AVALIAÇÃO DA IMDb
4,5/10
14 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaThree bad girls travel to a remote desert hideaway to steal $200 million in diamonds from a ruthless underworld kingpin.Three bad girls travel to a remote desert hideaway to steal $200 million in diamonds from a ruthless underworld kingpin.Three bad girls travel to a remote desert hideaway to steal $200 million in diamonds from a ruthless underworld kingpin.
- Direção
- Roteiristas
- Artistas
America Olivo
- Camero
- (as Ameríca Olivo)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
What, you say? You didn't know Robocop was a satire? Hmm, then you might want to skip Beyotch Slap (note: thanks, IMDb's profanity filter). Much in the tradition of the brilliant cinematic satirist Paul Veerhoven who did Robocop and Starship Troopers, Beyotch Slap is a cheeky, sarcastic jab at the hyper violence genre with a poignant message just below the surface.
The story unfolds in a teasing, non-linear way, beginning with an apocalyptic aftermath and then jumping back a few hours where most of the story takes place but frequent jumps to the weeks and months prior. That is, nothing is spelled out, and it's almost 3/4 through the movie before you realize why these 3 buxom babes are out in the middle of the desert with dead bodies piling up.
Beyond the twisty mystery, racy plot, witty dialogue ("Lick my love pump!"), cool action scenes, great cat fights (complete with a screeching cat sound effect or two when one of the ladies happens to get punched in the fun bun), what really makes this film is the fantastic dynamic between the 3 very different personalities of our protagonists and the excellent way each of the 3 leading ladies brings her character to life. There is the leader "Hel" who is the brains of the bunch, "Camaro" who is the muscle as well as sheer psycho element, and then there's "Trix" who is the ditzy tagalong who, despite being a sultry hot stripper, has the air of being someone who still believes in the Easter bunny.
Throw the 3 together along with a couple of awesome criminal characters, a few buckets of blood, a bunch of unapologetically gratuitous cleavage shots and a slow motion water fight, and of course the aforementioned biting satire of every chixploitation flick from the 70s, and you've got one bona fide cinematic work of art. I'm not even being sarcastic when I say that. If you grasp the tongue in cheek nature of this film, you'll find yourself very impressed and thoroughly satisfied at this gem of a movie.
I'm shocked that IMDb has rated this so low (4.5 as of the time I'm writing this), and my only guess is that the people rating this movie so low are the same people who think Spinal Tap is a real band.
The story unfolds in a teasing, non-linear way, beginning with an apocalyptic aftermath and then jumping back a few hours where most of the story takes place but frequent jumps to the weeks and months prior. That is, nothing is spelled out, and it's almost 3/4 through the movie before you realize why these 3 buxom babes are out in the middle of the desert with dead bodies piling up.
Beyond the twisty mystery, racy plot, witty dialogue ("Lick my love pump!"), cool action scenes, great cat fights (complete with a screeching cat sound effect or two when one of the ladies happens to get punched in the fun bun), what really makes this film is the fantastic dynamic between the 3 very different personalities of our protagonists and the excellent way each of the 3 leading ladies brings her character to life. There is the leader "Hel" who is the brains of the bunch, "Camaro" who is the muscle as well as sheer psycho element, and then there's "Trix" who is the ditzy tagalong who, despite being a sultry hot stripper, has the air of being someone who still believes in the Easter bunny.
Throw the 3 together along with a couple of awesome criminal characters, a few buckets of blood, a bunch of unapologetically gratuitous cleavage shots and a slow motion water fight, and of course the aforementioned biting satire of every chixploitation flick from the 70s, and you've got one bona fide cinematic work of art. I'm not even being sarcastic when I say that. If you grasp the tongue in cheek nature of this film, you'll find yourself very impressed and thoroughly satisfied at this gem of a movie.
I'm shocked that IMDb has rated this so low (4.5 as of the time I'm writing this), and my only guess is that the people rating this movie so low are the same people who think Spinal Tap is a real band.
Bitch Slap sees a gang of scantily clad ladies journey into the desert in an attempt to steal 200 million dollars worth of diamonds. If you're a fan of trashy exploitation flicks and love guns, cleavage, and women getting out of cars in slow-motion, then Bitch Slap was made with you in mind. It's fun, it's hyperactive, and it's a film that does not disappoint. Never promising to be more than it is, it succeeds in being more fun and funnier than one would expect. It's the kind of film where they take a break from the plot in order for the women to just pour water over each other. Many memorable scenes take place as a ridiculous but engaging plot unravels. I hope we can see more films like Bitch Slap over the next decade.
An entertaining film. I about gave up on it a time or two, but I hung in there and it redeemed itself. Better than any Russ Meyer film I have seen, and maybe even a notch above Tarantino. Much effort went into this film especially by the three female leads, well chosen for their role. There were the boobs and blood and all-out raucous catfights. If Tarantino style turns you off, you may not like it, but if not I suggest you watch this one and watch it to the end. The plot twists and ending are worth it. And a worthwhile and revealing view of women which one of the female trio expressed as "We are all just bitches in the end". I like that and late in the film a quote from a several hundred B.C. Chinese text which begins "All warfare is based on deception . . .", a thoughtful commentary giving a certain meaning to the film and raising it above the usual grindhouse fare for those paying attention to more than just the action.
I think this movie is an excellent example of its genre . Great non-linear story-line , over the top insanely intense characters , lots of action.
Very "Quintin-esk". great twists in the story.
Starts off like a cheap porn movie, but turns out as quite a good action movie, Tarantino style. Lots of blood and violence. A lot of nice (mean but also in a good way) and nude girls. A story that rather falls in the background by what you get to see. Funny special effects that are not all that bad and fit the movie quite well. Lots of nice girls. Cat fights among hot girls. More girls, and yeah well, naked girls. This movie lives up to its title "bitch slap" rules this movie. And it has got Hercules, Kevin Sorbo in it. All in all if you are bored and got 1 1/2 hours to kill, give this movie a go but don't expect an A movie, more of a good B movie.
Você sabia?
- CuriosidadesThe desert scenes where the majority of the locations were shot appear to be hot and arid, when in fact filming was done in mid and late March when it was still winter and the temperate during the day seldom rose above 60 F degrees in the sun, with wind chills making the outdoor temperature even lower. The cast, including the three female leads, spent most of the time between takes literally shivering under heavy winter coats that the wardrobe department brought along for just that.
- Erros de gravaçãoCamero has dark blond hair throughout the film except for one brief shot when her hair is dark black when she is about to drop a cigarette lighter to set Trixie on fire. It was an insert shot filmed months after production ended when America Olivio dyed her hair for a different film role that she took immediately after filming on this picture ended.
- Cenas durante ou pós-créditos"The characters displayed in this photoplay are fictitious. No really... It's all just make believe! Any similarity between our story and the classic and timeless works of William Shakespeare is purely coincidental."
- Trilhas sonorasBitch Slap (Take the Ride)
Written by Daniel Cieplinski and Leonardo Varela Rañon
Performed by Rebel Vengeance
Principais escolhas
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Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 17.365
- Fim de semana de estreia nos EUA e Canadá
- US$ 12.254
- 10 de jan. de 2010
- Faturamento bruto mundial
- US$ 439.587
- Tempo de duração1 hora 49 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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