Road, Movie

There are few films which give their viewer the freedom to interpret… Road Movies is one of such films.

Road Movie has depicted the struggle of the misfits to escape from reality, to escape into something which is fantasy and unreal. I don't want to disclose the plot of the movie; however there are some movies which don't need Plots.

Dev benegal have done a very brave Job in materializing his vision, I respect his hard work and determination as I know that it would have not been easy to put such dreams on 35MM screen.

Actors were real; Mohammed Faisal,Tannishtha Chatterjee, Abhay Deol and Yashpal Sharma were good. I liked Veerendra Saxena and Satish Kaushik was great.

Mesmerizing cinematography and assuasive background score had forced me to dream like the characters in the film.

My over all experience of the movie was so soothing that I once again fell in love with the art of watching cinema.

Dev Benegal's 2009 film was premiered on Channel 4, where I saw it. Radio Times, in their lazy and scant review, described it as 'plays out like an Indian Cinema Paradiso set in the deserts of Rajasthan', which is only partly true.

Almost nothing can stand up to Cinema Paradiso, that being in my top 5 films of all time, but Road, Movie certainly has its charms. The centrepiece is a colourful, ageing truck that is also a mobile cinema. This van is the ticket to freedom for Vishnu, a restless young man, who wishing to escape being sucked into his father's hair oil business (yes, this is a gentle comedy) and he has a buyer for it; a museum in a town by the sea.

To get there, he treks across the desert (gravelly, but still tough) and his journey and the characters he meets, including the mechanic called upon very early (it HAD to be a temperamental van!) who becomes the projectionist and general fixer-up of everything. There's also a young lad, a runaway urchin. These two could be seen as the Philip Noiret character and the boy in Cinema Paradiso. Then a visually striking gypsy woman, who becomes a romantic distraction for Vishnu, is picked up when they run out of water and she has some.

Bollywood films are the most watched in the world, apparently and so obviously various flicks are shown in sprawling communities, projected onto the walls of dwellings and such.

Shot in deeply saturated colour and looking very attractive, it's not a deep, meaningful film but a nicely distracting, accessible one, nostalgic about long strips of celluloid and the joy that they can bring - and one that western audiences can easily appreciate and enjoy.

It looks like it's generally unavailable in the U.K, at least as a region 2 DVD. I only found this region 1 on Amazon by typing in the director's name and not the film's title - as that brought up hundreds of connotations, but not the right one.

Hopefully now, Channel 4's airing will have it released properly. It certainly deserves to be.

The pace of the movie acts against it. So does the technicalities. While the sunny sides are too many, Road, Movie proves to be a simple movie talking simple story.

Abhay Deol is very good, so is the supporting cast. The deserts & roads & travelogue has been wonderfully shot & photographed. There's nothing much in the dialogs or the score, but the music is kinda cool. Now the makers seem no masochists by implying what they consider the main point of the movie. It talks about life & how every person has to choose the way he lives life. And traveling begets thought.

A very slow, calm movie worth giving a look. The end title sequence will blow your mind.

BOTTOM LINE: Certainly, it is not my cup of tea when it comes to tiresome plots revolving around character's inner blankness. 5.5 out of 10.

Can be watched with a typical Indian family? YES

Mouth-Kiss/Foreplay: Mediocre | Sex/Porn/Smoking/Alcohol: No | Violence: Strong | Gore: Mild | Drugs: No

'Road, Movie' is an extraordinary movie and one of the most beautiful films I've seen in recent years. This is the story of Vishnu (Abhay Deol), a young apathetic and carefree guy who hits the road in his old neighbour's very antique kind of a truck, a 1942 Chevy with a traveling cinema in its back carrying Victoria film projectors. For him, this truck is in a sense a way to escape his family's burden - selling Atma hair oil for his dad — and take a week of freedom while driving from Rajasthan to the sea. On his way, Vishnu picks up several passengers who go on this journey with him: a smart orphaned boy, an old wise mechanic, and a beautiful widowed gypsy. Even this barren place has its rulers, however, and they appear in the form of a sadistic policeman and cruel, water-hoarding gangsters.

This movie is visually stunning, poetic, artistic and completely real. Dev Benegal's direction is fantastic. In order to understand the true meaning of this symbolic piece, one would have to figure out what every object in the movie signifies - the oil, the water, the well, the people he meets and goes on this journey with, the group of water searching women he always encounters on his way. This is the journey of life, and everyone is free to interpret it the way they want. But it does not really matter if you just want to enjoy the film. The movie is just engaging, mysterious and interesting without forcing you to find a hidden significance in the story. The situations, the dialogue, the characters, the locations are so authentic and fascinating that the movie flows extremely well. I was captivated not only because it is visually stunning; it is also perfectly paced and has an inexplicably understated sense of life.

Road, Movie captures the serene and peaceful beauty of the broad and desolate desert landscapes. It is done is a way that is so precise that there seems to be no way possible to take your eyes off the screen. This is aided by two aspects which are of the strongest in the film: the exquisite cinematography and the superb background score. These two aspects, done with sheer excellence by Michel Amathieu and Michael Brook, respectively, are perfectly brought together on-screen to create a breathtakingly mesmerising visual treat. The music complements the images and vice versa. I loved the sequences in which the group started screening different classic films, used to relax the villains. From Deewaar (1975) to Jaal (1986) to Andaz (1971). And ironically, Vishnu's father's damned hair oil somehow always comes to his rescue.

As already mentioned, the film is extremely realistic, and the acting is roundly natural. All characters no matter how lengthy or brief they are look totally genuine. Abhay Deol leads this film, and this brilliant actor yet again proves why he is possibly the finest actor of his age bracket. He is a brave actor as he is not afraid to be unlikable or look selfish and he does it exceedingly well. Mohammed Faisal plays the nameless boy who is in search of a better life with ease and conviction. Tannishtha Chatterjee is mind-blowing as the mysterious and widowed gypsy woman. The scene in which she starts singing a beautiful folklore song is wonderful. However, the one who steals the show is undoubtedly Satish Kaushik - he is simply outstanding from start to end. He makes his character so authentic, likable and memorable. This is one of his finest performances and according to me the finest in the movie.

In one of the film's most wonderful dialogues, Satish Kaushik's character says something that really epitomises the power of this picture: "Ah, the magic of cinema - lets you forget life, pain, worry... Takes you far away into a world of dreams." 'Road, Movie' really is a lyrical tribute to the magic of movies - a breathtaking, beautiful and fascinating gem. This is a spectacular picture.

The first thing that you would probably feel at the end of the movie is - The movie was Strange. The movie basically doesn't have a "real" story as in nothing really happens. I would liken this movie to something very loosely on Easy Rider. The protagonists in that movie were on a trip to Mardi Gras, here the Mechanic is searching for a Mela. They encounter few people on the way, they reach the destination and the movie ends - to put it in a oversimplified terms.

This movie does contains few moments of subtle laughter - but doesn't give you enough. The scene with the local water don is quirky and it seems that the movie is going to change some pace - but it is left at that.

Abhay Deol seems to have carried his Dev D attitude in this movie which sometimes feels like a misfit. Satish Kaushik's character as the Mechanic is the best cast.

May be few years down the line this will be termed as a defining piece of work in Indian Cinema - Bollywood does needs to change its face to catchup with the global scene and not be a laughing stock with its song and dance sequences in huge bungalows. This just might be a baby step towards that direction.