Historia de un crimen: La búsqueda

It was good for one reason - the acting was uniformly excellent. All actors played their characters to perfection. The story line began so well and then sort of degenerated into a jumble. It was almost like someone didn't want the real story told. Do you suppose? - nah, couldn't happen.

Whoever made this movie deserves more exposure from Netflix. It kept me on the edge for the entire six episodes. I wish they would have summed up the whole mess at the end but it was still worth six hours of my life.

The direction is not upto the mark! Its not worth a watch. The actors could have done better but shown dumb to adjust the story. I feel I wasted my time and sleep in this. I would advice not to waste your time!

This is one example of a new genre of Mexican Telenovelas that tries to leave its "soapy" past behind and focus on taut, suspenseful plots. What better fodder to use than a real life event among wealthy Lebanese Mexican families, where each member has hidden secrets that slowly unfold across the episodes. It's good if you want to keep up with learning Spanish as the audio is surprisingly clear, and the spoken Spanish is quite easily understood. Unfortunately, the story lacks the necessary continuity and is told in a very "choppy" and disjointed manner, where events occur without adequate explanation. This just creates a lot of confusion for the viewer, as though the plot was not a well thought out one.

This series shows the murder of a 4 years old girl ... with a comedy music in the background !!

This is a brilliant exposé of a mishandled investigation. It is hard for a north european like myself to judge the veracity of the political maneuverings that may or may not have been behind the 'burial' of the case - although they come over as very authentic - but the mordant social critique is recognizable and applicable world wide. Yes, the series plays like a telenovela, but it does so deliberately in order to open our eyes on how tragedy can, and does, become trivialized through current methods of media coverage and media consumption. The musical score underlines this perfectly. Those who see disrespect towards the victim need to watch again, and listen again, more attentively. The little silent victim nestles at the heart of the project, and the last scene depicts this sparingly but beautifully: we see Paulette's nanny - maybe the only person who truly cared for her - switch off the tv in disgust and exit the room, passing by a table on which there is a photo of Paulette with a lit candle burning in front of it. Far from a mess or a commercial exploitation, for me this series comes close to being a masterpiece.