50%

Just saw this at an Advanced Screening 2 hours ago in Huntington Beach

This film doesn't have a title nailed down yet. It used to be called I'm with Cancer but IMDb has it listed as Live With It. The title we were shown in the film and the title that was on the invite was Get Well Soon. They asked us our opinion of the titles (Also include was the title Bright Side) but no one really liked any of the titles. So for the sake of confusion I'll call it Get Well Soon.

Get Well Soon is the very believable story of Adam, a 27 year old nice guy who waits at cross walks at 5:30 in the morning when nobody is on the road and other joggers have already trotted past. Adam writes stories for radio programs and seems to genuinely care about the stories and the people who are listening to them. After persistent back pain, Adam goes to the doctor and is diagnosed with Cancer. He is assigned Katherine, a doctorate student who is getting experience for her dissertation, to talk to about his new problems.

This film will immediately draw comparisons to 2009's Funny People which unfortunately can't be ignored. But fortunately, aside from the fact the main character is diagnosed with a terminal illness, this is a completely different film. Where Funny People had a lack of connection with its main character, due to Adam Sandler being a prick to everyone and being rich on top of that, Get Well Soon's Joseph Gordon Levitt is the everyman that everyone can relate to. He does a fantastic job expressing the feelings of calm fortitude as well as isolation. You can see it in his face. It's the little things that make a film feel authentic. Levitt's performance is heart breaking and uplifting at the same time. He maintains a steady calm for most of the film that just feels real. You know this is a dark comedy when there is a Patrick Swayze joke in the first 20 minutes of the movie. I'm not sure if that one's gonna stay in the final cut though lol. This film is very funny throughout. All of the people in the after film focus group said it maintained a perfect balance of comedy and dramatics. I saw Love and Other Drugs and liked it but this film is much more streamlined and has no extraneous scenes.

Seth Rogen is absolutely hilarious. I'll be the first to get my opinion out that Rogen is great in everything he's in but he really killed it again. Weed smoking is given a fantastic treatment by this film, like director Jonathon Levine's previous work the very amusing The Wackness. There are two scenes that are a creative and effective way to show the effects of marijuana. I love the way they shot a conversation between Adam, Rogen and two of Adam's older cancer friends. Anna Kendrick plays a similar role to the one she played in Up in the Air. She does a great job in this too. Bryce Dallas Howard plays Adam's girlfriend and Angelica Huston is his over bearing mother.

I rated this film an "Excellent" which is the highest possible rating and which 18 of the 30 people who stayed after agreed with. 11 said "Very Good" and 1 said "Good." I really enjoyed the film. It didn't really do anything wrong. It might have a bit too much profanity for the older crowd but its central story is so appealing. On that note actually, there were several people who said they would not have come to the screening if they knew full well that it was about cancer. I feel that is so extremely narrow minded that no one should even admit that to a group of people. Please if you are on the fence and "don't want to go to a depressing movie" get over it and see a fantastic, hilarious film in Get Well Soon.

Adam (Gordon-Levitt) is a rule-following, mild-mannered twentysomething who lives in Seattle with his girlfriend, Rachael (Bryce Dallas-Howard), and works at Seattle Public Radio. His life takes a sudden and dramatic turn when he is diagnosed with a rare form of cancer that has taken over his spine. A laidback kind of guy, Adam handles each hurdle with surprising ease and levity while engaging in somewhat helpful counseling from Katie (Anna Kendrick), a young psychologist the hospital assigns him. Before long, though, his complex relationships with Rachael, his best friend Kyle (Seth Rogen), and his needy mother (Angelica Huston) become even more convoluted with the introduction of chemotherapy and medicinal marijuana into his life. As the severity of his condition increases, Adam begins to reassess his life, his relationships, and the nonplussed façade he uses to get himself through.

The inevitable comparisons between "50/50" and 2009's "Funny People" are unfortunate. While I stuck up for "Funny People" more than most of my colleagues, even I will admit it is an incredibly flawed film that misses the mark on many levels. "50/50", then, plays out a bit like what "Funny People" should have been, right down to the performance of Seth Rogen. It is, first and foremost, a very funny movie and that is where "Funny People" first went awry. You can't make a comedy about cancer, or any other serious illness for that matter, and fail to produce a genuinely funny script. Laughs come often and organically. I also quite liked that writer Will Reiser (who based his script on the events of his own battle with cancer) makes it clear early on that he intends to laugh at cancer and if you're not up for that, you're in the wrong theater. That is not to say that the disease itself or the havoc it wreaks on Adam's life is disrespected or ignored; in fact, "50/50" gives a fairly realistic view of the hell that is aggressive cancer and the sometimes even more aggressive treatment. "50/50" is bold but soft, a combination that works well.

The dialogue between the characters in "50/50" flows with tremendous ease, especially in the scenes involving Adam and Kyle. This dynamic between JGL and Rogen is the meat of the film and the two play it out brilliantly. They have a chemistry that Anne Hathaway only wishes she could develop with…well, anyone. (That was an unnecessary shot at Miss Hathaway. My apologies.) They reminded me of the type of friendship I might have with any one of my closer pals if we cursed more and occasionally smoked pot. Adam's other relationships are a bit awkward but whether this was done on purpose or not, it serves the narrative well. In my mind he would have a tense partnership with Rachael because they're clearly not suited for each other and any furtherance of his friendship with Katie beyond doctor-patient would be a bit odd.

All of the supporting actors hold their own. As spot-on as I might have been with JGL all those years ago, I would have never guessed, after reluctantly watching "Twilight", that Kendrick would be an actress whose performances I truly look forward to. This isn't quite to the level of her work in "Up in the Air" but it is good and believable nonetheless. Huston's character seems a bit over-the-top in the early going but the depth of her character comes to light in the late stages and Huston pulls it together splendidly. And Rogen gives what might be his best performance to date. To be fair, I'm not much of a Rogen fan so I'm far from an expert on his value as an actor. But whereas he was completely outclassed in "Funny People" and pretty much plays the same character in almost every film, he shows a little more strength in "50/50" than he ever has before (with the possible exception of "Knocked Up"). I actually liked him and I haven't felt that way toward him very often.

But of course, the weight of "50/50" rests almost entirely on the shoulders of JGL and he holds up to the challenge. One of the best compliments I can give an actor is to say that he and his character become one and the same. That's what JGL does here and that's why "50/50" succeeds. He envelopes himself into the Adam character and makes his portrayal incredibly believable. It is almost like watching a documentary on a young cancer patient. Adam handles his disease with class and dignity but not without emotion. His outbursts are few but powerful and through them JGL sells the story beautifully. Simply put, this guy is a star and "50/50" serves as the announcement of such to those of you who didn't already know this to be fact.

"50/50" is honest and at times tough to watch but never purposefully harsh or depressing. In fact, it is generally positive but in a way that isn't all sunshine and unicorns. It is smart, hilarious, and even touching while all the time remaining respectful of the audience's ability to relate to difficult circumstances without artificial emotional fishing. It is an excellent film marked by one outstanding performance that deserves the attention received come Award Season.

A light hearted touch on a depressing subject ..loved it ,

How does a filmmaker combine humor and drama in a story about a 27 year old man diagnosed with cancer? Easy: Just give them equal measure with the title 50/50 -- light treatment of a dark subject.

Adam (Joseph Gordon-Levitt) has to deal not only with his own emotions when he is diagnosed, but also those of a close friend, Kyle (Seth Rogen), an inveterate partier and ribald quipper, and his chronically worrisome mother (Anjelica Huston). Losing his girlfriend, Rachael (Bryce Dallas Howard) along the way adds to the potential downbeat.

Yet director Jonathan Levine and writer Will Reiser keep it all as upbeat as possible, not in small part due to Rogen's constantly funny chatter, which comes at just the right times as the plot gets heavy with cancer surviving techniques (the film turns out to show the way to battle: with humor).

Of course, Rogen has had training playing a similar role in Funny People with Adam Sandler. No one plays a weed-smoking buddy better than he. Gordon-Levitt is also an actor who can just about better than anyone else play the soulful, endearing, slow-moving romantic as he did in (500) Days. As a cancer victim, he engages the audience in observation of a vulnerable hero, who fights with a serenity and equanimity that could be a model for those wishing to survive and those who wish to help.

50/50 is a comedy with compassion, a distant cousin to the prevalent bromances that rarely treat the support men give each other in times of real danger. Usually it's vacuous women who supply that danger and significant support. Hooray for the men this time.

How many drama movies about cancer treatment, with suffering performances and a true story of overcoming have been made and even became tiresome way? Well, the young director Jonathan Levine and Will Reiser (screenplay) found a formidable new vision of it all.

The film tells the story of Adam (Joseph Gordon-Levitt), a young man of twenty-seven years working for a radio company in Seattle. He is informed that he has a rare form of cancer called "Neurofibrosarcoma", and is told he only has a 50% chance to live with him. Frustrated, but moving day to day with a seemingly calm, with the help of his friend Kyle (Seth Rogen), Adam continues his long journey of recovery. Only to be bothered by his irritating, selfish girlfriend Rachel (Bryce Dallas Howard). But with the help of the, half embarrassed but very helpful, psychologist Katherine (Anna Kendrick). Adam then proceeds to deal with their illness and can remain calm during most part of the film.

There are so many forms of cancer, rare and common, harmless and that their chances of getting it are very high. Start is random, but dealing with it is even more difficult. While "50/50" is a moving, and sometimes it is emotion-test and tearful, he still has a strong comic relief thanks to Seth Rogen, and several occasions that Adam and Kyle meddle.

The film is a drama, that works as a comedy very well written. Some may find this a defect, but rather a quality. Adam throughout the film faces its situation near death in a lively manner. It's as if the film were telling us, "if it is your last minutes, let then be smiling!".

The cast is terrific, even comic, Seth manages to have an interesting dramatic performance; Anna Kendrick formidable as ever; Angelica Houston and Serge Houde as Adam's parents with great performances; but who shines above everyone is Joseph Levitt with a fantastic performance, proving to be an very promising actor.

Thanks to a wonderful third act, in terms of direction and screenplay that never fail or work against the film at any time, the public has an emotional breakdown all of the characters and the story itself and fantastic to witness.