Polytechnique

In contrast to the perpetrator's actions at the École Polytechnique in 1989, Denis Villeneuve's interpretation of the events is graceful, tactful and meaningful. Filmed in black and white, ostensibly in order to give the presence of blood a less invading quality, Polytechnique begins in the hours leading up to the attack and parallelly follows the killer and three of the affected students: two female victims and one male bystander who desperately tries to find the right course of action in the midst of the chaos. The film is narratively economical and passes no judgement explicitly. Instead Villeneuve lets the characters' actions speak volumes, and he gives his picture an extra zest by including some subtle jumps between timelines. An artistically fulfilled movie with a hard-hitting subject matter which would be Villeneuve's first stepping-stone towards larger projects.

This film, shot mostly handheld with a black and white color grade, is a realistic recreation of a real life nightmare scenario that happened not too long ago in modern history. Focusing on a small group of fictional recreations of real life people, this film truly shows the dangers of untreated pyschological disorders, including depression, and the dangers of anti social idealogy in the hands of an armed person. It is a well done film with excellent acting from the cast, and is an anxiety inducing and truly negative experience, but one worth watching, to both remember the horror of the past, and to realize that such events still happen far too frequently in the present.

As a piece of cinema, this is truly a sight to behold. The filming is beautiful in its ability to tell the story of a horrific shooting in Montreal in 1989. The black and white filming and the direction remind of the "Dekalog" by Krzysztof Kieslowski.

The acting is exceptional. The performance by a young Karine Vanasse is powerful in its understated subtlety.

The story is deeply moving. This type of plot isn't for everyone, but if realistic drama is enjoyable to you, as it is to me, then you will be impressed by the quality of this movie.

From the opening scene of students busy doing their copying in front of an array of copying machines, and the sudden disruption caused by a burst of gun fire, Polytechnique grabs the viewers by the collar and placed them right in the middle of this horrific event that took place in Montreal in 1989.

The film claimed to be a fictionalized account of the massacre, in which 14 women were killed and many others were wounded, and I don't know to what extent it adheres to facts. But that does not matter. As far as story telling goes Denis Villeneuves did it with skill and without fanfare. B/W images, and a restraint use of dialogue and music add to the mood of this film, which is not an uplifting experience by its very nature. Acting was good by the several male and female leads. Editing was excellent.

Overall, I look at this films as Canadian cinema at its best - despite the depressing nature of the subject matter.

Since I'm really really looking forward to seeing Dune in the future, I felt like checking out this early film from Denis Villeneuve's filmography. This movie's based on a real-life tragedy that occurred at the Polytechnique Montreal engineering school in 1989, and it dramatizes the event in a way that feels very humanistic. It doesn't make any comments or draw conclusions about the event and still leaves you feeling for most of the people involved. It does a great job of being ambiguous, something Villeneuve has mastered throughout his filmography. My heart goes out to the survivors, and my thanks go out to Villeneuve for being so great at making films like this.