infused outside help from someone who's actually been a real 'undercover'. Click here: Welcome to Derek Wright Associates

Great start!

Just finished watching the season premiere of Dark Blue and decided to do a quick review over the show.

Dylan McDermott... Just isn't right for this role. Every other movie I've seen him in, he naturally plays the part, but in this... I don't like him. Something in the way he acts is different. This may be construed as a minor complaint, but if it's with the protagonist, it foretells of other evils to come.

Aycox wasn't seen enough in the pilot to really form an opinion over. I'm hoping for the best, but gearing up for the less-than-best.

The other two actors are really in their element, aside from the fact that this is basic cable. It seems to me that if the show had been on HBO, they'd be using systematic foul language and vulgar terms. But the censorship doesn't detract from the pilot as much as you'd think.

All in all, a decent show to watch. It's not as good as say, the original Law & Order, or the original CSI. But it's definitely better than all the crap TNT has been spewing out lately, such as Bones and Charmed.

Perhaps this series could develop into something more over time, with the actors fitting into their roles more comfortably (especially McDermott) and a certain style developing. But my prediction is that the strong first season will be epically ruined in the "shocking new season" which usually happens with modern TV shows. Do what I did with this series: Hope for the best, but expect somewhat worse.