A Janela

"The Window" is about an elderly man living a slow-paced life on a ranch in Argentina. It is contemporary -- about 2010. It's in Spanish with English subtitles. Acting is terrific -- I completely forgot that it was a movie. The cinematography and views of the Argentinian ranch are lovely, the people and their relationships enjoyable to watch. This is a slice of life movie, giving the viewer a peek into another world.

As not a great deal happens, some viewers might be bored. And I'm not sure why I wasn't. I just enjoyed watching these people live a very different life from my own and being filmed so beautifully. If you like "The Red Balloon," you will probably like this movie.

I recently saw this at the 2009 Palm springs International Film Festival. This is a beautiful film from Argentinian writer/director Carlos Sorin and beautifully shot on location in the Patagonian countryside by cinematographer Julian Apezteguia. Antonio (Antonio Larreta) is an old man living on his old country estate with his two nurses (Maria del Carmen Jimenez) (Emilse Roldan) and has recently suffered a heart attack. He is bedridden and on an ICV and his country doctor wants him admitted to a hospital. Antonio's son who is a world renowned pianist is coming from Spain to see his ailing father for possibly the last time. Antonio has had a dream about the baby sitter he had as a child and 80 years later he doesn't know why he has had the dream or what it may mean. A piano tuner has been summoned by Antonio to tune the old family piano that hasn't been played in decades in case his son wants to play it. He has also summoned up from the wine cellar a 40 year old bottle of champaign that he and his late wife have been saving for a special occasion. This film is sparse on dialog and very little happens in the film but it is such a poignant small film and almost like a theatrical play that you will find it enchanting. I would give this an 8.5 out of 10 and recommend it.

"La ventana," Carlos Sorin's beautiful film from Argentina deserves a wider audience than is evidenced by the responses at IMDb. This is a very sensitive and beautiful look at the coming of death. Nothing is overly stated, overly done. It reminds me of "Mother and Son" by Sokurov in it's beauty, quiet, and lack of the need for narrative. The cinematography is beautiful. There are many characters who greatly add to the authenticity of the story yet the film does not get distracted by trying to do more than is necessary to tell a universal truth about the human condition. This film has an audience but it is probably very limited. I highly recommend "La ventana."

The film is slow paced in the starting but it definitely takes you to a great ride and you will feel good when you are in the middle of the film. Although I do feel that the ending might have been better but then thinking what I would think of the ending, I cannot come to any idea. So probably this was the best ending after all. I would point out that there is no specific soundtrack for most of the time and just the sound of the ticking of the clock when they are inside the room. And you would not even notice it because the acting of the lead is so gripping that I have seen in recent times. There is simplicity in the film. No rush in anything, the director has chosen to approach the idea slowly and effectively. And then also the length of the film is short. This film is like a creative art and like those paintings whose worth everyone cannot understand.

"A definite onetime watch for all film lovers."

Argentina's favorite theme is presented here: Déclassé Fairytale. With emphasis on that golden prewar era.

In this rendition an 80 year old man who himself would have been a child in that golden era is dying he is looking forward to the visit of his son an international pianist (of course). The 80 year old father is an author with signed first editions of Borges (of course).

The whole story is a day in his life.

Still it is an accurate look at rural life in Argentina as well as death and dying even if it does involve an estancia and other icons of these pseudo intellectual déclassé fairy tales.

It is short pretty good if somewhat depressing.

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