BloodRayne

I've never seen the computer game on which this movie is based, so the reported discrepancies between the film's storyline and the game's original mythos (which fans of the game have been very vocal about) didn't bother me, and instead I just viewed the movie as a separate entity. While I can't honestly say that Bloodrayne is anything special, it's certainly not the complete disaster that it's supposed to be. There's no denying that several of the main actors are woefully miscast - Michael Madsen being the prime example - and there are some bizarre and distracting cameos from Michael Pare (whom I swear hasn't aged a day in the twenty five years since Streets of Fire), Billy Zane and Meat Loaf. But I still found Bloodrayne to be considerably more entertaining than Van Helsing (2004), the film it most resembles. In fact it's only slightly inferior to the similarly themed Underworld movies.

I want to strike a blow for a movie that seems to be one of the worst movies, when you follow the ratings and verdicts here. But it's easy here to rate one star without watching a movie, and also without giving one thought to.

Of course it isn't an artwork, a masterwork, or comparable to high budget productions a la Lord Of The Rings. Instead, it fits right into a solid line of straight-to-video productions, or some bigger TV Adventure movies, but is definitively enjoyable for people who don't expect a lifetime experience from Uwe Boll. But at least, one have to respect the genre outside the Tolkien realm. If not, the movie has no chance at all.

It is a simple story about a girl that wants revenge for the killing of her mother by her father, who is the most powerful Vampire, and also wants to be ruler of the world. Kristanna Loken as Rayne does a good Job being sexy, powerful and filled with hate and blood hunger. The others are OK, and Ben Kingsley does keep a low profile, because he has not very much to do except being old Ben Kingsley.

Directing is not great, I admit that, it is at max, zealous. Definitevly it is better than in any of the infamous Asylum Movies i've seen, in terms of storytelling, actors leading and so on. The only one bigger mistake is that the short history of Raynes romance with Sebastian is revealed at the end of the movie, so that the short sex scene with him looks quite unfounded.

If there wouldn't be so much blood and gore, it could pass as a movie for youngsters. I remember watching such movies (of course without gore and without nudity), when I was ten or twelve.

In eighteenth century Romania, Rayne (Kristanna Loken), a warrior woman, half-human, half-vampire , is the main attraction at a freak-show but she she gets to escape. Afther that, she meets a fortuneteller (Geraldine Chaplin) who tells his father raped and killed her mother. Then she sets out to revenge her mother's rape by her father, Kagan ( Ben Kingsley), King of Vampires. Three vampire hunters, Sebastian (Matthew Davis), Katarin (Michelle Rodriguez) and Vladimir(Michel Madsen), from the Brimstone Society persuade her to join their cause. Meanwhile, Rayne falls in love with Sebastian and prepares her vengeance.

This exciting movie displays unstopped action, thrills ride, spectacular fighting, graphic violence, and brief nudism with mild sex scene. It packs large amount of guts and gore , there's a huge body count, this one actually knocks off an immense amount, several vampires are staked bloodily in the chest, even more bitten with large dents. There's really savage decapitation, plenty of bodies ripped in scraps and half, including some of the most tears ever, that spill lots of blood . Most of vampires and humans victims are relegated to being bitten in the throat and neck. Magnificent special and visual effects as well as excellent make-up department. Bone-chilling and atmospheric musical score and colorful and dark cinematography ; furthermore spectacular production design .The motion picture is regularly directed by Uwe Boll . All four of the films he has realized that were based upon video games, House of the Dead (2003), Alone in the Dark (2005), BloodRayne (2005) and BloodRayne II: Deliverance (2007) were listed on the bottom of barrel by the reviewers. Most of the other films he's directed, including Heart of America (2002), and Blackwoods (2002) are not widely available in America, but have received similarly low ratings among those who have seen them. All technicians and some actors participate in the following : BloodRayne II with Natassia Malthe, Zack Ward and again Michel Pare, Uwe Boll's fetish's actor. Recommended to those who amuse those kind of vampire films or those enjoy in general.Rating : average though some moments is entertaining.

This was, without a doubt, one of the worst movies I have ever seen. I knew a little bit about the video game this is based upon going in, and while I can't say I was a fan or knew all that much about the story, I figured I was going to get a kinda Buffy/Medieval Times kinda feel. I was SO wrong. The acting quality that I had expected was not there at all. In fact, even Ben Kingsley, who I thought would be good (I've liked other things of his) was awful. Kristinna Locken was so emotionless that you wanted to cry from frustration. Michelle Rodiguez was the only one with some convincing effort, but even then, she couldn't pull her character out of one-dimension. Although, the actors didn't have much to go on to begin with. The dialouge was laughably cliché in parts and simply pathetic in others. It did NOTHING to help convey the characters emotions or thoughts, nor did it do well with explaining the story, trying for flashy and confusing explanations when simplicity was needed and other times being far too simple. All in all, this movie was horrible.

When I heard that Uwe Boll had challenged several of his critics to a boxing match, I thought it was an example of the man failing to understand reactions. Rather than come out looking like a misunderstood hero, he comes off as a spoiled child. So when I hear people calling Uwe the new Ed Wood, I just want to point out that this demonstrates ignorance regarding Wood. It is insulting to the poor guy. You see, Wood made one of the most daring (if staggeringly inept) films that challenged people's perceptions of transvestism and gender roles, long before this became a common theme in Hollywood. His major feature was that he lived only to make films, and did so because of motives other than cash. Boll, on the other hand, says absolutely nothing in his films that is of any value, and has shown himself in the media to be the most cynical, thoughtless idiot that ever drew breath. Another classic example of the difference between Boll and Wood, perfectly illustrated by BloodRayne, is that Wood's films made narrative sense.

If you have not played any of the video games upon which BloodRayne is based, then it will make very little sense to you. The parts about Rayne being the child of a vampire and a human, I get, but the film is loaded with references to artifacts that the villain needs in order to gain power, which Rayne must obviously stop him from acquiring. This reminds me of the sequence from Bakshi's adaptation of The Lord Of The Rings in which the explanation of what the One Ring is and what it does was meant to be delivered. By failing to deliver this critical information in a manner that makes sense to the viewer, both films end up disjointed and pointless. Only BloodRayne makes it much, much worse by jumping around from location to location, showing confrontations between Rayne and various enemies without a pause for explanation as to why this is significant. Ten bucks to anyone who can figure out exactly why Boll chose to end the film with a bunch of flashbacks to disjointed events that have no connection to the film's "present time", when the climactic slaying would have done just fine.

Another of Boll's few talents is to classically miscast. Kristanna Loken is surprisingly good as the titular character, and puts in a far better performance than I would have credited her with after that abysmal Terminator rip-off. It is certainly far better than the film deserves. Michelle Rodriguez looks extremely angry to be there. Matthew Davis has this stupid expression on his face all the time that appears to be him begging for some direction. Michael Madsen, Billy Zane, and Udo Kier literally are on autopilot. But Meat Loaf, the poor guy, seems to be trying to take his role seriously, and never have I see an actor look so uncomfortable in his work. He almost looks as if he is going to have a stroke from all the "what the hell am I doing here?" instructions his brain is trying to process. But the real gem here is Ben Kingsley, winner of one Academy Award and nominee for three others. He seriously looks as if he is going to burst out in laughter at any second during his scenes with Loken. And who can honestly blame him?

A mention must be made of the abysmal special effects here, too. Boll at least knows that the audience for a film based on this video game expects to see blood, and a lot of it. However, like every other aspect of his films, the delivery is so staggeringly inept that it makes one wonder how Boll can be so blind to this. Not only does the head of one opponent look despicably fake, the looks on the faces of the extras when they are shown chopping things up with their swords is utterly hilarious. Someone had to direct them to assume that expression, as swinging an actual sword hard enough to sever a limb involves enough exertion that one at least pulls some kind of face in the process. They said it best in Showdown In Little Tokyo - beheadings are not as easy as they look. Yet Boll seems to think he can silence individuals who feel he is utterly inept as a director by hitting them. If I could say one thing to his face right now, it would be that keeping silent and working on making a genuinely good film would have worked a lot more.

So I mean it when I say this film is not as bad as many others have said - it is even worse. A competent director like Wolfgang Petersen would have connected the story together properly, and at least shot the violence in a convincing fashion. A brilliant director such as Paul Verhoeven would have found a way to satirise the social mores of the eighteenth century, and delivered enough convincing violence to give the MPAA fits at the same time. As much as Boll would like to pretend otherwise on the basis of sales figures in countries where they would probably not understand the abysmal dialogue anyway, he is nowhere near the league of Petersen or Verhoeven. And that is a big part of what makes his films so insulting to the general public. Boll would like us to believe that he is some kind of misunderstood genius who keeps striking out with critics because they do not understand his message. Well, Boll, the disjointed plot aside, I understand you just fine. The thing is, when I do understand your films, I do not want them anymore.

So I gave BloodRayne a two out of ten. A one would only further its position on the bottom one hundred, and it is deserving of infamy in neither sense of the word. Avoid.