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"I can't come home right now. I know I'm not dead yet."

Welcome to the Rileys is certainly a flawed movie. The characters are a little flat, and don't seem to be written as genuine people, at times. The story scenario, with its focus on lost loved ones and damaged people finding healing or comfort in each other, is one that seems to be in every other movie, recently. And the ending seems a bit rushed and unfinished.

But still, I found myself enjoying it all.

The key lies in the color and atmosphere added by using New Orleans as the primary location, and the performances of the three primary cast members. 

The first point may appeal only to those who have visited or who live in the city. Filming a movie in New Orleans gives it an instant, appealing flavor to anyone who's been there before, walking past the same restaurants and down the same streets. Very cool. I'll admit that this might not be as big a deal to others as it was to me, though. 

What everyone should be able to recognize and appreciate, however, are the great performances by James Gandolfini, Melissa Leo, and Kristen Stewart. They carry this movie with some really excellent acting, even though their characters are slightly hobbled at times with some spotty writing. Especially when it comes to the dynamics of the various relationships. Still, the three of them (especially Gandolfini and Stewart) easily make Welcome to the Rileys worth at least a rental.

This independent film "Welcome to the Rileys" is one when you watch you will feel gritty and touched and see that life is full of heartache, pain and it's very complex for some and the cast is an all star lineup featuring James Gandolfini, Kristen Stewart, and Melissa Leo.

Gandolfini("The Sopranos")is Doug Riley a married man who's a humble guy yet inside he's a torched soul as he stills feels the pain and sorrow of losing his teenage daughter. And Doug decides to take a business trip from Indiana to New Orleans to get away for some pondering from his sweet yet neurotic and nervous ridden wife Lois(the great Melissa Leo). And upon arriving in the big easy he meets in a club a young exotic dancer named Mallory(Kristen Stewart). And Mallory has more problems than just being a stripper she's a messed up and foul mouthed little girl who needs direction.

And ironically Doug fills the void in his heart by feeling sorry for Mallory as he ventures to her rundown apartment and slowly yet surely he takes her under his wing. Doug even starts to fix things up and stay right with her this is love attachment not of the erotic kind. It's like this guy with daddy issues has solved his complex life and bleeding heart with a new love as this takes away the pain of his lost daughter. And finally when Lois journeys down to the big easy she sees that them being with Mallory was not meant.

Overall pretty good picture of emotional attachment and love still it proves that some connections were not meant to be still if you show a troubled heart love then hope and a new journey is possible.

Doug Riley is a plumbing supplies contractor from Indianapolis who lives with his wife Lois and reaching their 30th wedding anniversary. After they lost their 15 year old daughter in a tragic car accident the couple has grown distant with no exchange of intimate relationship and spoken barely few words a day. It seems like Doug and Lois both miss their lives inside yet don't know where to begin in finding it again. Meanwhile Doug finds comfort in a black waitress yet that relationship doesn't last long either even though it brings some kind of a peace in to Doug's life. Lost and torn this couple seems to be just living their days for nothing.

Doug goes to New Orleans for a convention and there he unexpectedly meets a 16 year old girl Mallory who is a stripper. Rather than taking advantage of her with her own consent Doug see someone else in her and starts to emotionally care for her. He somehow makes in an ambition to take this teenage girl out of her miserable life and give her some comfort and long lost fatherhood. But this task become difficult by the day as Mallory resist to change or to accept Doug's generosity even though she know his genuine motives.

'Welcome to the Riley's' is a heartfelt drama. Most of the moments are silent and filled with self perseverance but the script gradually builds up a solid story line. It's not boring even though it's a little slow which almost all dramas are. But there is something special about this one. This one is about self retribution. Don't know if it's totally correct to describe it that way but I feel like Doug is trying to find peace in his heart by dedicating his effort to make a something good for Mallory. The society is a wicked place to be good some times which the script proves over and over. The harsh words coming out of Mallory's mouth must have pierced Doug's heart one too many times. Yet he patiently set on his path which maybe his experience in life has tough him to do so.

Acting wise the movie is mention worthy. Doug played by James Gandolfini is a role skillfully done. And at the same time Melissa Leo effectively plays Lois the depressed, grieving mother who hasn't set foot out of the house for months. And finally the Twilight famed Kristen Stewart portraying the damaged and arrogant stripper girl make us forget her glamorous lead role in the romantic vampire franchise with her performance in 'Welcome to the Riley's'.

As a viewer you will be made to judge these characters. You will be asked to decide if what they do is right or wrong or if they did really succeeded in their roles at the end. Even thought it has no fairy tale ending this movie will live in your minds for a long time.

read more of my reviews at flickshout.blogspot.com

A very realistic film compared to similar character dramas: Welcome to the Rileys features excellent casting, writing and direction. Welcome to the Rileys is a movie about what love really is: not sex and emotion, but the absence of anger, having absolute patience and leading women in the right way to be.

For example: The protagonist is not written as a perfect man, but its clear the writer knows what a perfect man is, and, that it's achievable.

The cinematography felt very raw almost like a faux documentary. The film will appeal most to adults who appreciate nuance and subtlety.

Greetings again from the darkness. Reading the synopsis on this one could lead you to believe you've seen the same thing 40 other times - an indie flick where a nice guy rescues the teenage runaway who has fallen into a life of stripping/prostitution. This assumption would be incorrect. What sets this one apart is the script from writer Ken Hixon and the acting trio of James Gandolfini, Kristen Stewart and Melissa Leo.

Two of those names may surprise you. Gandolfini is of course best known from his run on The Sopranos. What many don't realize is that he was a fine character actor prior to that iconic role. And many more know Kristen Stewart only as Bella from the Twilight franchise. In fact, she was a scene stealer prior to that in Panic Room and again in Into the Wild. Melissa Leo has experienced a career boon since her Oscar nomination for Frozen River. This year, she can also be seen in Conviction and The Fighter.

Hixon's script is unusual because it has the feel of how these people would actually interact. Gandolfini owns a plumbing supply business and leading, as they say, a life of quiet desperation. His wife (Leo) has been a virtual recluse since their teenage daughter died. Their marriage basically died that night as well, though they keep going through the motions that 30 years together brings. While attending a convention in New Orleans, Gandolfini stumbles into a strip joint and falls right into the life of Stewart.

The obvious thought is that he sees this as his opportunity to rescue her from this awful life and be the father he never got to be his own daughter. But there is more. He really comes across as a guy just searching for meaning in life ... his own life. He doesn't pretend to have the answers, but is not content to sit around and wait to die. His bizarre actions motivate his wife to actually leave the house and join him in New Orleans. Her reaction to what she finds is, once again, very real and un-Hollywood.

No need for me to give away any details or plot points. Watching these three together is refreshing for this avid movie goer. The stereotypes are minimal. The dialogue is sparse, but authentic ... just like the setting. Searching for meaning can be a painful process and it's not always obvious when one has succeeded. The director of the film is avid music video director Jake Scott, who also happens to be the son of Ridley and nephew of Tony. Jake shows none of the over the top tendencies of his more famous relatives. In fact, the level of understatedness is a joy to behold.