Fim da Linha

I can't get over all the movies lately where the music is so loud. This movie the music is louder than the people talking as though it's some kind of musical and the dialogue isn't important! It's a historical account, can the music already! I read the information about the movie on Wikipedia. I was really hoping to get an accurate depiction of the course of events. Once again, though, the music is too loud! Why do the movies always have to do that? I would have given this movie a better review except for that major distraction. It's quite sad about this history of this town and how tempers flare.

Recommended. It's a good Western tale of caution, dealing with the emotionally charged choices between mercy and the difference between justice and vengeance. The film explores these universal truths: if lawful justice is not served, evil acts either grow worse or regrettable vengeance rises in place of the law. The film's message speaks to our time when corruption and lawlessness seems to be getting a pass, and there are those who are calling those who are calling for accountability and justice as people who are seeking revenge. There is a difference. It's about intent. At the end of the rope must be about justice, not revenge. But in avoiding revenge, we must not thwart justice. This film speaks to that dynamic tension.

If you are willing to overlook the 'Cellphone Camera' cinematography and the some what harsh lighting and editing, this film does stand tall in script, the Actors give both an honest and respectful truth to the disturbingly real life event script with a dialog that stands out as actually human, rather than the cut and paste dross one has come to expect over the past decade of paint by numbers Hollywood ... sadly I doubt this film will ever get the 'box office' respect it deserves in terms of effort made as there are no Marvel Superheros in the real world, only true tales seasoned by the likes of Truman Capote, Cormac McCarthy and as it now seems, Daniel Bielinski and Co.

Direction, character design, and overall performances were solid.

The villain stood out with a commendable performance, and I genuinely wished the film had placed greater emphasis on his role especially his dialogue and confrontation scenes with the protagonist.

The direction, music, and visual design were also strong, and the plot itself felt grounded and believable.

However, the film lacked soul and emotional depth from the supporting cast. It also suffered from a lack of dynamic secondary characters that could have added variety and complexity.

Ultimately, I feel disappointed, as this was a missed opportunity to create something truly exceptional, given how many strong elements were already in place.

It'd be curious that a journalist who covered the case in person at the time was entirely written out of this 'based on a true story' film (they have one guy show up with a camera and he gets shooed off right away - twice, and speaks no lines.), except that this is, at the least, a half-fictionalized account. Meanwhile, it spends a languorous amount of time showing a mob gin itself up with hate-rage inside a church.

There are also no historical facts recorded that 22-yr-old Bannon burned down a family home with three children in it. None. This is adding an extra justification for the hanging that never existed.

The pacing is somewhat uneven, with a few needless stretches of filler content. That stuff could've been replaced by scenes depicting the murdered family members' characters instead. But nope, the victims are totally invisible in this. Any of the action and drama that lead to the crimes being committed is also left out. Was this done out of respect or neglect?

So, it's rather poorly written, and has silly dialogue at times. And, while it's hardly unlikely to have occurred, it just seems ridiculous to hand out badges and guns for a manhunt to what are clearly depicted as a bunch of unruly townie hotheads. One of the actors in the posse couldn't even ride a horse right during the chase scenes.

Also, are they kidding?: The sheriff hands the prisoner a sliced open can with the jagged lid still on it?! Suicidal/homicidal opportunities much? I mean, yeah, they totally didn't protect the accused while in jail IRL, which lead to his death instead of a trial, but Come On!

Sadly, the production overall just isn't very good. It's noticeably amateurish on many levels, but most markedly in the script, direction, and the acting. Chris Bylsma as state attorney Sam Taylor, and Joseph Bezenek as the town's alcoholic, sexist crap-stirrer, Jarvis, give noticeably uneven performances that are less than believable throughout. Joseph Gray is quite good when not directed to be overly stone-faced, anguished, or aggressive.