Uma mãe trabalhadora matricula-se na faculdade de direito num esforço para representar seu irmão, que foi condenado injustamente por assassinato e esgotou suas chances de apelar de sua conde... Ler tudoUma mãe trabalhadora matricula-se na faculdade de direito num esforço para representar seu irmão, que foi condenado injustamente por assassinato e esgotou suas chances de apelar de sua condenação através de defensores públicos.Uma mãe trabalhadora matricula-se na faculdade de direito num esforço para representar seu irmão, que foi condenado injustamente por assassinato e esgotou suas chances de apelar de sua condenação através de defensores públicos.
- Direção
- Roteirista
- Artistas
- Prêmios
- 9 vitórias e 10 indicações no total
- Law Professor
- (as Thomas Mahard)
Avaliações em destaque
In 1983, Kenny is convicted of the bloody murder of an elderly neighbor largely on the basis of testimony from two former girlfriends, both of whom claimed he confessed his actions to them. Neither Kenny nor Betty Anne can afford a good attorney, so she decides to become a lawyer even though she's a high school dropout. Also serving as one of the film's executive producers, Swank come back securely to the against-all-odds territory of Clint Eastwood's "Million Dollar Baby" (2004) by following Betty Ann's sixteen-year journey from her GED through college, then law school, and finally passing the bar – all while she was raising two boys and working part-time at a local pub. The ending is predictable from a mile away, but the journey is not. The introduction of DNA evidence provides a linchpin that spins the story close to Lifetime-level dramatics, especially when Betty Ann solicits the assistance of the Innocence Project, a nonprofit organization devoted to overturning wrongful convictions. Gray's screenplay is solid enough, and Goldwyn's direction is assured within the back-and-forth treatment of the timeline.
However, it's really the acting that is aces here. Beyond Swank's sterling work, Sam Rockwell brings an unpredictable furor and a surprising vulnerability to the showier role of Kenny. His rapport with Swank never feels forced, and the devotion of their sibling relationship is what really grounds the threat of hysterics in the film. The periphery is populated by a powerful squad of actresses turning in sharply etched work - Minnie Driver as Betty Ann's law-school friend Abra, whose comic spark highlights how pivotal her character is in representing the audience viewpoint; Melissa Leo ("Frozen River") as the malevolent arresting cop, whose secretive hostility provides the impetus for Kenny's conviction; Juliette Lewis as Kenny's dentally-challenged ex-girlfriend with a drunken confession scene that reveals the actress's long-forgotten raw talent below her usual giddiness; Karen Young in a brief scene as the unforgivable Mrs. Waters; and Ari Graynor ("Nick and Norah's Infinite Playlist") as Kenny's embittered grown daughter. It's the cast's cumulative work that makes this movie intensely watchable.
(My Comment) This is a story of what a devoted and inseparable loving sister can do for her brother when he needs her most. Their family bond for each other, while growing up on a farm, is stronger than any prison can break. The movie shows Betty Anne Waters' commitment in freeing her brother as the only thing that will make her life complete. The struggles she endures to become a lawyer, and her willpower to save her brother from any further pain is inspirational. The bond between Hilary Swank and Sam Rockwell seems very real, including the steps that she takes as an obsessed lawyer to set him free. Their performances were brilliant, and I believe that both of them will be nominated for an Oscar. This is a movie to see. Footnote: The Innocence Project using DNA matching since 1989 has freed over 254 innocent people from prison in the United States. (Fox Searchlight Pictures, Run Time 1:46, Rated R) (8/10)
The key in this film is the relationship of Swank and Rockwell. In a pinch they really feel they've got only each other. The film lays that out quite clearly with several flashback episodes showing their childhood and the neglect they had from their mother who was more interested in having a good time. The two kids learned to rely on each other.
Swank has her problems, she gets married and has two sons, and later is divorced from her husband and they share custody of the kids. Rockwell however is in and out of trouble for all kinds of petty crimes. And it's well known he did not get along with the victim. Later he's arrested and released for the murder/robbery and he earns the special interest of arresting officer Melissa Leo. Two years later she arrests him again because of additional evidence. Rockwell is tried and convicted and given a life sentence.
All of which does not faze Swank in the least. Few would do what she did, she put herself through law school just so Rockwell could be her first client. She even gets Barry Scheck of the Innocence Project to aid in her effort, but the leg work she has to do herself. Scheck is played here by Peter Gallagher.
In a year where Melissa Leo won an Oscar for Best Supporting Actress for The Fighter, she might well have gotten some consideration for her portrayal of Officer Nancy Perry. Quite frankly Rockwell is a complete jerk in this film, especially with his sexist remarks to Leo. But all it does is fuel her desire to see him in jail. Let's say Leo cuts quite a few corners and if it weren't for the new use of DNA evidence, Rockwell would still be in jail. At that it's still a long way from exoneration.
However the best scenes are between Swank and Rockwell. Swank is unshakably convinced of her brother's innocence and goes the extra light year to prove it. The two really do come across as brother and sister.
Conviction is quite the commercial for The Innocence Project and for Barry Scheck's legal talents. But most of all it's a story about family loyalty and blood bonds.
Swank and Rockwell are very convincing as sister and brother. Their on screen interlude appears very natural and this only makes Betty Anne's determination to prove her brother's innocence all the more believable. Needless to say, both actors are at their best and they are supported wonderfully by Melissa Leo (who plays a bent copper), Juliette Lewis (she seems to have mastered playing trailer-trash characters), Clea Duvall (the lying wife), Minnie Driver (the charming friend) and Peter Gallagher.
One can easily relate to Swank's Betty Anne struggling with the bureaucratic legal system and her drive to free her brother. Unless one has money or the right contacts, one can recognize the situations where Betty Anne is passed over from one administration to another.
'Conviction' is a compelling watch. It involves the viewer right from the very beginning and even though you can predict the ending, it's Betty Anne and Kenny's faith in each other that keeps you hooked.
Você sabia?
- CuriosidadesBetty Waters says "The movie is so true to life. Not every scene happened, but every emotion happened."
- Erros de gravaçãoAt one point Betty Anne Waters Hilary Swank tells Kenny Sam Rockwell that it's a good thing Massachusetts doesn't have the death penalty or he could already be dead. This however is incorrect. Massachusetts still had the death penalty in 1983, when Kenny was convicted. It was abolished the following year in 1984.
- Citações
Betty Anne Waters: You are innocent!
Kenny Waters: Are you sure about that?
Betty Anne Waters: [crying] How can you ask me that? How can you ask me that?
- Trilhas sonorasWhiskey in the Jar
Public Domain
Performed by Chris Hewitt and David Bagnall
Principais escolhas
- How long is Conviction?Fornecido pela Alexa
Detalhes
- Data de lançamento
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- Idioma
- Também conhecido como
- Conviction
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 12.500.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 6.783.129
- Fim de semana de estreia nos EUA e Canadá
- US$ 102.351
- 17 de out. de 2010
- Faturamento bruto mundial
- US$ 11.104.555
- Tempo de duração1 hora 47 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1