Uma mãe trabalhadora matricula-se na faculdade de direito num esforço para representar seu irmão, que foi condenado injustamente por assassinato e esgotou suas chances de apelar de sua conde... Ler tudoUma mãe trabalhadora matricula-se na faculdade de direito num esforço para representar seu irmão, que foi condenado injustamente por assassinato e esgotou suas chances de apelar de sua condenação através de defensores públicos.Uma mãe trabalhadora matricula-se na faculdade de direito num esforço para representar seu irmão, que foi condenado injustamente por assassinato e esgotou suas chances de apelar de sua condenação através de defensores públicos.
- Direção
- Roteirista
- Artistas
- Prêmios
- 9 vitórias e 10 indicações no total
- Law Professor
- (as Thomas Mahard)
Avaliações em destaque
In 1983, Kenny is convicted of the bloody murder of an elderly neighbor largely on the basis of testimony from two former girlfriends, both of whom claimed he confessed his actions to them. Neither Kenny nor Betty Anne can afford a good attorney, so she decides to become a lawyer even though she's a high school dropout. Also serving as one of the film's executive producers, Swank come back securely to the against-all-odds territory of Clint Eastwood's "Million Dollar Baby" (2004) by following Betty Ann's sixteen-year journey from her GED through college, then law school, and finally passing the bar – all while she was raising two boys and working part-time at a local pub. The ending is predictable from a mile away, but the journey is not. The introduction of DNA evidence provides a linchpin that spins the story close to Lifetime-level dramatics, especially when Betty Ann solicits the assistance of the Innocence Project, a nonprofit organization devoted to overturning wrongful convictions. Gray's screenplay is solid enough, and Goldwyn's direction is assured within the back-and-forth treatment of the timeline.
However, it's really the acting that is aces here. Beyond Swank's sterling work, Sam Rockwell brings an unpredictable furor and a surprising vulnerability to the showier role of Kenny. His rapport with Swank never feels forced, and the devotion of their sibling relationship is what really grounds the threat of hysterics in the film. The periphery is populated by a powerful squad of actresses turning in sharply etched work - Minnie Driver as Betty Ann's law-school friend Abra, whose comic spark highlights how pivotal her character is in representing the audience viewpoint; Melissa Leo ("Frozen River") as the malevolent arresting cop, whose secretive hostility provides the impetus for Kenny's conviction; Juliette Lewis as Kenny's dentally-challenged ex-girlfriend with a drunken confession scene that reveals the actress's long-forgotten raw talent below her usual giddiness; Karen Young in a brief scene as the unforgivable Mrs. Waters; and Ari Graynor ("Nick and Norah's Infinite Playlist") as Kenny's embittered grown daughter. It's the cast's cumulative work that makes this movie intensely watchable.
There are very few courtroom scenes, very few law school scenes, but it is filled with emotional connections between brother and sister as she visits him in prison, and as she tries living her own life. The characters dominate the beginning of the film, and the steps Swank has to take to free Rockwell keeps the film going towards the end.
It is shot well, as this is clearly Massachusetts and it set the right feelings for the film without overpowering it. The highlights are Swank and Rockwell as they both play characters with elements that we have seen before that have given Swank Oscar wins and have given Rockwell popularity. Here, he has toned down his comic antics just enough for his performance to remain popular but should also give him his first Oscar nomination.
The story may be missing a few elements that would have given it more substance to make it more interesting, but it seems to me, that's because the film-makers had a few restrictions in keeping to the true story. This may actually be a true story and not just based on one.
I recommend "Conviction" for its emotional performances and for telling its simple story well.
I saw Betty Anne profiled some time ago -- back then, I think she was still in law school.
Kenny Waters is convicted of the murder of Katharina Brow (since she was German, I assume the original last name was Brau) who was viciously knifed in her home. The crime occurred in 1980, when there was no DNA testing, and Kenny had the same blood type as the perpetrator. Several witnesses, including Kenny's wife and ex-girlfriend, testify against him.
Betty Anne, a mother with two children, makes the decision to go to law school in order to free her brother. At that time, she doesn't even have her GED.
Betty Anne comes up against wall after wall, gets divorced, and her children, probably more to help her than anything else, finally go to live with their father. She moonlights running a bar.
She contacts Barry Scheck (Gallagher) of the Innocence Project to enlist his group's help. Scheck needs evidence -- by then, it's been about 15 years since Kenny's conviction.
This is a powerful story because it shows, again, what the determination of one person can achieve, and how his or her passion can inspire others to help.
Hillary Swank is a gifted actress, and it's a shame that she hasn't gotten more roles like she had in Boys Don't Cry and Million Dollar Baby. She's natural but intense as Betty Anne, and she can really pull at the heartstrings.
Sam Rockwell as Kenny does a wonderful job, and the two have great chemistry together. You could feel his hopelessness, and his fear of being let down.
Everyone is good in this film, with Juliette Lewis as an ex-girlfriend and Melissa Leo as policewoman Nancy Taylor standouts.
The problem I have with this film is that, strip the movie of Hillary Swank and you've got a Lifetime movie. It just doesn't come off like a feature film in the way the story is told or in its focus. It's just a little bit left of cloying. Also, note to writers -- Kenny wasn't in jail, he was in prison. There's a difference.
Despite this, it's a wonderful story, all the more dramatic because it's true. And you can't get enough of its message: One person can make a difference.
Swank and Rockwell are very convincing as sister and brother. Their on screen interlude appears very natural and this only makes Betty Anne's determination to prove her brother's innocence all the more believable. Needless to say, both actors are at their best and they are supported wonderfully by Melissa Leo (who plays a bent copper), Juliette Lewis (she seems to have mastered playing trailer-trash characters), Clea Duvall (the lying wife), Minnie Driver (the charming friend) and Peter Gallagher.
One can easily relate to Swank's Betty Anne struggling with the bureaucratic legal system and her drive to free her brother. Unless one has money or the right contacts, one can recognize the situations where Betty Anne is passed over from one administration to another.
'Conviction' is a compelling watch. It involves the viewer right from the very beginning and even though you can predict the ending, it's Betty Anne and Kenny's faith in each other that keeps you hooked.
10/10
Você sabia?
- CuriosidadesBetty Waters says "The movie is so true to life. Not every scene happened, but every emotion happened."
- Erros de gravaçãoAt one point Betty Anne Waters Hilary Swank tells Kenny Sam Rockwell that it's a good thing Massachusetts doesn't have the death penalty or he could already be dead. This however is incorrect. Massachusetts still had the death penalty in 1983, when Kenny was convicted. It was abolished the following year in 1984.
- Citações
Betty Anne Waters: You are innocent!
Kenny Waters: Are you sure about that?
Betty Anne Waters: [crying] How can you ask me that? How can you ask me that?
- Trilhas sonorasWhiskey in the Jar
Public Domain
Performed by Chris Hewitt and David Bagnall
Principais escolhas
- How long is Conviction?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- Conviction
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 12.500.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 6.783.129
- Fim de semana de estreia nos EUA e Canadá
- US$ 102.351
- 17 de out. de 2010
- Faturamento bruto mundial
- US$ 11.104.555
- Tempo de duração1 hora 47 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1