Um advogado que defende um homem rico começa a acreditar que seu cliente é culpado de mais de um crime.Um advogado que defende um homem rico começa a acreditar que seu cliente é culpado de mais de um crime.Um advogado que defende um homem rico começa a acreditar que seu cliente é culpado de mais de um crime.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 indicação no total
Kate Moennig
- Gloria
- (as Katherine Moennig)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
The titular Lincoln lawyer is smooth Mick Haller who is just as smooth as Matthew McConaughey. His sleaziness is entertaining, but his lawyering is smart and intriguing. This film has pretty much the perfect mix of a smart plot, with inventive twists, amusing one-liners, and captivating thought-out characters.
Limited action and instead using characters who have an actual story, we get a film that sets itself above its competitors. A charming, but also smart and strong, Matthew McConaughey introduces us to a lawyer who has a few inner turmoils that develop along with the plot. There may be a few too many twists in the story (and with the camera), but the evolution of McConaughey's Haller is rather subtle and not cliché.
Questions of innocence versus guilt surround Louis (Ryan Phillippe) as Haller agrees to take on his case. But as the case starts to collide with incidents of the past, present and future, similar questions of guilt and innocence start plaguing Haller, his other clients, and the other lawyers. The fact that all these other characters are played by great actors only increases the entertainment value of this film. I highly recommend taking a thoughtful ride with "The Lincoln Lawyer".
Limited action and instead using characters who have an actual story, we get a film that sets itself above its competitors. A charming, but also smart and strong, Matthew McConaughey introduces us to a lawyer who has a few inner turmoils that develop along with the plot. There may be a few too many twists in the story (and with the camera), but the evolution of McConaughey's Haller is rather subtle and not cliché.
Questions of innocence versus guilt surround Louis (Ryan Phillippe) as Haller agrees to take on his case. But as the case starts to collide with incidents of the past, present and future, similar questions of guilt and innocence start plaguing Haller, his other clients, and the other lawyers. The fact that all these other characters are played by great actors only increases the entertainment value of this film. I highly recommend taking a thoughtful ride with "The Lincoln Lawyer".
The Lincoln Lawyer (2011)
You gotta love the suave, smart, never quite cocky performance by Matthew McConaughey as a wily defense lawyer in this slightly clever, slightly formulaic movie set in contemporary L.A. He's almost like the James Bond of the justice system, operating outside the rules but ultimately on the side of good. And himself.
The one woman in his life is a common movie cliché, unfortunately, though a useful one--an ex-lover he's still a little in love with, and they once had a child together so there is a tinge of sweetness once or twice. And this woman (played by Marisa Tomei--I never caught whether they were once married or if they were just making good on getting pregnant) works in the D.A.'s office, which is useful for a defense lawyer. The rest of the cast is straight Hollywood fare, including a couple of older men big players who are always strong if a little too dependable and a couple of younger actors who are a bit more pretty than talented. The includes especially the principle perp, Louis Roulet, played Ryan Phillippe (he was that brand new cop in "Crash") who is decent in a role that demanded amazing.
Roulet is super rich, and he's been accused of beating up a prostitute, who in turn is accused of using Roulet in some kind of scam for his cash. It's complicated from the get go, which makes the movie get your attention and hold on--you actually have to be careful not to get lost at first. The mind game/power game between the two men--McConaughey and Phillippe--is the crux of the movie, but it never gets the intensity of say a Hitchcock film (Hitch being the master of the innocent man accused, and of psychological intensity).
In fact, you might say the movie misses a beat by letting the plot center mostly on the lawyer, except for the simple fact that McConaughey is so darned good. The subplot with his child, his relationship with Tomei, and a few other small diversions don't add enough to make them worthwhile. There is, luckily, plenty of screen time with the two men together, though all the courtroom scenes might not count (Phillippe is oddly lifeless there, except for one nice overacted speech about the horror of being accused of a crime you didn't commit). And gradually a very subtle shift in guilt and motive takes place, so that what we thought was happening gets undermined.
And it's no great surprise. The one surprise at the end isn't even a surprise, quite, or if it is, it's not set up enough to really make you care. It's another cliché worked into a well made movie with a single actor shining in something close to an Oscar-winning role.
The title? And the selling point of the movie (a lawyer working out of his Lincoln)? A terrific idea that is only pertinent in small moments, most notably and ludicrously in the motorcycle gang scenes (plural) Which shows another direction the movie might have taken into farce and comedy.
But this is a congenial movie with a serious plot of crime, enjoyable all the way through, nothing more or less than that.
You gotta love the suave, smart, never quite cocky performance by Matthew McConaughey as a wily defense lawyer in this slightly clever, slightly formulaic movie set in contemporary L.A. He's almost like the James Bond of the justice system, operating outside the rules but ultimately on the side of good. And himself.
The one woman in his life is a common movie cliché, unfortunately, though a useful one--an ex-lover he's still a little in love with, and they once had a child together so there is a tinge of sweetness once or twice. And this woman (played by Marisa Tomei--I never caught whether they were once married or if they were just making good on getting pregnant) works in the D.A.'s office, which is useful for a defense lawyer. The rest of the cast is straight Hollywood fare, including a couple of older men big players who are always strong if a little too dependable and a couple of younger actors who are a bit more pretty than talented. The includes especially the principle perp, Louis Roulet, played Ryan Phillippe (he was that brand new cop in "Crash") who is decent in a role that demanded amazing.
Roulet is super rich, and he's been accused of beating up a prostitute, who in turn is accused of using Roulet in some kind of scam for his cash. It's complicated from the get go, which makes the movie get your attention and hold on--you actually have to be careful not to get lost at first. The mind game/power game between the two men--McConaughey and Phillippe--is the crux of the movie, but it never gets the intensity of say a Hitchcock film (Hitch being the master of the innocent man accused, and of psychological intensity).
In fact, you might say the movie misses a beat by letting the plot center mostly on the lawyer, except for the simple fact that McConaughey is so darned good. The subplot with his child, his relationship with Tomei, and a few other small diversions don't add enough to make them worthwhile. There is, luckily, plenty of screen time with the two men together, though all the courtroom scenes might not count (Phillippe is oddly lifeless there, except for one nice overacted speech about the horror of being accused of a crime you didn't commit). And gradually a very subtle shift in guilt and motive takes place, so that what we thought was happening gets undermined.
And it's no great surprise. The one surprise at the end isn't even a surprise, quite, or if it is, it's not set up enough to really make you care. It's another cliché worked into a well made movie with a single actor shining in something close to an Oscar-winning role.
The title? And the selling point of the movie (a lawyer working out of his Lincoln)? A terrific idea that is only pertinent in small moments, most notably and ludicrously in the motorcycle gang scenes (plural) Which shows another direction the movie might have taken into farce and comedy.
But this is a congenial movie with a serious plot of crime, enjoyable all the way through, nothing more or less than that.
I found this movie very enjoyable. Matthew McConaughey played a very believable and spot on performance as Mick...I think the casting decisions were great Marisa Tomei, Ryan Phillippe, William H. Macy, Josh Lucas, etc. Did a fabulous job. The plot line was fantastic and left you on the edge of your seat, the script was enjoyable, with both serious dramatic scenes to funny lines that left the whole theatre laughing. Over all a great movie thats targeted toward an older audience 30's-60's. But I'm 13 and my mother took me and I loved it. Although I'm a teenager and most of us just like a bunch of romantic-comedies, I have a wider genre of love in movies. Hope you enjoyed this one as much as I did.
Playing the title role in The Lincoln Lawyer is Matthew McConaughey so nicknamed because he conducts most of his business from his Lincoln Town Car which is chauffeured by Laurence Mason. As he has to travel to and from various courts, this makes it a whole easier. And the car and Mason thereby become a business expense. Roy Cohn would have been proud.
McConaughey is no idealist, his services come at a price. But it turns out he has some scruples and they are put to the test when rich boy Ryan Phillippe and his mother Frances Fisher hire him to defend Ryan when he's arrested for rape. He was literally caught in the act as two neighbors broke in and held him for the cops for raping Marguerite Levieva.
Due to the canons of the Bar Association ethics McConaughey finds himself in a jackpot similar to the one Al Pacino found himself when he played a young idealistic lawyer in And Justice For All. But the results are a whole lot different because McConaughey is not an idealist and he makes those canons work for him.
The film looks like the pilot of a TV series, but I doubt we'll get any of the big name stars there if such a thing comes to pass. Marisa Tomei co-stars as McConaughey's ex-wife and a prosecutor to boot. Can't imagine what broke that marriage up. William H. Macy has a key role in this film as well as a private investigator who works for McConaughey and does very well in it.
The Lincoln Lawyer is a very well done addition to the legal cinema with a cast that fills its roles out to a "T". I would really recommend renting the Al Pacino classic And Justice For All and see the very great similarities and key differences in both of these films.
McConaughey is no idealist, his services come at a price. But it turns out he has some scruples and they are put to the test when rich boy Ryan Phillippe and his mother Frances Fisher hire him to defend Ryan when he's arrested for rape. He was literally caught in the act as two neighbors broke in and held him for the cops for raping Marguerite Levieva.
Due to the canons of the Bar Association ethics McConaughey finds himself in a jackpot similar to the one Al Pacino found himself when he played a young idealistic lawyer in And Justice For All. But the results are a whole lot different because McConaughey is not an idealist and he makes those canons work for him.
The film looks like the pilot of a TV series, but I doubt we'll get any of the big name stars there if such a thing comes to pass. Marisa Tomei co-stars as McConaughey's ex-wife and a prosecutor to boot. Can't imagine what broke that marriage up. William H. Macy has a key role in this film as well as a private investigator who works for McConaughey and does very well in it.
The Lincoln Lawyer is a very well done addition to the legal cinema with a cast that fills its roles out to a "T". I would really recommend renting the Al Pacino classic And Justice For All and see the very great similarities and key differences in both of these films.
WOW ! Reading the reviews on this movie were more about Matthew M. being cast and his supposedly poor films. People do you not recall "A Time To Kill" he was very great, "Frailty" very good, very scary. "Thirteen Conversations About One Thing" Amazing. "Ed TV' great and sweet.and more where his shirt stays on. Cut it out!!!
The movie is good, it stuck to the book and did not get bent of Michael C's concept. I truly dislike when a book is made into a movie and manipulated.
As for Matthews performance, he seems a little more laid back then as in the movies mentioned above, but I do enjoy seeing him play the clever lawyer type.
The movie is good, it stuck to the book and did not get bent of Michael C's concept. I truly dislike when a book is made into a movie and manipulated.
As for Matthews performance, he seems a little more laid back then as in the movies mentioned above, but I do enjoy seeing him play the clever lawyer type.
Você sabia?
- CuriosidadesMichael Connelly wanted Matthew McConaughey for the role of Mickey based on his performance in Trovão Tropical (2008).
- Erros de gravaçãoThey mention early in the movie that Louis is apprehended by the two gay guys (Reggie's neighbors). Neither the prosecution nor the defense calls them to the stand as witnesses.
- Citações
Mick Haller: I checked the list of people I trust and your name ain't on it.
- ConexõesFeatured in Conan: The Double-Fudging of Vanessa Del Rio (2011)
- Trilhas sonorasAin't No Love in the Heart of the City
Written by Michael Alan Price and Dan Walsh
Performed by Bobby Bland (as Bobby 'Blue' Bland)
Courtesy of Geffen Records under license from Universal Music Enterprises
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- El defensor
- Locações de filme
- 3104 Minnesota Street, Los Angeles, Califórnia, EUA(Mick Haller's House)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 40.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 58.009.200
- Fim de semana de estreia nos EUA e Canadá
- US$ 13.206.453
- 20 de mar. de 2011
- Faturamento bruto mundial
- US$ 86.752.352
- Tempo de duração1 hora 58 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente