Charlie Valentine

First of all I was really looking forward to seeing this movie, I am familiar with all of the players in this film and had heard great things about it. I saw the trailer from the Sacramento International Film Festival and was quite intrigued.

As a fiction writer I have to say the story was great, as a screenplay writer I have to say that it was great and it hit all its plot points right on. As an actor I would have to say that the players were at least a 7 out of 10, but direction defeated some. Where it starts to fall apart is with the editing, sound and direction. The cinematography had it's high points but seemed to be defeated by the direction, sound and FX.

At points it was obvious that the editor and Foley were rushed to get this finalized.

I came in with elated expectations and came away really angry about the final product. I say give it back to a real hard core editor/storyteller and see what comes out of their efforts.

Before I get started, let's just suffice to say that I loved this movie. I screened it at the AOF Festival in Pasadena 2009 and not only did Jesse Johnson do a great job making a film about a terrifically flawed but outstanding character; he did it in a way that kept the tension, excitement and power of the film moving, moving, moving. Raymond Barry was fascinating to watch as was the rest of the stellar cast, from Keith David to James Russo, Tom Berenger and one of my favorites Steven Bauer. The cast alone is worth the price of admission and if you get the chance to see Maxine Bahns in Conjurer, don't pass it up, she is great. The story follows Charlie on the lamb and in a seemingly desperate attempt to bond with his son in the process, a son who desperately wants to be like his father; or so he thinks. No spoiler here but what happens is fun to watch and a pleasure to see. I know the director and stars usually get all the credit but in this case someone needs to give a little love to the producers who took a chance and gave me one of my best viewing experiences of 2009. Great job guys!

Elderly gangster Charlie Valentine (Raymond J. Barry) wants to slip into retirement, and decides to pull one last con on his longtime boss Rocco (James Russo). Of course everything goes wrong, and Charlie tracks down his estranged son (Michael Weatherly) for safety. Charlie teaches him the tricks of the trade, and Rocco tracks them down.

Director Jesse Johnson impressed me with his previous effort "The Butcher", starring Eric Roberts and Keith David, who returns in Charlie Valentine. His new film has a classic plot that is largely the same as The Butcher, which isn't a bad thing because of how well it's done. Good action, good acting, and a solid plot keep you interested.

Barry is a great lead. He says his lines with his trademark growl and as much as you know his villainy you can't help but support him. Weatherly shows his talent and holds his own with Barry. James Russo and Steven Bauer make up the badguys here and turn in some great performances. Tom Berenger and Keith David aren't in this for more than five minutes each but it's nice for them to throw their names into some smaller work.

Worth a look if you like the genre or the actors. I give it a nine.

I've seen Jesse Johnson's third and best movie (so far) at the "Action On Film" festival in Pasadena California. This little known cinematographic gem harvested the festival Best picture, Best action Picture, Best Cinematography and the Best Musical Score. Quite a feat for the team led by the talented screen writer and director Jesse Johnson who managed in only 18 days of filming (and with a budget that is considered petty cash in Hollywood) to come up with an action drama movie that isn't only well acted, captivating and entertaining for the action movie fans, but also adds a very human dimension to the classic gangster movie of the old days. Think of the main character Charlie Valentine as an aged Scarface who's ruthlessness and killing instincts are fading away with age and with the realization that in life there are other more important things than money, power and sex. The characters are well rounded and played wonderfully by the main characters, Raymond J. Barry (Training Day) and Michael Weatherly (Gun Shy). The cinematography is top notch - a special mention for the great camera work and image quality. And most importantly, it certainly looks like Jesse Johnson, the screen writer and director of Charlie Valentine who did an excellent job putting this story on screen, is becoming the new flag bearer of the British Invasion in American cinema. Rent or buy the DVD - you won't be sorry.

Charlie Valentine is a self absorbed and aging gangster, with a wealth of knowledge concerning the lifestyle. He searches out the son he vaguely remembers and takes advantage of the young man's desire for a father and son relationship. Don't get the mistaken idea this is a family melodrama, Charlie Valentine is a gangster film thru and thru.

While big studios put much money, star power, and effort into making standard quality gangster films like Public Enemies and American Gangster, along comes an unassuming writer/director named Jesse Johnson who, with a fraction of the time schedule and budget, makes producing a quality crime film look as easy as a ringin' a bell. Interesting three dimensional characters, solid pacing, smart dialog, skilled cinematography, well staged and believable action, these are just a few of the elements that make this an above average project. These days plenty of films sport an entire cast made up of familiar faces with name recognition, but making proper use of the talent is another matter altogether. No such problem with Charlie Valentine, as it uses it's cast to great effect. Raymond J. Barry as the titular Valentine is excellent and Michael Weatherly compliments him well, meanwhile veteran actors like Steven Bauer, James Russo, Keith David, Vernon Wells, and Tom Berenger, all step up to the plate and deliver the cinematic goods. Is this on par with the best of Scorcese or Bogart? No, though that's a very short list, but Charlie Valentine easily rises above many of it's gangster film contemporaries.