The Wrecking Crew!

Imagine if every hit song of the late 50s, 60s, 70s, and even into the 80s was performed by one band. Ridiculous, huh? Well, guess what? It's closer to reality than you may think. I attended the World Premiere of "The Wrecking Crew" at the 2008 SXSW Film Festival and I was so moved by it that it's hard to contain my enthusiasm for this stunning documentary.

Denny Tedesco chronicles the musical history laid down by his legendary late father Tommy, as well as Hal Blaine and Don Randi (who were present for a Q&A afterward), Carol Kaye, Al Casey, Earl Palmer, Plas Johnson, Joe Osborn, and the dozens of others who sat in on the recordings. Known informally as The Wrecking Crew, these session musicians played on so many hit songs that it could be said they had a larger role to play in the culture of the last 50 years than any other group of people in the world. You may not have heard their names, but you've heard their music.

The list of artists whose songs they backed up is amazing: The Beach Boys, The Byrds, The Association, Glen Campbell, The Mamas & Papas, The Monkees, Richard Harris, The 5th Dimension, Sam Cooke, Sonny and Cher, Captain and Tennille, The Righteous Brothers, Simon and Garfunkel, Frank Sinatra, Gary Lewis and the Playboys, Ike and Tina Turner, Nancy Sinatra, The Carpenters, Tommy Roe, The Ronettes, Paul Revere and The Raiders, and Herb Alpert and the Tijuana Brass, to name a few. The Wrecking Crew played on almost all their hit songs. To look at the list is to hear the soundtrack of your life, whether you're 15 or 85 -- you know these songs.

"The Wrecking Crew" was so lovingly made. And the fact that Tedesco got the clearances which gave him the rights to include the music in the film is a tribute to the industry's love and respect for these musicians. It goes without saying that the soundtrack is, without a doubt, the greatest of any film I've ever seen. It has to be, after all. These are the songs we've been listening to fondly for 50 years. I had the chance to sit down with Blaine and Randi after the screening and hear some of their incredible stories. For example, not only are both in the Rock and Roll Hall of Fame, but their contribution to Grammy history is groundbreaking. Blaine played on seven Records of the Year, including an incredible run of six in a row back in the 1960s. That would be unheard of today. It's a feat that was never equaled, not before or since.

No matter what your age, if you have ever listened to music I can guarantee you "The Wrecking Crew" will touch you as few films have. To say that this film is long overdue would be an incredible understatement. It's hard to imagine anyone alive today who hasn't been affected by the people who are profiled in this documentary. There's even a good chance you wouldn't be here if not for the music of The Wrecking Crew. Ponder that.

Greetings again from the darkness. The music business has always been a bit of a mystery – not just to the average record buyer, but even to those within the industry. History is filled with singers, band members, and songwriters missing out on the pot of gold due to slick legal maneuvering from some less-than-upstanding agent, producer or label. This documentary details the prolific recordings from a core group of studio musicians responsible for the sounds heard as rock and roll music exploded on the scene … their stellar performances marketed to the public as the work of popular bands.

Lest you think this is limited to an obscure genre or style of music, the two dozen (or so) musicians known as The Wrecking Crew were responsible for the album music for such groups and performers as The Beach Boys, Frank Sinatra, The Righteous Brothers, Elvis Presley, The Mamas and the Papas, Sonny and Cher, Sam Cooke, The Byrds, and The Monkees. And we can't leave out Phil Spector's "Wall of Sound" which dominated the charts for years. Director Denny Tedesco set out to make a documentary short about his father, guitarist extraordinaire Tommy Tedesco, but quickly realized the story was much bigger than just his dad.

In addition to the very talented (and funny) Tedesco, we get interviews with such talented musicians as Hal Blaine, Earl Palmer, Don Randi, Al Casey, Pals Johnson (The Pink Panther sax soloist), Carol Kaye, and Bill Pittman. There is also insight from producers Lou Adler and Snuff Garrett, American Bandstand's Dick Clark, songwriter Jimmy Webb, plus icon Herb Alpert. Mickey Dolenz and Peter Tork explain the business rationale in having the professionals take care of the recordings, while Roger McGinnis spills the beans that other members of The Byrds (including David Crosby) were pretty miffed at the process.

The personal importance of telling this story is quite obvious in the work of the director, and is especially clear in the segments featuring his father. In addition to the popular music he was involved with, the senior Tedesco's work is heard in such well-known TV themes as Bonanza, MASH, Batman, and The Twilight Zone … plus many movie scores. Archival footage is available for Q&A roundtables and some of the seminar work Tedesco did in the later stages of his career (he passed away in 1997). There is also footage of Phil Spector working in the studio, and some audio from Frank Sinatra as he works on recording, and early Brian Wilson creating the magic of Pet Sounds with the Wrecking Crew.

Glen Campbell and Leon Russell are the two big breakout performers from this group of studio musicians and both speak so highly of these unpublicized artists. Their interviews, and that of Dick Clark, highlight the confusion of timeline in the making of the film. It began making festival rounds in 2008 before running the age old issue of "musical rights" brought distribution to a screeching halt. So now, in 2015, the film is finally getting some theatre time, and with it comes the recognition and appreciation that is long overdue for the members of this very secret club … few of whom seem to hold any type of grudge. They were just happy to make a living doing what they love.

This film instantly becomes one of four documentaries highly recommended for those who want to better understand the music biz. Group it with Standing in the Shadows of Motown (2002), Muscle Shoals (2013), and Oscar winner Twenty Feet from Stardom (2013) to form an 8 hour education and history of popular music over the past three generations.

**NOTE: Kent Hartman released a book entitled "The Wrecking Crew" that provides additional detail; however, it is not affiliated with Denny Tedesco's film.

A celebration of the musical work of a group of session musicians known as the "Wrecking Crew", a band that provided back-up instrumentals to such legendary recording artists as Frank Sinatra, The Beach Boys and Bing Crosby.

Production began in June 1996 and was completed in February 2008. The film played in film festivals in North America, and was the closing film at the Nashville Film Festival on April 24, 2008. A Kickstarter campaign at the end of 2013 raised over three hundred thousand dollars to cover music licensing and final production costs. The film opened in theaters across the United States on March 13, 2015.

I am not clear on what the Oscar rules are. Is this a 2015 film or a 2008 film? I hope it is eligible for Best Documentary. Some are saying it is similar to "20 Feet From Stardom", and I can certainly see that. But I would say this is an even bigger deal. Who knew that so many songs, in so many styles, came from a handful of folks? I will never listen to 1950s or 1960s music the same way again.

As a musician and a woman of a certain age, I nearly worship Carol Kaye as a goddess, and that led me to this film. And while I got a terrific dose of her music and storytelling, I got a lot more than that.

There is nostalgic music, funny people telling great stories, a softening of decades of wisdom to what might have one time been resentment and jealousy and so it's a thoughtful examination of the studio musicians and this moment in history. I really love what was said here about work ethic. The Wrecking Crew worked their butts off, and you don't get anywhere in an art without doing that... And even when you are the best, as they were, you still have a short shelf life.

I enjoy documentary films. While this was not a perfect one, there's so much love here in the making of the movie that I forgave the few shortcomings. And it's a crucial piece of music history.

Even if you didn't grow up with the music, you're bound to recognize nearly all of it. And the film is done well enough that you should enjoy it even if the subject matter doesn't fascinate you right off the bat.

I first saw this film as a preview in Alameda when the director was showing it in private screenings to raise the money to pay the royalties. There are a lot of very famous, well-known songs and he was determined to see everyone got paid. After all, it's about a group of studio musicians who worked for a living.

Just saw it again, and it wears extremely well. It's a documentary, and there's naturally there's some nostalgia, but mostly it's a celebration that mirrors the light-hearted spirit of one of the main subjects, the director's father, Tommy Tedesco.

Like I said up front, if you grew up in the 60's or are a musician, it's a must see. For me it's a 9, but I lowered the rating a point as I realize not everyone is going to be as fascinated by the subject matter as I am.