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IMDbPro

Deixe-me Entrar

Título original: Let Me In
  • 2010
  • 14
  • 1 h 56 min
AVALIAÇÃO DA IMDb
7,1/10
131 mil
SUA AVALIAÇÃO
POPULARIDADE
3.182
796
Chloë Grace Moretz in Deixe-me Entrar (2010)
A bullied young boy befriends a young female vampire who lives in secrecy with her guardian.
Reproduzir trailer1:49
20 vídeos
99+ fotos
AmadurecimentoFantasia sombriaQuem não sabeTerror vampíricoDramaFantasiaHorrorMistérioSuspense

Owen é um menino solitário que é alvo de bullying na escola. Quando a garota Abby se muda para a cidade, Owen finalmente encontra uma amiga verdadeira, mas ela esconde um segredo terrível.Owen é um menino solitário que é alvo de bullying na escola. Quando a garota Abby se muda para a cidade, Owen finalmente encontra uma amiga verdadeira, mas ela esconde um segredo terrível.Owen é um menino solitário que é alvo de bullying na escola. Quando a garota Abby se muda para a cidade, Owen finalmente encontra uma amiga verdadeira, mas ela esconde um segredo terrível.

  • Direção
    • Matt Reeves
  • Roteiristas
    • Matt Reeves
    • John Ajvide Lindqvist
  • Artistas
    • Kodi Smit-McPhee
    • Chloë Grace Moretz
    • Richard Jenkins
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,1/10
    131 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    3.182
    796
    • Direção
      • Matt Reeves
    • Roteiristas
      • Matt Reeves
      • John Ajvide Lindqvist
    • Artistas
      • Kodi Smit-McPhee
      • Chloë Grace Moretz
      • Richard Jenkins
    • 497Avaliações de usuários
    • 382Avaliações da crítica
    • 79Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 14 vitórias e 28 indicações no total

    Vídeos20

    Let Me In: International Trailer #2
    Trailer 1:49
    Let Me In: International Trailer #2
    Let Me In: U.S. Trailer #1
    Trailer 2:16
    Let Me In: U.S. Trailer #1
    Let Me In: U.S. Trailer #1
    Trailer 2:16
    Let Me In: U.S. Trailer #1
    Let Me In: International Trailer
    Trailer 1:16
    Let Me In: International Trailer
    Let Me In: Behind the Scenes
    Clip 1:34
    Let Me In: Behind the Scenes
    "Do You Like Me?"
    Clip 1:14
    "Do You Like Me?"
    "Are You Involved in Some Kind of Cult?"
    Clip 1:02
    "Are You Involved in Some Kind of Cult?"

    Fotos213

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    + 207
    Ver pôster

    Elenco principal35

    Editar
    Kodi Smit-McPhee
    Kodi Smit-McPhee
    • Owen
    Chloë Grace Moretz
    Chloë Grace Moretz
    • Abby
    Richard Jenkins
    Richard Jenkins
    • The Father
    Cara Buono
    Cara Buono
    • Owen's Mother
    Elias Koteas
    Elias Koteas
    • The Policeman
    Sasha Barrese
    Sasha Barrese
    • Virginia
    Dylan Kenin
    Dylan Kenin
    • Larry
    Chris Browning
    Chris Browning
    • Jack
    Ritchie Coster
    Ritchie Coster
    • Mr. Zoric
    Dylan Minnette
    Dylan Minnette
    • Kenny
    Jimmy 'Jax' Pinchak
    Jimmy 'Jax' Pinchak
    • Mark
    • (as Jimmy Jax Pinchak)
    Nicolai Dorian
    Nicolai Dorian
    • Donald
    Rebekah Wiggins
    Rebekah Wiggins
    • Nurse
    Seth Adkins
    Seth Adkins
    • High School Kid
    Ashton Moio
    Ashton Moio
    • Lanky Kid
    Brett DelBuono
    Brett DelBuono
    • Kenny's Brother
    Gwendolyn Apple
    • Girl in Pool
    Colin Moretz
    • Video Arcade Counterman
    • Direção
      • Matt Reeves
    • Roteiristas
      • Matt Reeves
      • John Ajvide Lindqvist
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários497

    7,1131.4K
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    Avaliações em destaque

    wott

    Fine, but unnecessary

    When I heard that this film was being remade in America, my first thought was "Why?". I saw the original two years ago at a festival and it was beautiful, moving and dark.

    Had I not seen the original, I may have liked the remake. Although, it still would not have captivated me in the same way. The two child actors playing Owen & Abby I have to say do a wonderful job in their roles. The story is there. But that is where it ended for me.

    I was really disappointed, shocked even, to see the use of cgi. Why. It was so not needed. The music, the setting... It just didn't bring anything.

    What bothered me even more was that sentimental and intimate scenes which had been drawn out so beautifully in the original, caused audiences to giggle and laugh out loud. It didn't carry itself as a serious film.

    I can find no point to the remake of this movie other then to bring it to an audience that can't be bothered to watch movies with subtitles. But what should be realized is that that kind of audience, big screen - big budget, is not there to appreciate the beauty of original film making and non-standard stories.

    The original film was a masterpiece. The remake I'm sad to say does not do anything for a truly unique story.
    8jthess200

    Vampire movies should be more like this one

    Matt Reeves, who is most famous for his monster film "Cloverfield", took on the task of adapting and directing this film. Two years ago, film festivals were in love with the Swedish Horror film "Let the Right One In" and it was almost a given that it was needed to be made American. In our culture vampires have kind of turned into more of romantic figures and a lot of times represent sexuality. This film goes back to basics and makes this vampire what I think they are sup post to be, which is completely scary and messed up. What is very impressive is that Reeves takes this and in a way, his changes actually enhance the story and kind of makes it better and more entertaining. Kodi Smith-McPhee who was spectacular in last year's "The Road" and Chloe Moretz who received most of her fame as Hit-Girl in this year's "Kick-Ass" carry this film and both of these kids bring a type of eeriness; these kids both knew exactly how their characters were sup post to be and they hit it spot on. This gory, terrifying, and dark film turns into some type of odd entertainment and represents why people would even want to see a horror film; it has a strong story and an even stronger scare. Instead of going over the top Reeves bends this movie into a tension roller-coaster more than anything. Very rarely can a foreign film be successfully adapted and made a success in America, but Reeves made something that can stand a distance from the original, but still he true to its origin. It is a great movie for the Halloween season, it will most likely refresh people who are used to "American Vampires" and give them a real vampire movie
    8Copyright1994

    What a shocking surprise!

    As a fan of the 2008 Swedish film "Let The Right One In", I was originally very frustrated when I heard the news about the upcoming remake. "How do you ameliorate something that is already perfect?", I asked myself. I treated the remake with hostility and vowed to stay away from it. And then, I decided to open my mind.

    I attended the world premiere of this film at the Toronto International Film Festival on Monday, September 13. I am very lucky to live in the proximity. This was the first year that I've attended the festival. Before seeing "Let Me In", I saw "127 Hours".

    I liked the idea of seeing the remake of a film that I recently gave a second viewing. I thought it would be a fun challenge to sit there and compare both films while watching.

    Before the screening (or it might have been after), the director, Matt Reeves (who launched his career with "Cloverfield"), was welcomed on stage to say a few words. It surprised me to find out that he, too, thought the original was fantastic and didn't understand why he was asked to remake it. However, after reading the book as well, he had the desire to work on his interpretation of it. After this speech, I gained a significant amount of respect for this man.

    When the movie began, I was only expecting something satisfactory. But as the story progressed, I was breathless. It was a very captivating, interesting take, and I loved all the little modifications. I honestly believe that "Let Me In" is one of the greatest American remakes of all time.

    Nevertheless, I still see the original, "Let The Right One In", as a superior film. Although it may be a biased opinion, I preferred the mood, atmosphere, and cinematography in the original. While the remake seemed to take a greater interest in the horrific violence, the original had the perfect blend of genres (thriller, romance, horror, fantasy). Both films had many beautiful contrasts: coldness vs warmth, chaos vs peace, guilt vs innocence, darkness vs delicacy, and despair vs hope.

    I must also mention that I preferred the sense of ambiguity presented in the original. Very few questions were answered, and the whole film was more of a mystery left to interpretation. In contrast, Matt Reeves was more clear and direct in his screenplay with the mystery surrounding his characters. It's all a matter of personal preference, though. I believe that most people will prefer what Matt did, since the original has a certain style that less people can appreciate.

    Despite the comparison, I believe that they are both great movies that can be enjoyed by everyone. Fans of the original-- rather than being narrow-minded and boycotting this version-- should give it a chance and appreciate it for what it is. Wouldn't you want more people in North America to discover this mesmerizing vampire tale, anyway?

    I really enjoyed every aspect of "Let Me In". The child actors, Chloe Moretz (Kick-Ass) and Kodi Smit-McPhee (The Road) were both excellent choices. They proved to us, once again, that they are among the only child actors who actually have talent. Now that I think of it, the only thing that didn't impress me was the music. For an original score composed by Michael Giacchino (Up), I was quite disappointed. It was mediocre, in my opinion. It didn't convey the same emotion as Johan Soderqvist's music in "Let The Right One In".

    Aside from that, "Let Me In" is a surprisingly great film for the fans of the original. And it would probably be a bloody masterpiece for those who haven't seen it. And yes, that lame vampire pun was definitely intended.

    7.9/10
    8Xstal

    The Curse of Who You Are...

    A remake that's almost as good as the original.

    What would you do, if you just couldn't change, so set in your ways, with habits quite strange; how would you live, in a divisive world, when the city's awake, while you're hidden and furled; would you hold out your hand, to stave off the brink, would you stake all you've got, just float and not sink; when you look in the mirror and nothing is there, in the darkness of night, only pain and despair; then a saviour appears, with their own set of fears, an innocent soul, undefiled, sincere; someone to trust, a protector by day, who'll carry your secret and promise to stay; unaware of the pact that you've drawn them into, endeavours they'll end up performing for you; until the time comes, to repeat and replay, like a school game of tag, I think it's called child's play.
    8blackmambamark

    Hopefully now the American audience can finally embrace a decent vampire tale

    Really? Your going to remake a movie 3 years after it was released? Is that even necessary? About a year ago, i use to feel this way about this production. Seriously, just go to the video store and watch the original....it's cheaper than going to the theater. But then i realized that it isn't that simple. If you want to show people good cinema, you really need to force them to watch it. Honestly, if i told someone to go to the video store and rent an awesome Swedish vampire movie, they would probably skip my suggestion, and pick up "Couples Retreat" or some crap. The only way someone would even view a portion of this film, is if they came over to my house, as i am in the middle of watching "Let The Right One In", they sit down and finally ask "What movie is this again?". So no, i am no longer dissing this movie, because in order for people to truly accept something good and different, it needs to be shoved in their faces.

    Now when it comes to reviewing remade movies, all you can do is compare and contrast. So let me go ahead and get that out of the way so i can speak to the majority of you who have not seen it. The film is not an exact carbon copy of the original. However, it still has the same working parts. Sure they changed things around a bit, nothing too major......but they really did hit the nail on the head by still maintaining the overall eseccense of what this movie promotes, and that is crucial for this feature. The one thing that they did improve on however, was the musical score. It was more developed and very fitting to the gritty style of cinematography. It took those really eerie yet intriguing sequences, and made them that much more entertaining. As far as the acting, i am leaning towards the original, but it is a very VERY close race.

    So with that being said, this movie is probably the best horror movie of the year. Yes, it is a remake, but i don't care. All these original ideas still do not compete with something that obviously works. This movie is very dark, the way a vampire movie should be. Not with it's gore, which is amped up by the way, but it's method of storytelling. That is the hook in this film. That is what gets you. It isn't some crybaby teen heartthrob, it is an in-depth storyline told in an entertaining yet odd fashion. It is very different compared to any vampire movie you have seen. Take Kiersten Dunst character in "Interview with a Vampire", and make a whole movie about her.....thats pretty much what this is.......somewhat.

    Bottom Line, hopefully this movie will bitch slap all those wannabe vampire geeks harder the second time around, because this is how you make a vampire movie people. Yes, i still like the original more, but this movie gets as close to the original as you possibly can get, and that is saying a lot in my book. I urge all of you to see this, because there is a reason why they wanted to remake it so quickly. However, if you do get the chance, please still try to watch the original.

    Interesses relacionados

    Elsie Fisher in Oitava Série (2018)
    Amadurecimento
    Doug Jones and Ivana Baquero in O Labirinto do Fauno (2006)
    Fantasia sombria
    Jude Law in Sherlock Holmes: O Jogo de Sombras (2011)
    Quem não sabe
    Tom Cruise and Indra Ové in Entrevista com o Vampiro (1994)
    Terror vampírico
    Mahershala Ali and Alex R. Hibbert in Moonlight: Sob a Luz do Luar (2016)
    Drama
    Elijah Wood in O Senhor dos Anéis: A Sociedade do Anel (2001)
    Fantasia
    Mia Farrow in O Bebê de Rosemary (1968)
    Horror
    Jack Nicholson and Faye Dunaway in Chinatown (1974)
    Mistério
    Cho Yeo-jeong in Parasita (2019)
    Suspense

    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Elias Koteas, who plays the police detective, also provides the voice of Owen's father John.
    • Erros de gravação
      In the first hospital scene the policeman is not out of the room long enough for the events in the second version of that scene (Abby visiting her "father" Thomas) to take place.
    • Citações

      Abby: [to Owen] You have to invite me in.

    • Cenas durante ou pós-créditos
      The movie's end credits are in the form of black text on a white background, which is the opposite of most movie credits, which are usually white text on a black background.
    • Conexões
      Featured in The Rotten Tomatoes Show: Dinner for Schmucks/Charlie St. Cloud/Get Low (2010)
    • Trilhas sonoras
      Let's Dance
      Written by David Bowie

      Performed by David Bowie

      Licensed by Arrangement with Jones Music America

      (ASCAP) admin. by ARZO Publishing

      Courtesy of RZO Music

    Principais escolhas

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    Perguntas frequentes27

    • How long is Let Me In?Fornecido pela Alexa
    • What is 'Let Me In' about?
    • Is "Let Me In" based on a book?
    • Why did "Let the Right One In" get remade into this film?

    Detalhes

    Editar
    • Data de lançamento
      • 28 de janeiro de 2011 (Brasil)
    • Países de origem
      • Reino Unido
      • Estados Unidos da América
      • Suécia
    • Idioma
      • Inglês
    • Também conhecido como
      • Déjame entrar
    • Locações de filme
      • Moana Condominiums - 1100 Alvarado Drive SE, Albuquerque, Novo México, EUA(apartment building)
    • Empresas de produção
      • Overture Films
      • Exclusive Media Group
      • Hammer Films
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 20.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 12.134.935
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 5.147.479
      • 3 de out. de 2010
    • Faturamento bruto mundial
      • US$ 27.093.592
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 56 min(116 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 2.35 : 1

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