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Baseado em arquivos recentemente desclassificados, explora a vigilância e o assédio do governo dos Estados Unidos a Martin Luther King, Jr.Baseado em arquivos recentemente desclassificados, explora a vigilância e o assédio do governo dos Estados Unidos a Martin Luther King, Jr.Baseado em arquivos recentemente desclassificados, explora a vigilância e o assédio do governo dos Estados Unidos a Martin Luther King, Jr.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 6 vitórias e 17 indicações no total
Martin Luther King
- Self
- (cenas de arquivo)
J. Edgar Hoover
- Self - FBI Director
- (cenas de arquivo)
David Garrow
- Self - Author, Bearing the Cross
- (as David J. Garrow)
Clarence B. Jones
- Self - Attorney, Speechwriter for Martin Luther King, Jr
- (as Clarence Jones)
Marc Perrusquia
- Self - Journalist
- (narração)
H. Rap Brown
- Self - Civil Rights Activist
- (cenas de arquivo)
Arthur Goldberg
- Self - Former U.S. Ambassador to the U.N.
- (cenas de arquivo)
Merv Griffin
- Self - TV Host
- (cenas de arquivo)
Lyndon B. Johnson
- Self - 36th President of the United States
- (cenas de arquivo)
Kenneth Keating
- Self - U.S. Senator from New York
- (cenas de arquivo)
John F. Kennedy
- Self - 35th President of the United States
- (cenas de arquivo)
Robert F. Kennedy
- Self - Former United States Attorney General
- (cenas de arquivo)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Very good documentary that goes depth inside USA undemocratic and racist state, far away from widespread shallow speech and self-image of a country of freedom and democracy. As usual in dictatorahips, FBI not only inbestigated but also harassed Martin Luther King in order to dampen anti-racist struggle in the country. Lots of good information, footage and interviews are found in this important documentary on the Black question and on the serious discussion of what democracy is.
"The ultimate measure of a man is not where he stands in moments of comfort and convenience, but where he stands at times of challenge and controversy." MLK
It's shocking to hear in the eye-opening documentary MLK/FBI William Sullivan, the FBI's director of domestic intelligence, encourage Martin Luther King, Jr. to commit suicide. The theme of the doc is that the agency, under J Edgar Hoover's direction, from 1955.was dedicated to bringing down King and the Civil Rights Movement.
Although the animosity was known even in the 60's, the doc does a credible job showing this aggressiveness was a part of the mid-century paranoia dominated by the fear of communism and perhaps mirrored it. In this case, the agency, like Joe McCarthy, had little evidence of the subjects' undemocratic tactics but probably was motivated more by the fear of losing influence to liberal protestors or lonely anarchists.
Mixing archival footage of King parading and snippets from his famous speeches, director Sam Pollard gives a fluid narrative to otherwise discursive material. To his credit, talking heads are at a minimum as he emphasizes the growing concern that King was being targeted to go down.
That plot was notoriously supported by ample evidence of King's philandering, mainly in hours of tapes with his women, not his wife, from wiretapping to photos. The actual auditory evidence will be released in 2027, and the ballyhoo will probably be disappointing because he did his good while he was doing his bad, and the good he did for civil rights and Black people far outweighs infidelities to his estimable wife and puritanical white folk.
MLK/FBI could have profited from discussion of his influence and flaws and how the latter might have been better served by expert analysis about their importance. That he was an appetitive man, at least in regards to women, was known before this documentary; that he was a powerful player in the freedom of his own people and other repressed minorities, will redound through history.
MLK/FBI will remind you in important evidence that like JFK, MLK was destined to change a nation and lose a young life in return. I never tire of remembering true heroes.
It's shocking to hear in the eye-opening documentary MLK/FBI William Sullivan, the FBI's director of domestic intelligence, encourage Martin Luther King, Jr. to commit suicide. The theme of the doc is that the agency, under J Edgar Hoover's direction, from 1955.was dedicated to bringing down King and the Civil Rights Movement.
Although the animosity was known even in the 60's, the doc does a credible job showing this aggressiveness was a part of the mid-century paranoia dominated by the fear of communism and perhaps mirrored it. In this case, the agency, like Joe McCarthy, had little evidence of the subjects' undemocratic tactics but probably was motivated more by the fear of losing influence to liberal protestors or lonely anarchists.
Mixing archival footage of King parading and snippets from his famous speeches, director Sam Pollard gives a fluid narrative to otherwise discursive material. To his credit, talking heads are at a minimum as he emphasizes the growing concern that King was being targeted to go down.
That plot was notoriously supported by ample evidence of King's philandering, mainly in hours of tapes with his women, not his wife, from wiretapping to photos. The actual auditory evidence will be released in 2027, and the ballyhoo will probably be disappointing because he did his good while he was doing his bad, and the good he did for civil rights and Black people far outweighs infidelities to his estimable wife and puritanical white folk.
MLK/FBI could have profited from discussion of his influence and flaws and how the latter might have been better served by expert analysis about their importance. That he was an appetitive man, at least in regards to women, was known before this documentary; that he was a powerful player in the freedom of his own people and other repressed minorities, will redound through history.
MLK/FBI will remind you in important evidence that like JFK, MLK was destined to change a nation and lose a young life in return. I never tire of remembering true heroes.
IN BRIEF: A well made documentary about this great leader but flawed man and the FBI 's vicious attempt to discredit him.
JIM'S REVIEW: (RECOMMENDED) Sam Pollard's gripping documentary, MLK/FBI, chronicles the Civil Rights movement and the FBI's shameful discrediting of one of its leaders, the Rev. Martin Luther King, which was orchestrated by its bureau chief, J. Edgar Hoover. Having the FBI conduct surveillance of MLK with the sole purpose to humiliate and destroy his image with the public, the film uses declassified documents, archival footage, and Hollywood propaganda film to state its case. (The entire FBI tapes are slated to be available to the public in 2027, so only some documentation, photographs, and interviews are the film's basis.)
The documentary is fascinating in its thorough researching of those turbulent times during the 50's and 60's from the start of the Civil Rights protests until MLK assassination, with comments from historians about his legacy. The filmmakers try to encapsulate the unrest in our nation during those polarizing times and it confirms the governmental tactics used to wiretap its citizenry and lump MLK with the evils of communism while labeling MLK with other more military-minded Black protest groups as subversives. Call them "domestic terrorists" before that term was commonplace, but the film resonants with today's racist climate.
The documentary is not totally successful in its narrative structure and one wishes their scope was narrowed down and more concise in its storytelling and also focused more on Hoover's backstory and obsessive mission to destroy another man. Granted there is too much to comprehend as the film covers nearly two decades and most history buff would savor this retelling. But this is an important film for all to experience and its lingering message is truly thought-provoking. Most telling is the turnaround by a supportive President Lyndon Johnson and the FBI Bureau after MLK is awarded the Nobel Peace Prize. Indeed, politics does have strange bedfellow.
The director's sense of irony is also at play as he begins his documentary with this quote from a film clip of former President Ronald Reagan:
"In most stories, villains are usually defeated and the ending is a happy one. I can make no such promise with this picture you are about to watch. The story isn't over..."
MLK/ FBI is a noble effort by Mr. Pollard and his crew. Their film is very well constructed and edited with skill by Laura Tomaselli, making this history lesson a cautionary tale for all Americans to heed. And yes, the story isn't over! (GRADE: B)
JIM'S REVIEW: (RECOMMENDED) Sam Pollard's gripping documentary, MLK/FBI, chronicles the Civil Rights movement and the FBI's shameful discrediting of one of its leaders, the Rev. Martin Luther King, which was orchestrated by its bureau chief, J. Edgar Hoover. Having the FBI conduct surveillance of MLK with the sole purpose to humiliate and destroy his image with the public, the film uses declassified documents, archival footage, and Hollywood propaganda film to state its case. (The entire FBI tapes are slated to be available to the public in 2027, so only some documentation, photographs, and interviews are the film's basis.)
The documentary is fascinating in its thorough researching of those turbulent times during the 50's and 60's from the start of the Civil Rights protests until MLK assassination, with comments from historians about his legacy. The filmmakers try to encapsulate the unrest in our nation during those polarizing times and it confirms the governmental tactics used to wiretap its citizenry and lump MLK with the evils of communism while labeling MLK with other more military-minded Black protest groups as subversives. Call them "domestic terrorists" before that term was commonplace, but the film resonants with today's racist climate.
The documentary is not totally successful in its narrative structure and one wishes their scope was narrowed down and more concise in its storytelling and also focused more on Hoover's backstory and obsessive mission to destroy another man. Granted there is too much to comprehend as the film covers nearly two decades and most history buff would savor this retelling. But this is an important film for all to experience and its lingering message is truly thought-provoking. Most telling is the turnaround by a supportive President Lyndon Johnson and the FBI Bureau after MLK is awarded the Nobel Peace Prize. Indeed, politics does have strange bedfellow.
The director's sense of irony is also at play as he begins his documentary with this quote from a film clip of former President Ronald Reagan:
"In most stories, villains are usually defeated and the ending is a happy one. I can make no such promise with this picture you are about to watch. The story isn't over..."
MLK/ FBI is a noble effort by Mr. Pollard and his crew. Their film is very well constructed and edited with skill by Laura Tomaselli, making this history lesson a cautionary tale for all Americans to heed. And yes, the story isn't over! (GRADE: B)
The film is tightly structured and narrated over archive footage of king, with some other contemporary footage mixed in. In terms of visual material, the film does not bring any new unforseen archive films to the table and a lot of the images used in the film are used several times. With the original sound bites however, the film does a great job in opening the context to the audiences. What the film lacks in new visual material, it gains in its content as it is based on new research of the FBI archives. Great learning material for history or social studies classes.
This is a must see documentary which chronicles a vital period in American history.
Don't miss it!
Você sabia?
- CuriosidadesOfficially released on what would have been the Rev. Dr. Martin Luther King, Jr.'s 92nd birthday.
- Citações
Self - Author, Bearing the Cross: The FBI was not a renegade agency. It was fundamentally a part, a core part of the existing mainstream American political order.
- ConexõesFeatures Fui Comunista para o F.B.I. (1951)
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Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Martin Luther King y el FBI
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 45.200
- Fim de semana de estreia nos EUA e Canadá
- US$ 21.603
- 17 de jan. de 2021
- Faturamento bruto mundial
- US$ 91.833
- Tempo de duração1 hora 44 minutos
- Cor
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