Adicionar um enredo no seu idiomaIn a futuristic society where the wealthy get to live forever by swapping bodies with refugees, an elderly couple explores this opportunity with harsh consequences.In a futuristic society where the wealthy get to live forever by swapping bodies with refugees, an elderly couple explores this opportunity with harsh consequences.In a futuristic society where the wealthy get to live forever by swapping bodies with refugees, an elderly couple explores this opportunity with harsh consequences.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 3 vitórias e 4 indicações no total
Fotos
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Transfer (2010, Germany) is destined to be one of those obscurities that shows up in the discount DVD pile... assuming they have DVDs in the future. The premise is simple: a rich old German couple have their minds transferred into gorgeous young black bodies so they can continue their life and love. The wrinkle is that the original occupants are not purged, but awaken each night for four hours to live their own lives in the midst of their German host lives. Is this a prison or an opportunity?
Excellent acting (and cool futuristic architecture - go Berlin!) is what carries this film. We truly believe the older couple are deeply in love, can understand their decisions, and their misgivings. As we get to know the couple from Africa (Sarah from Ethiopia, Apolain from Mali) we understand their motivations and frustrations. The clever aspect is having four characters play out their drama in only two bodies.
Unfortunately the film is too slow for the content. There are too many scenes that do little to advance the narrative. The resolution seems obvious and rather perfunctory. And it has a cold brutality that doesn't fit with the warm vibes the four principal actors have conjured. (Though Jeanette Hain is icy blue and otherworldly.)
I found the soundtrack rather repetitive and sometimes inappropriate. I kept getting the feeling Transfer was trying too hard to be Gattaca (right down to the unnecessary music recital scene). There are also problems with the ADR that makes me wonder if dialogue wasn't changed in post.
Though Transfer is an intelligent film in a world of rubbish SF, it could have been so much more. I will generously give it a 7, since such efforts should be encouraged.
Excellent acting (and cool futuristic architecture - go Berlin!) is what carries this film. We truly believe the older couple are deeply in love, can understand their decisions, and their misgivings. As we get to know the couple from Africa (Sarah from Ethiopia, Apolain from Mali) we understand their motivations and frustrations. The clever aspect is having four characters play out their drama in only two bodies.
Unfortunately the film is too slow for the content. There are too many scenes that do little to advance the narrative. The resolution seems obvious and rather perfunctory. And it has a cold brutality that doesn't fit with the warm vibes the four principal actors have conjured. (Though Jeanette Hain is icy blue and otherworldly.)
I found the soundtrack rather repetitive and sometimes inappropriate. I kept getting the feeling Transfer was trying too hard to be Gattaca (right down to the unnecessary music recital scene). There are also problems with the ADR that makes me wonder if dialogue wasn't changed in post.
Though Transfer is an intelligent film in a world of rubbish SF, it could have been so much more. I will generously give it a 7, since such efforts should be encouraged.
This movie played at the Vancouver International Film Festival and was a welcome gem to the many films submitted. There are always a few movies that get some attention at these festivals but Transfer definitely stands out as a true representation of a science fiction film that makes you think. This picture deals with the issue of people using clones / avatars / humanoids as a product in a capitalistic world where everything can be bought in the near future. Also the director tackles the idea that surrounds buying people that are another race and how the lives they left behind deal with the new black neighbours walking in their clothes at the country club every day. The characters in this movie are excellently portrayed and have a lot of feeling put into their actions around the situation of talking over a new host, and get complicated quickly. Damir talked about his film after the screening and wants people to think about the idea of the soul being tied to the physical body. Also examined the concept of being able to purchase every thing including new bodies after ours expire. This film is a must for SciFi enthusiasts. It is a polished independent picture that was made with minimal money feels like it has the heart of Gattaca and something written by Philip K. Dick.
Transfer is a slow movie that will gently pick you up and make you face reality. It's all about life eternal, what we humans are ready to do, what can technology bring us, to what extent should we embrace it, and how much control do we have over our future.
The technology itself is totally bogus, but that is extremely easy to ignore. Once the situation is set, conflicts arise. You never know exactly where you're going to end up, and the screen writer make sure you get what you need to keep your eye riveted to the show.
The disappointments are few. A bit slow, not a lot of action, and subtitled. That's about it.
See if if you're ready for an unconventional romance set in a sterilized view of the future.
The technology itself is totally bogus, but that is extremely easy to ignore. Once the situation is set, conflicts arise. You never know exactly where you're going to end up, and the screen writer make sure you get what you need to keep your eye riveted to the show.
The disappointments are few. A bit slow, not a lot of action, and subtitled. That's about it.
See if if you're ready for an unconventional romance set in a sterilized view of the future.
This is a low-budget German movie with English subtitles. It was dubbed in French but not in English for some reason. In an undisclosed future time, very rich old people can transfer their minds to new healthy bodies. It turns out that the best candidates are black people. It's apparently a voluntary process since the company gives money to the poor black volunteers, which will be sent to their families. Also, the bodies get back their original minds for 4 hours each night. We follow an old white couple, very much in love, going through this process. At first we see their adaption to their new younger black bodies, including rich white society, with interludes as their bodies regain their own minds at night. The focus shifts more on the younger "minds" as it goes along.
This is not a flashy movie with special effects by any means. This world resembles very much our own except the slightly more futuristic company. Even the transfer process is extremely minimalistic and not really shown. It's not a comedy, and it keeps a serious tone throughout despite opportunities for silly mischief when the old people get "young". It's more of an intimate social drama designed to make you think. It tackles racism, capitalism, medical ethics and what a soul is, but in mostly subtle ways. I thought the acting was fine (with the exception of the blond guy at night), but not outstanding. The main black actor was probably the stand-out because of his charismatic presence. I found the story interesting, I didn't know what was going to happen, but it didn't really grab me emotionally as melodrama was tightly restrained. To be honest, the movie felt a bit cold and definitely not like a typical American movie. I almost forgot to mention the original classical music soundtrack that was surprisingly good and sometimes added much-needed emotion. I liked watching Transfer, it's worth watching if you're into slow-placed intellectual sci-fi (with no effects), but I would not buy it. On my DVD, there were no special features.
Rating: 6.5 out of 10 (good)
This is not a flashy movie with special effects by any means. This world resembles very much our own except the slightly more futuristic company. Even the transfer process is extremely minimalistic and not really shown. It's not a comedy, and it keeps a serious tone throughout despite opportunities for silly mischief when the old people get "young". It's more of an intimate social drama designed to make you think. It tackles racism, capitalism, medical ethics and what a soul is, but in mostly subtle ways. I thought the acting was fine (with the exception of the blond guy at night), but not outstanding. The main black actor was probably the stand-out because of his charismatic presence. I found the story interesting, I didn't know what was going to happen, but it didn't really grab me emotionally as melodrama was tightly restrained. To be honest, the movie felt a bit cold and definitely not like a typical American movie. I almost forgot to mention the original classical music soundtrack that was surprisingly good and sometimes added much-needed emotion. I liked watching Transfer, it's worth watching if you're into slow-placed intellectual sci-fi (with no effects), but I would not buy it. On my DVD, there were no special features.
Rating: 6.5 out of 10 (good)
i saw this move reading from other peoples reviews, and it really helps. I was reading the review to this movie and watched it straight away. Many people give good reviews about this movie. The makers of the movie have outdone themselves with this masterpiece, an excellent way of portraying racism in a different futuristic time of era. A brilliant sci-fi movie, and i recommend this movie to anyone who enjoys watching sci-fi movies that have cleaver smart plots,rather than stupid outrageous kwerkeyness, if you know what i mean. things you notice are fake As. You know watch movies like ALIEN ORIGINS, and Piranahconda if you know what i mean. But i really don't recommend you watch them. they really are stupidly stupid. But transfer is just a great movie, its hard not to spoil it. So i wont, just have to watch it for yourself
Você sabia?
- CuriosidadesFirst motion picture for Ingrid Andree since Tár úr steini (1995). Since then she had performed on stage almost exclusively.
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
Bilheteria
- Orçamento
- € 1.200.000 (estimativa)
- Tempo de duração1 hora 33 minutos
- Cor
- Proporção
- 1.85 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente