Adicionar um enredo no seu idiomaA hacker known as the Puppet Master is hunted by a female cyborg cop and her partner. This film is a revised version of O Fantasma do Futuro (1995).A hacker known as the Puppet Master is hunted by a female cyborg cop and her partner. This film is a revised version of O Fantasma do Futuro (1995).A hacker known as the Puppet Master is hunted by a female cyborg cop and her partner. This film is a revised version of O Fantasma do Futuro (1995).
- Direção
- Roteiristas
- Artistas
- Motoko Kusanagi
- (narração)
- Batou
- (narração)
- Togusa
- (narração)
- Foreign Minister
- (narração)
- Diplomat
- (narração)
- The Puppet Master
- (narração)
- Garbage Collector A
- (narração)
- Garbage Collector B
- (narração)
- Motoko Kusanagi (young)
- (narração)
- Section 9 Staff Cyberneticist
- (English version)
- (narração)
- …
- Additional Voices
- (English version)
- (narração)
- Diplomat
- (English version)
- (narração)
- Batou
- (English version)
- (narração)
- Old Man
- (English version)
- (narração)
- (as George Celik)
- Additional Voices
- (English version)
- (narração)
- Togusa
- (English version)
- (narração)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
As another comment said, they should have re-done the whole film, instead of a bit here and there. I couldn't enjoy the movie when it kept switching from CGI to cel-shaded animation. Also, considering this was made FOUR years after Innocence, the CGI is awful. Most of the time Motoko looks like a plastic doll. Not cool.
The music and sound effects were re-done, sometimes better, most times not. In the original GITS if somebody was getting beaten up, you would hear them scream. In 2.0, a guy gets his ankle broken and doesn't even let out a whisper. Stupid. The main theme song (the choral piece) was re-recorded and it too lost a lot of impact.
Don't bother with this. Just watch the original.
Not the entire movie mind you, that would be a conversation worth the candle Instead it is just a few select scenes. Does the new CGI look better? Um, not particularly as it consistently clashes with the other art style still present and, as a result, the CGI insertions bring the focus out of the story and instead to the constantly changing animation.
What is strange is the CGI itself really isn't even that good. Not for today as of this writing of course but it really isn't that good for the time either. Final Fantasy: The Spirits Within this is not. The CGI simply doesn't blend in with the rest of the movie as you might have seen in Beauty and the Beast for example. Instead, it acts as if the film is changing its aspect ration at random. (I have suffered through the later in a few films and that is a nightmare.)
In a way, this should be like remastering a videogame. One would think there is no way to lose on that front after all the graphics are better and the game plays smoother. Alas, it should come as no surprise that the videogame industry is chock full of remasters that screwed up the original. From the cheap and sloppy removal of fog in the Silent Hill 2 remaster to the simply foolish decision to replace running and gunning with a lame quick time event in the climactic battle of Lara vs. the T. Rex in the Tomb Raider remaster.
Doing a remaster (okay partial half-assed remaster) like this is different than simply cleaning up a print. You are in danger of ruining the original for people. The good news is that the original Ghost in the Shell is available completely unmolested unlike those poor victims of Lucas.
Bottom line skip this and see the original it is both the exact same movie and it is a much better experience.
In the 2.0 remake, the color palette was changed to a earthy, brown look that we know from so many video games and movies. Additionally the image is drowned in blur and bloom effects. Watching the movie you can clearly tell which scenes are CGI and which are hand-drawn, whereas these elements integrated well in the original. To make matters worse, many of the CGI scenes do not hold up to the original hand-drawn scenes. The jaw-dropping intro and title sequences from the original GITS are ruined for that very reason. The city has lost it's dirty, melancholy mood and is now indistinguishable from designs in other movies.
A similar treatment has been given to the audio. All new sounds are toned down in impact. Vehicles, machinery and weapons now sound like plastic. The new sounds alone destroy the combat scenes beyond recognition. On the upside, the original voices and music were preserved.
Why Ghost In The Shell received this treatment I can not understand. Supposedly it was to adapt GITS to the look of it's successor "Innocence" (Ghost In The Shell 2). The merits of such an undertaking can be disputed on a general level, yet GITS 2.0 is a perfect example of how not to execute such a task. Viewers should be able to recognize "Ghost In The Shell" as "Innocence"'s predecessor from the title, the story and promotional material.
This being said, the movie is almost the same, so just as great. As a subject it is one of the masterpieces of modern sci-fi. One of my favourite films, GitS spawned two films and a series just as great, all adding more to the initial exploration of the human soul in the face of ever more complex and intrusive technology.
I believe its beauty stands in the many levels that the film can be perceived at. If you are looking for flashy technology, police procedure and explosions, you have them all. If you are looking for dark political intrigue, there is plenty of it. If you are going for more philosophical aspects, like the source of the self, the true spring of identity and consciousness, that is at the very heart of the story. It's a win win situation. I can hardly wait for the film that is to be filmed in 2011. I just hope they don't turn it into some mellow brainless thing, like so many movies nowadays.
Bottom line: I've seen the original a long time ago, so I can hardly comment on the differences. My advice to you is to watch either of them, because it is totally worth it.
That aside, the movie is gorgeous, more so if you've seen the original a few times. Not quite Innocence, but close. The new CG scenes aren't disjointing as they are only in places one would expect them, and the new dubbing is solid.
Even though one can tell the cg was added as an after thought, it doesn't detract from the score, which is redone. From what I could tell, it is all newly recorded and rearranged, especially the theme, and is a step above and beyond the original score. Sound effects are great if subtle as well.
The movie is still extremely sensory minded, and that is what this is for. It is gorgeous to watch and to listen to, but does not act a replacement for the original. They both have a place on the same shelf.
Você sabia?
- CuriosidadesA Basset Hound recurs several times in the film: in a commercial, on the street in flyers on the wall, in the garbage man's picture. The Basset Hound has no significance symbolically or thematically - director Mamoru Oshii just likes Basset Hounds.
- Erros de gravaçãoWhen the Section 9 members discuss about the "host shell" female cyborg, there's a shot with the brain hologram out of focus in the foreground. In this shot, the original (1995 movie) hologram is shown, instead of the new CGI one.
- Citações
Batou: Chief, you ever question the ethics of the neurosurgeons who monkey around inside your brain?
Section 9 Department Chief Aramaki: They undergo psychiatric evaluations, especially those in security. They're subjected to a stringent screening of their personal lives. Of course, the ones who check are only human.
Batou: I guess once you start doubting, there's no end to it.
- ConexõesEdited from O Fantasma do Futuro (1995)
Principais escolhas
Detalhes
Bilheteria
- Faturamento bruto mundial
- US$ 489.807
- Tempo de duração1 hora 23 minutos
- Cor
- Mixagem de som
- Proporção
- 16:9 HD